“The Wrestler” (Bruce Springsteen Cover)

By Chris Moore:

(For the chords to “The Wrestler,” go here: The Wrestler Chords)

Hello and welcome to a brand-new week of cover song music videos here at your source for the best of the best — the Laptop Sessions!

But, as much as we like to brag, we really are trying every day to fill this site with a ridiculous number of cover song material — our daily video posts, chords/tabs to your favorite songs, and much more.  We even sneak in a Fusco, Moore, and/or Copperthite original every Wednesday or so…

For today, I’m skimming off the top of the new music / new album current events pool.  Tomorrow is the official US release date of Bruce Springsteen’s 16th studio album.  It’s been less than two years since number 15, so this is exciting news!  I think his previous album, Magic, was one of the best albums of 2007 and certainly my favorite Springsteen album to date.  Now, to be fair, I’ve only listened to his more recent albums, so I reserve my right to change my mind sometime down the line…

But, back to the present.  His new album, Working on a Dream, is coming out amidst a whole lot of Springsteen mania.  For one, there’s his upcoming appearance during the half time show of Super Bowl XLIII on February 1, 2009.  Following in the footsteps of such classic acts as Tom Petty and the Rolling Stones (who were also called out ostensibly to prevent any potential wardrobe malfunctions that may befall a younger, female act!), Springsteen’s album sales are expected to rise directly following the show.  This is opportune timing, then.  Also, two months ago, he released a greatest hits album exclusively at Wal-Mart.  Now, I must admit that I was aggravated when I heard this in the news.  After all, Springsteen is famous and much-respected for his disavowal of corporate sponsorships or endorsements.

Then, as I read some more of the article about this, I realized that it makes perfect sense.  First of all, there’s the statistic that (reportedly) 15% of his recent CD sales have come from Wal-Mart.  Also, there’s the whole Super Bowl business.  I have to admit I can’t blame him and/or his people for pushing a greatest hits out now.  I’m typically disgusted by these sorts of 12-track, almost-all-repeat-tracks-from-his-previous-greatest-hits sorts of releases.  And yet, this is what people will be looking for!  So, as Ben Folds might sing — “You’ve got to give the people what they want!”

Also, the disc is only $9.99, and it’s a limited release item (not part of his official catalog).

I find this stuff fascinating…

But, to come back to tonight’s video, let me explain why I’ve recorded “The Wrestler.”  This is the title track to the film starring Mickey Rourke that has gained the spotlight during various recent award shows.  I have yet to see the film, but I had heard that this track would be a bonus song on the new album.  Thus, I set out to learn it, loved it, and had to record it.  For those of you listening to this song now for the first time, I hope you’ll like my version and want to hear the real one.

I can’t actually vouch for the new album, as I have yet to hear anything other than the song titles from the track listing.  However, I am ecstatic for this, the first new music release of 2009 that I’m really excited for.  I’ll be out during lunchtime tomorrow or as soon as I get out of work to get it.  And, who knows, I may just push myself to write a review tomorrow night.

Crazy?  I know, but that’s what this whole Laptop Sessions thang is all about!

Oh, and before I forget, don’t miss the chords that I just posted a few hours ago here on the site.  Now you can listen AND learn to play the song yourself!

Okay, I’m off to snuggle up with a couple of my dearest friends — one, the Fusco-Moore Experience copy of the latest Rolling Stone (complete with Bruce Springsteen, aka The Boss, on the cover — predictable?  I know, but I couldn’t care less!) and my stack of midterm exams that are ripe for the grading…

See you next session!

More Laptop Sessions covers

Christmas, Volume 1 – Playlists on Parade

By Chris Moore:

Living for years with a friend who made it his business to know, love, and compile Christmas music, I’ve never really taken much ownership of the hundreds of holiday songs that are on my iPod, many of the older and/or more obscure selections having been discovered through him.  Of course, there are certain albums that I look forward to hearing every year.  These albums are collections of music that really help me get into the spirit of the season, ranging from classics like the Beach Boys’ sixties Christmas album to 2004’s Barenaked for the Holidays.

The problem I encountered last year was that the albums were easy to isolate in my iTunes, but the individual tracks from artists that I only listen to at Christmas time were more difficult to call up.  Some of the more legendary singers are easy to remember, like Bing Crosby and Burl Ives, but it is still inconvenient to flip between artists after every song or two.

This year, I was struck by the desire to hear the songs I missed last season, so I woke up early this morning to sort out all the yuletide tracks.  In the end, I had 340 songs in a playlist titled simply “Christmas Collection.”  Now, this is an excellent list to play on random when friends or family come over, or when you’re simply looking to mix it up.

But it could also be a drag to suffer through all your least favorite versions of your favorite songs or to keep hoping a song you’re thinking of is coming up next.

Thus, I sorted out my favorite songs into a separate playlist.  After I had picked through all 340 tunes, I found myself with 70 songs.  Still too many, so I forced myself – forced! – to cut out ten more.  With sixty remaining, I set about separating them into three more manageable lists of twenty each.

This is volume one of the creatively titled “Christmas” playlist series!

In this first playlist, I’ve included some of my absolute favorites, like the Beach Boys’ “Little Saint Nick” and the Moody Blues’ “Don’t Need a Reindeer.” I’ve also added some lesser known but equally excellent holiday themed tracks, like Clarence Carter’s “Back Door Santa” (a song I definitely did NOT fully understand when I first heard it at age 12) and Relient K’s “I Hate Christmas Parties.”  One of the most difficult decisions for me here was whether to use the original and unarguably classic Band Aid version of “Do They Know It’s Christmas?”  In the end, I went with the BnL version, which is on the whole much more listenable, as it’s louder and clearer.

When they remaster the Band Aid version, I may need to revisit this playlist…

I’ll be back with more commentary on the tracks in specific and my process overall next Saturday, so be sure to check back for volume two!

1. “Little Saint Nick” (Single Version) – The Beach Boys

2. “Christmas Vacation” – Mavis Staples

3. “Don’t Need a Reindeer” – Moody Blues

4. “Do They Know It’s Christmas?” – Barenaked Ladies (Band Aid cover)

5. “Back Door Santa” – Clarence Carter

6. “Christmas (Baby Please Come Home)” – Darlene Love

7. “Holly Jolly Christmas” – Burl Ives

8. “The First Snow” – Mike Fusco

9. “Winter Wonderland” – America

10. “Come On Christmas, Christmas Come On” – Ringo Starr

11. “Blue Christmas” – Elvis Presley

12. “I Hate Christmas Parties” – Relient K

13. “Happy Xmas (War is Over)” – John Lennon

14. “Have Yourself a Merry Little Christmas” – Judy Garland

15. “Christmastime (Oh Yeah)” – Barenaked Ladies

16. “Christmas Time is Here Again” – The Beatles

17. “Christmas Don’t Be Late” – Alvin & the Chipmunks

18. “Run Rudolph Run” – Chuck Berry

19. “Here Comes Santa Claus” – Bob Dylan

20. “The Christmas Song” – Nat King Cole

More from the Weekend Review

BnL Live at the Klein, November 2010 – The Weekend Review

By Chris Moore:

See the Set List HERE.

On the heels of my previous BnL concert review, posted little more than three months ago, there isn’t much more that needs to be said, other than to underscore several assertions concerning the Barenaked Ladies.

First, it really can never be too soon to see them play live again.  After seeing them in August with decent seats and having had an outstandingly fun time, I almost considered letting this second New England tour stopover pass me by.

Almost.

Being fortunate enough to live in an area that is located in, as a friend recently referred to it, the “Barenaked Belt,” it simply doesn’t make sense to not take advantage of it.  And, this time around, the venue was considerably smaller – Mohegan Sun Arena being 9500 capacity, and the Klein Auditorium being only 1400.  We sat front row balcony, or “mezzanine” as the theatre people say, and got some performances that probably wouldn’t find their way into a stadium set, songs like the rarely played “Moonstone” and “Tonight is the Night I Fell Asleep at the Wheel.”

A second assertion, and perhaps the main thrust of my August review, is that BnL is every bit as good as they were when Steven Page was in the band.  This is surprising, as he is such a unique talent and a man who brings considerable stage presence and energy to the live shows.

And, for the record, let’s be clear that I would love to see the five-man band reunited at some point down the road.

But, for now, the four-piece Barenaked Ladies are still a force to be reckoned with, and they have apparently decided that no catalog item is off limits, regardless of how much of a “Steven” song it is/was.  Take, for example, the fairly standard middle of their order, a veritable greatest hits of Steven Page tracks: “Sound of Your Voice,” “It’s All Been Done,” “Too Little Too Late,” and “Brian Wilson,” all topped off with the not-so-subtle “You Run Away.”

A third assertion is one that struck me early in the set last night: the Barenaked Ladies are the rare group of men that have gotten cooler as the years pass.  One needs only to compare their image and sound from the excellent and not-to-be-slighted Gordon era with their current stage show in order to appreciate just how cool they’ve become without losing too many fans to claims of selling out.

They have such a vast array of music, and to a certain degree, they allow for it in their set lists.  Although there are certain songs that you can reasonably expect (and in certain orders), there is room for adlibs and unexpected deep tracks, songs like those mentioned above.  Even songs that have been played about ten thousand times over their career, like “One Week,” have taken on a fresh appeal.  With Kevin Hearn singing the Page parts of “One Week” last night, I think they’ve finally perfected their recent live arrangement of this, their best-known composition.  Likewise, Tyler Stewart and Jim Creeggan have stepped up their game, Stewart bringing down the house with his reinvigorated, Jack Black-esque approach to “Alcohol” and Creeggan with his on-stage gesticulations, ear-to-ear grin, and acceptance of the spotlight for tracks like “On the Lookout” and “Peterborough and the Kawarthas.”

Finally, as if it needs to be said, Ed Robertson is a force unto himself.  His white man rapping helped to establish the band’s public image, and he is ever willing to put himself out there for a laugh.

When I choose the words “put himself out there,” I mean that literally.

Last night, as a tribute to their excellent opening act Jukebox the Ghost’s final night on tour, Robertson emerged from backstage with only a towel on.  Then, positioning himself between keyboardist/lead vocalist Ben Thornewill and the audience, he opened his towel so only Thornewill could see him and proceeded to dance to the music.  He moved around the stage and repeated this process for the other two band members.  Meanwhile, the crowd was laughing and clapping and screaming, and guitarist Tommy Siegel laughed his way through his vocals.

As Thornewill pointed out after the song, he could only see Robertson in his peripheral vision at first.  When he reached his hand out to pretend to tickle him, he found that Robertson was indeed wearing only a towel.

Never let it be said that the “Barenaked” part of their band name hasn’t been earned.

Forgive me for getting up on my soapbox yet again, but BnL continues to be one of the most underappreciated rock music acts of the modern age.  If you or someone you know hears “Barenaked Ladies” and instantly thinks “goofy,” “funny,” “If I Had $1,000,000,” and/or “One Week,” then check bnlmusic.com for a tour date in your area.  One show and you’ll be hooked.  Guaranteed.

I’ve been a fan now for over a decade, and they continue to recapture my interest and adoration each and every time I see them live.

As I climb off my soapbox, I bid you good day and hope this review might at least inspire a spin of Maroon or Stunt.  Or Gordon.  Or Maybe You Should Drive.  Or Everything to Everyone.  Or…

Well, you get the idea.

More music reviews

“I Told You” (Thorns Cover)

By Jim Fusco:

Wow, how long has it been?!?!  I’ve been so incredibly busy that I keep looking back and saying to myself, “Hey, hasn’t Thursday just passed?”  Between work, refinancing a mortgage, ditching cable for DirecTV, working on the house and lawn, and much more, I can’t believe it’s already almost Christmas time!  I’m really excited about it and hope to have some more free time to do videos and just enjoy life, you know?  I’m most excited about writing and recording my new set of songs- I’m already up to 13!  Plus, we’re hoping to get our basement finished soon, and that means I’ll have a brand-new “studio” of sorts to record my videos in!  I’ll have more room, be able to use instruments I haven’t touched since I moved-in over a year ago, and will have much better lighting.  Plus, who wants to see a printer in the background, anyway? 🙂

Onto tonight’s video!

I have such a long list of videos to record now, but I’m starting here with a song I’m sure you’ve never heard of.  Normally, I like to take songs that weren’t originally “acoustic” and turn them into the classic Laptop Sessions “a man and his guitar” format.  But this is just a great song and shows that a true simple acoustic guitar tune can be just as good as a fully produced song.  Sure, the Thorns (a band formed by three mid-90s solo acts to form a sort of “supergroup”) sing in great three-part harmony on the song.  But, I’ve never been able to find other people to sing in that range with me on a consistent basis.  So, I’m going it alone on this one!

Doesn’t the guitar part just sparkle on my new Martin?  I truly love playing this guitar and it makes all of my videos sound that much better.  Now, I’m not knocking the nylon string guitar.  That guitar is so easy to play and I love its mellow sound.  It’s great to sing with because you don’t have to fight with the loudness of a steel-string guitar.

On a side note about “I Told You”, I believe I read that Van Dyke Parks (of Beach Boys ‘SMiLE” fame) plays the accordion on the original recording.  The Thorns used a lot of older musicians and collaborators on their only album from 2002.  Jim Keltner, the drummer for the Traveling Wilbruys, plays the drums on the whole album!  Now that’s pretty cool.  One of the songs even features a bass harmonica, which is used on the Beach Boys track “I Know There’s an Answer” from “Pet Sounds”.  So, this album was an instant winner with me.  If you haven’t heard the Thorns self-titled album, please do yourself a favor and get it.  You won’t be disappointed.

One final personal aside for a moment- I’ve been going-through the audio versions of every single Laptop Sessions acoustic cover and original song I’ve ever recorded.  I’m up to 221 videos now.  That’s GOTTA be a record!  I wanted to do a project where I chose my favorite videos and recordings.  But, I’m over 150 songs into the list now and am no closer to compiling a list.  I hope I get popular enough to have my own historian someday.  That way, I won’t have to keep track of all this myself. 🙂

It’s good to be back here on the site.  I sincerely hope that I’ll be posting regularly from now on, but who knows.  Something always manages to come up.  Have a great couple of weeks and I hope to see you again in early December!

NOTE: This video was remastered in 2020 for improved picture and sound.

More Laptop Sessions covers