“Nights in White Satin” (The Moody Blues Cover) – Jim Fusco & Chris Moore

Hello everyone and welcome to another edition of the Laptop Sessions! Chris Moore and I got together to record our duo version of “Nights in White Satin” by The Moody Blues — watch the video here.

About “Nights in White Satin”

Written by Justin Hayward, “Nights in White Satin” first appeared on the Moody Blues’ landmark 1967 album Days of Future Passed. Reissued as a single in 1972, it climbed to No. 2 on the Billboard Hot 100 and became the band’s signature song, famous for its sweeping orchestration and dreamlike mood.

Taking on a song this iconic as a duo was a real honor — there’s no orchestra here, just Chris and me, so we leaned into the melody and the mood that make the song so timeless. I hope our version does it justice.

Watch: Watch “Nights in White Satin” on YouTube
Subscribe: Jim Fusco on YouTube
Jim’s music: jimfusco.com

More Laptop Sessions covers

Gibson Theodore Prototype #1 vs Production: Is There Actually a Difference?

Ted McCarty sketched the Theodore in 1957 and the drawing was lost to time until Gibson made the guitars; Gibson made 318 in total, in red, Natural and black.

Mine is Prototype #1, the first Theodore ever made in Ebony. In the video I put it side by side with the production Natural, still Custom Shop built, and ask: is there actually a difference?

Same design, same P-90 pickups: alder body with the walnut center stripe, chunky mahogany neck, rosewood fretboard, top-wrap bridge, aged knobs and amber switch tip.

The video runs through the story, the specs, how I found Prototype #1, and final thoughts on playability and fretwork.

The short answer: put side by side, they’re essentially the same guitar — they feel exactly the same, the production neck might be slightly thicker, and the only difference I could see is the prototype’s strap-button test hole. It plays great and lightweight, and the fretwork is immaculate.

More gear videos: the Gibson Collector’s Guide (Theodore segment at 7:24)

“Don’t Do Me Like That” (Tom Petty and the Heartbreakers Cover) – Jim Fusco & Chris Moore

Hello everyone and welcome to another edition of the Laptop Sessions! Chris Moore and I got together to record our duo version of “Don’t Do Me Like That” by Tom Petty and the Heartbreakers — watch the video here.

About “Don’t Do Me Like That”

From 1979’s Damn the Torpedoes, “Don’t Do Me Like That” gave Tom Petty and the Heartbreakers their first Top 10 hit, peaking at No. 10 on the Billboard Hot 100. It’s one of Petty’s most enduring rockers, built on that unmistakable chugging guitar riff.

Chris and I love playing this one — it’s pure Petty, all drive and attitude. We kept our duo version lean and rocking, the way the song deserves. Hope you dig it!

Watch: Watch “Don’t Do Me Like That” on YouTube
Subscribe: Jim Fusco on YouTube
Jim’s music: jimfusco.com

More Laptop Sessions covers

Gibson Victory MVX Review & Demo

This is a hands-on review and video demo of my 1981 Gibson Victory MVX — Gibson’s early-’80s answer to the superstrat, in its original Candy Apple Red finish. In this post, you’ll learn the story behind this forgotten Gibson, how its MVX switching system delivers 10 distinct pickup sounds, hear how it sounds in the full video demo, and get my honest take on it.

About the Gibson Victory MVX

Hello and welcome to another edition of the Guitar Bucket List! Today, we feature my 1981 Gibson Victory MVX. In the early ’80s, superstrats were everywhere, and the Victory MVX was Gibson’s answer — a guitar built to cover a lot more ground than a traditional Gibson. Mine is a 1981, still in its original Candy Apple Red finish, and it’s a great example of Gibson trying something genuinely different. Make sure to check out the video below to hear how this Victory MVX sounds and to hear all 10 of its pickup sounds for yourself.

Watch the video demo

Specs & details

  • Model: Gibson Victory MVX
  • Year: 1981
  • Finish: Candy Apple Red (original)
  • Switching: MVX system — 10 distinct pickup sounds

The headline feature here is the MVX switching system. This guitar was designed from the start to be versatile — one instrument that could handle the wide range of sounds players were asking for in the early ’80s, without giving up what makes a Gibson a Gibson.

How the switching works: the 10 sounds

Most guitars give you a handful of pickup combinations. The Victory MVX’s switching system goes further, giving me 10 distinct pickup sounds to work with. In the video, I go through them one at a time so you can hear how much the character of the guitar changes from one setting to the next — some are bright and clear, others are thick and full, and there’s a lot in between. It’s the kind of flexibility superstrat players expected, in a guitar with Gibson on the headstock.

Playing impressions

What I enjoy most about this guitar is that I don’t have to put it down and grab another one when the song changes. With 10 sounds on tap, I can go from clean, chiming chords to a fatter lead tone right on the guitar. It still feels like a Gibson when I play it, but it covers ground that my other Gibsons simply don’t.

The verdict

The Victory MVX never became one of Gibson’s famous models, and I think that’s a shame. It’s an honest, well-thought-out guitar from a period when Gibson was willing to experiment. If you like Gibsons but want the versatility of a superstrat, this is one worth knowing about — and my 1981 in Candy Apple Red is a keeper.

More guitars like this

Watch the full Gibson Victory MVX demo on YouTube, and keep exploring with two more Gibson reviews: the Gibson Les Paul Standard ’60s and the Gibson Les Paul Custom M2M Silver Sparkle. You can also browse every review in the Guitar Reviews hub.