Author Archives: Chris Moore

CD Review: Songwriter (and Former Beatle) Ringo Starr’s New Music on “Liverpool 8”

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RATING:  3.5 / 5 stars

By Chris Moore:

When I read that Ringo and his longtime musical partner Mark Hudson had severed their working relationship, I was concerned for what Liverpool 8 might end up sounding like. Would it follow in the solid, enjoyable footsteps of 2003’s Ringo Rama and 2005’s Choose Love, or would it embrace a new sound altogether? How would Dave Stewart’s influence as producer manifest itself in the music? As much as I’d like to believe I’m open-minded about artistic development, I have also grown fond of Ringo’s recent sound.

A couple nights after the album’s release, I sat in my car outside the CD store, hurriedly tearing the shrink wrap off of Liverpool 8. As the title track began, I was simultaneously hesitant and intrigued – it was a new sound, but certainly not a negative one – hearing Ringo tumble words-first into the autobiographical, “I was a sailor first…” Some may say (and, in fact, some reviewers have already said) that this song is a campy rehashing of his past exploits as a Beatle. I, however, have to scoff at those sentiments.

It strikes me as far too easy to write off or make fun of an “I remember when” song by an ex-Beatle. Have we forgotten the great ex-Beatle autobiographical songs? (George Harrison’s “All Those Years Ago” and “When We Was Fab,” just to name a couple.) Listen to the track for yourself; I hope you’ll find it as interesting, informative, and fun as I did. My favorite line has to be (referring to the leader of the band he was in when Lennon and McCartney saw him play and asked him to join the Beatles), “Played Butlin’s camp/with my friend Rory/It was good for him/it was great for me.” In a recent live version, I’m certain I saw him grinning on that last part, as if to say, “Of course it was ‘great’ for me!”

Initially, I did find the album to be somewhat darker than his recent work, but that is by no means to suggest that his basic advocacy of the “Peace and Love” lifestyle has lessened; if anything, it is just as strong as it has ever been. Songs like “For Love” and (my personal favorite) the solid rocker “If It’s Love That You Want” may not have the most original lyrics, but they have all the heart that we have grown to expect out of Ringo. Even the more serious songs, such as “Now That She’s Gone Away” and “Gone Are the Days,” shine through with lively guitar solos and, of course, reminders that “it don’t come easy” (Any fan of Ringo’s recent, excellent albums who has checked their Billboard ratings would agree!).

At the end of the day, I cannot say that I like this album more than Choose Love or especially Ringo Rama, but I can say that it is a solid, enjoyable album that proves Ringo cannot be written off as the least talented ex-Beatle. He has been smart enough to surround himself with talented young musician/songwriters who compliment his excellent drumming. He has created and maintained an exciting new sound in his recent work. He possesses a larger-than-life personality that drives even his lesser songs forward. And, if nothing else, he still knows how to rock n’roll!

Bob Dylan SET LIST – 11/27/2010 at the MGM Grand Theatre at Foxwoods, Mashantucket, CT

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Click HERE for the Weekend Review!

SET LIST:

1. “Gonna Change My Way of Thinking”
2. “Lay, Lady, Lay”
3. “I’ll Be Your Baby Tonight”
4. “Tangled Up in Blue”
5. “Tweedle Dum & Tweedle Dee”
6. “The Lonesome Death of Hattie Carroll”
7. “High Water (For Charley Patton)
8. “Visions of Johanna”
9. “Summer Days”
10. “Love Sick”
11. “Highway 61 Revisited”
12. “Workingman’s Blues #2”
13. “Thunder on the Mountain”
14. “Ballad of a Thin Man”

15. “Jolene”
16. “Like a Rolling Stone”

“Looking For You” (New Music – Independent Music Songwriter Chris Moore)

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By Chris Moore:

Hello and welcome to the “Title Tracks Week” edition of the Laptop Sessions! Today, I’m proud to pull one out of the archives, dust it off, and present it to you in all its laptop camera – recorded glory… This is the title track from my 2005 album Looking For You – click here to listen!. “Looking For You” is one of only three songs (all included on that album) that I’ve released with drums included in the mix. At the time, Jim officially produced three tracks off the album for me and they are, by far, the standout tracks! With his help and musicianship, I was able to include percussion and background vocals like no other song I had previously released. To this day, I still remember the hours I spent teaching him the songs and learning what I could from his recording style.

“Looking For You” quickly became one of the staples of our band at the time, the trio “Chris, Jim, and Becky.” We played coffee houses and open mic nights, and this song seemed to fit amongst our rather acoustic fare. For whatever reason, I had a hell of a time remembering the words though, so there are some embarrassing live tracks floating around out there. But there is a really great recording of it on our only release as a trio, appropriately titled Live in the Studio – click here to listen!.

Then, in 2006, MoU began recording their debut album – click here to listen!, again with a “live in the studio” sound. Looking for standards that we were comfortable playing, “Looking For You” made the final cut. This, I think, is the definitive version. Years of playing this song finally gelled on this recording, as the three of us were joined by Mike Fusco on drums and Cliff Huizenga on bass.

As a final note, I must admit that I have purposely pushed this song out of our set lists as of late. The reason is certainly not that I don’t like the song; the length of this post should refute that suggestion! (In fact, I’m not sure I’ve ever told anyone before, but this was the first harmonica solo I ever played on my own and it really marked the beginning of that instrument in my music.) I’ve felt that the words of the song get buried in a live, electric rock setting, and that’s the real reason it’s been passed over recently. Playing it again tonight was a blast!

I hope you enjoy it, and I hope you’ll come back to https://guitarbucketlist.com tomorrow for an all-new “Title Track” Laptop Session from Jeff Copperthite… it’s sure to be a great one!

See you next session!



“My First Song” (Chris Moore Original Acoustic Song)

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By Chris Moore:

Well, never let it be said that I was entirely original when I first started writing songs.  This song is proof positive that I had a lot of emotions that needed to be expressed, but that I had a long way to go before I could release songs and not be embarrassed of them.  For instance, take the title of tonight’s original contribution, “My First Song.”

Anyone willing to guess when I wrote this song?

As you may have guessed, this is the first song I ever wrote.  Now, I had written poems and stories, and I had even written lyrics for which I had tunes in my head.  Some of those I would even go back to later on and add music.  But, at the time, this was the first song I wrote as a complete piece.

I clearly recall that afternoon, sitting in front of my sister’s keyboard and awkwardly positioning my fingers on the keyboard, playing with chord progressions and lyrical possibilities.  On this particular afternoon, I was particularly consumed with conflicting feelings of obsession and revulsion for a girl who I spent the better part of four years idolizing.  Now, the lyrics may be simple and the words may be even simpler, but it was true.  It was from the heart.  And, for better or worse, it was probably the most openly honest I have ever been — or ever will be — in a song.

If you pay attention, the lyrics are subtle but have interesting aspects.  For instance, the first verse ends, “I know that you want-“.  This abrupt ending is deliberate; I meant to give the feeling of being cut off, perhaps to invite the girl who is the subject of the song to be curious.  To want to find out what I know and if what I know is indeed what she wants.

The second verse is somewhat enigmatic.  From where I sit, pushing seven years after I wrote this song, I’m not sure if I meant what I think this line means:  “I feel that you want something that will get you there.”  My question now is, where is “there”?  For that matter, what did I mean by “something” rather than “someone”?

Regardless, I had a lot of fun dusting this classic off.  Thanks to the Chris Moore Songbook, I was able to recall the chords and lyrics to this song, as well as several others that I played as part of a “tour down memory lane.”  I hope you enjoy this brief and simple, but landmark (for me!) tune.

As a final note, because I’m posting today, Jeff will be taking my place on Friday.  I know you’ll enjoy Jim and Jeff’s work in the coming days (and I certainly will, as I now have the weekend off!), so I’ll see you all on Monday.

See you next session!