The Bob Dylan Concert Primer: November 2010 – Playlists on Parade

By Chris Moore:

Since Mike, Nicole, and I are getting revved up for Bob Dylan’s upcoming November 27th concert at the MGM Grand, I’ve been designated the task of preparing a soundtrack for preparation.  I’ve been so busy that I’ve let time slip by since Mike asked me, but I couldn’t allow this to go any farther than tonight.

I started by looking up the set lists for Dylan’s past ten shows (this was made simple by them being easily available on Dylan’s Facebook page).  Each set list is comprised of between 15 and 17 songs, so I sorted through all of the songs and put a tally mark next to each track for each time it was performed.

Well, 53 songs later, it was only somewhat clearer which songs might be played at our November 27th show!

I’ve done my best here to put together the tracks that have been played most often, sorting through different versions I have on my iTunes to pick for not only the best versions, but also to add variety to the playlist.  And “Thunder on the Mountain,” “Ballad of a Thin Man,” “Jolene,” and “Like A Rolling Stone” have been played at every show in the same order, so those are a fairly certain bet (unless he switches it up in the next few weeks).  I’ve put them at the end of the playlist, as they were most often the end of the set list, so don’t stop before you reach those!

Once I compiled this playlist, I couldn’t help but post it here online…

Without further ado, here it is, my November 2010 Bob Dylan Concert Primer.  For all those going to see Dylan this month, I hope this is helpful!  🙂  (For the true Dylan fanatic, I’ve posted my raw data notes below this playlist.)

1)  “Leopard-Skin Pill-Box Hat” – The Bootleg Series Vol. 4: Live, 1966

2)  “Beyond Here Lies Nothin’” – Together Through Life (2009)

3)  “Highway 61 Revisited” – Highway 61 Revisited (1965)

4)  “Just Like a Woman” – Blonde on Blonde (1966)

5)  “Summer Days” – Love & Theft (2001)

6)  “Workingman’s Blues #2” – Modern Times (2006)

7)  “Tangled Up in Blue” – Blood on the Tracks (1975)

8)  “Cold Irons Bound” – Masked & Anonymous (2003)

9)  “Simple Twist of Fate” – The Bootleg Series Vol. 5: Live 1975

10)  “High Water (For Charley Patton)” – The Bootleg Series Vol. 8: Tell Tale Signs (Live Version, 2003)

11)  “Rollin’ and Tumblin’” – Modern Times (2006)

12)  “Thunder on the Mountain” – Modern Times (2006)

13)  “Ballad of a Thin Man” – Highway 61 Revisited (1965)

14)  “Jolene” – Together Through Life (2009)

15)  “Like a Rolling Stone” – Highway 61 Revisited (1965)

Statistics compiled from 10 setlists of shows between Oct 19 and Oct 31, 2010.  Each night, Dylan played between 15 and 17 songs.

Leopard Skin                                                iiiiiiii

This wheels                                                i

stuck inside                                                iii

just like a woman                                    iiiiiii

beyond here                                                iiii

tangled up                                                iiiiii

rollin and tumblin                                    iiii

spirit on the water                                    ii

high water                                                iiiiiiiii

workingman’s blues                                    iiii

highway 61                                                iiiiiiiiii

ain’t talkin                                                i

Thunder on the                                     iiiiiiiiii

ballad of a thin man                        iiiiiiiiii

Jolene                                                iiiiiiiiii

Like a rolling stone                        iiiiiiiiii

senor tales of                                                ii

I’ll be your baby                                                 i

the levee’s gonna                                    iiii

i don’t believe you                                    i

honest with me                                                ii

a hard rain’s a-gonna                                    ii

cold irons bound                                                iiii

love sick                                                            ii

nettie moore                                                ii

rainy day women #12                                     i

Don’t think twice                                                ii

tryin’ to get to heaven                                    ii

blind willie mctell                                    i

summer days                                                iiii

cat’s in the well                                                i

it’s all over now baby blue                                    ii

things have changed                                    ii

desolation row                                                ii

not dark yet                                                i

all along the watchtower                                    ii

lay lady lay                                                i

Man in the long black                                    i

i feel a change comin on                                    i

visions of johanna                                    i

Masters of war                                                i

simple twist of fate                                    iiii

just like tom thumb’s                                    i

forgetful heart                                                i

It ain’t me babe                                                i

tweedle dee & tweedle dum                        i

if you ever go to houston                                    iii

when the deal goes down                                    i

the man in me                                                i

positively 4th street                                    i

the lonesome death of hattie                        i

forever young                                                i

queen jane approximately                                    i

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The Weekend Review: February 2012 Report

Go Fly A Kite (Ben Kweller)

Released: February 7, 2012

Rating: 4 / 5 stars

Top Two Tracks: “Jealous Girl” & “Mean to Me”

When I saw Ben Kweller open for the Barenaked Ladies a couple years ago, I was floored by this performer who managed to blend a wide variety of influences and crossed the genre lines while maintaining a coherent, high adrenaline rock show.  For months afterward, as I picked up his albums, I struggled and largely failed to find anything to match what I had experienced live.  Now, with Go Fly A Kite, Kweller has finally recorded an album that properly expresses all his strengths, alternating between electric rockers and softer acoustic tracks, all the while maintaining a power pop energy that works to his strengths.  Mainstream music critics will largely ignore this album.  Nicholas Moffitt of VZ Magazine went so far as to call it “likeable,” but not before qualifying even this statement with “fans of Kweller and power pop.”  Is Go Fly A Kite the next great rock album?  I’m not arguing that, but it is one of the few albums in recent memory that relies only upon instrumentation and vocals for its energy.  There are no computer tricks employed here: only good, old-fashioned human performance.  There isn’t a clunker in the bunch, and the track listing steadily unfolds larger ideas and themes (not to mention the diorama-style CD packaging, which is one of the most imaginative I’ve seen).  Forget Moffitt’s qualification: if you’re a fan of rock and upbeat, energetic music, Ben Kweller’s latest is a must-hear.

 

 

 

Kisses on the Bottom (Paul McCartney)

Producer: Tommy LiPuma

Released: February 7, 2012

Rating: 2 / 5 stars

Top Two Tracks: “My Valentine” & “I’m Gonna Sit Right Down and Write Myself a Letter”

A confession before I commence: I’m admittedly predisposed to a bad taste in the mouth upon hearing a well-established artist has decided to record an album of covers.  (I know, I know: I write reviews predominantly for a cover songs music video blog.  But, to be fair, we post them for free and for practice in between our regularly-scheduled albums of originals.)  A brief history of just a few of the cover albums that should compel a roll of the eyes: Michael McDonald’s Motown (2003) and the following year’s oh-so-creatively titled Motown Two, all five volumes of Rod Stewart’s The Great American Songbook series (2002-2005, 2010), and perhaps the most disappointing fall into the valley of covers: Eric Clapton’s Me and Mr. Johnson, a follow-up to 2001’s excellent Reptile album, followed in 2010 by a disappointing album of covers – Clapton – masquerading as his latest solo album.  So, when it comes to albums of this ilk, I approach with caution.  In this case, it is not so much that McCartney’s Kisses on the Bottom is a bad album.  It clearly is a very well-thought-out, passionately rendered record.  And yet, on the heels of a string of masterful solo releases – Chaos & Creation in the Backyard (2005) and Memory Almost Full (2007) being probably the best of his career – this collection of traditional pop could do little else than fall short after five years without a new McCartney album.  For what they are, the songs are really done quite well.  It is clear from interviews with McCartney and his producer Tommy LiPuma that this was a labor of love, and it was even revealed that he held off on this project out of desire to avoid any allegations of jumping on the covers train (he even referenced Stewart’s Songbook series).  In the end, the clear standout is “My Valentine,” which just so happens to be one of two McCartney originals on the record.  Coincidence?  I think not.  He has referenced his next album as being along the same vein as the Foo Fighters’ analog, garage rock Wasting Light (2011), so I and others like me can rest easy on that.

 

 

 

Deep Space [EP] (Eisley)

Producer: Eisley

Released: February 14, 2012

Rating:  2.5 / 5 stars

Top Two Tracks: “Lights Out” & “Laugh It Off”

This pretty much fits the archetype of the EP: not bad, not great, just a little something to fill the silence between records.  If you enjoyed last year’s outstanding The Valley, then you’ll most likely enjoy Deep Space [EP].  Or, you could save yourself the five bucks and return to The Valley for more songs and a more fulfilling experience.

 

 

 

 

Sounds from Nowheresville (The Ting Tings)

Producer: Jules De Martino

Released: February 24, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Hang It Up” & “Guggenheim”

Don’t let the modern production qualities fool you: there is more here than the extensive list of “engineers” and “mixers” in the credits would have you believe.  The critics have called the Ting Tings out for this and any number of other criticisms: the album is too short, too frivolous, inane, etc.  What they have missed – and what most tracks on Sounds from Nowheresville have to offer – is energy and ambition, subtle touches in the harmonies beyond what is more readily apparent in the synthesized sounds, not to mention the centrality of Katie White’s guitar (yes, that is a real instrument in the mix and it is the female lead singer playing it; if only for that, I have reason to respect this album).  “Hit Me Down Sonny” and “Hang It Up” are as bright, cool, and catchy as you would expect, and yet other tracks like the passionately delivered “Guggenheim” and the tender, acoustic-based “Day to Day” and “Help” express the range the band has to offer.  While this is definitely not a development I would have expected, I have to admit that the Ting Tings have put out one of what will probably be the best albums of the year.

 

 

 

Rooms Filled With Light (Fanfarlo)

Released: February 28, 2012

Rating:  3.5 / 5 stars

Top Two Tracks: “Shiny Things” & “Lenslife”

On Rooms Filled With Light, Fanfarlo have done a nice job of bringing a certain bright quality to the domain of oft-introspective synthesized music.  Aside from channeling a bit too much Ric Ocasek in his vocals at times, Simon Balthazar and company have recorded and sequenced a cohesive and purposeful record that boasts elements of artistic intention while maintaining pop-ready hooks, riffs, and overall production quality.

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“No Lights, No Sound” (New Music – Original Song by Indie Songwriter Chris Moore)

By Chris Moore:

Tonight is the beginning of a side project that will take me as late as next summer to complete…  a new album!  You may be asking yourself, okay, so you’re going to record another new album.  It’s about freakin’ time.  And you may also be wondering what that has to do with the Laptop Sessions.

Well, I’m going to tell you!

Having been thinking so much recently and having been so inspired by a number of factors — not the least of which are hearing some leaked tracks from Jim’s forthcoming release and some awesome new albums this year by songwriters like Brian Wilson and bands like R.E.M. — I have been working on and arranging tracks for a new album, ironing out arrangements, finishing lyrics, etc.  Now, I bring my motivational and promotional project to the Laptop Sessions…

Every three weeks (or so, once we hit the new year), I will release a demo of another track from the new album.  Not only will I release the tracks, but I’ll do so in order!  Thus, tonight, I bring you what will be track one of my next album.  Now, in the spirit of the Laptop Sessions, I bring this song — “No Lights, No Sound” — to you as a recording of only my third complete performance of the song ever.  In other words, I rolled out of bed, finished writing the lyrics and the entire middle section, and recorded this demo.  This is hot off the presses.  This is the song in about as early a form as you’ll see here on this music blog.

And, that being said, I hope to get an amazing, yet fairly affordable producer to make it the perfect opening track!  (Anybody know a good producer, by any chance? ;- )  I’m thinking either Rick Rubin or Jim Fusco.  I figure I’ll send out for a bid in a couple of months and see what’s in my budget.  (Actually, no offense to Rubin, but I’d take JIm any day.  Even though he does NOT wear a fashionably immense and flowing beard…)

As you listen to the demo, you might notice that it’s a bit slow at first for an opening track.  I’ve since worked out a better version of the tempo I’d like to use, and I hope to have it build up right after the chorus and incorporate drums, bass, etc. before getting to a solo and eventually ending with a repeat of the first verse with only an acoustic and lead vocal.  But, we’ll see what the finished version holds.

In closing, this really puts the pressure on me to finalize my track listing and finish writing these songs.  I plan to record them as soon after writing them as possible, which will make it all the more interesting to look back and compare them to the final versions some day!  (And I don’t doubt that some won’t make the final cut, or that I’ll change the order as I go, but I’ll try my best to decide an order soon and stick to it.)

I truly hope you enjoy this side project for me here on the best acoustic cover song and original music blog in the universe!!  Don’t forget to come back tomorrow and Friday for a double dose of one Jeffrey Copperthite…

See you next session!

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“Candle of Life” (Moody Blues Cover)

By Chris Moore:

Welcome back to another all-new edition of the Laptop Sessions! This summer, Jim and I went through and listened to all the Moody Blues albums — the classic seven (from Days of Future Passed to Seventh Sojourn) and everything that followed (including Long Distance Voyager and the recent, awesome Strange Times). I had heard a lot of Moody Blues songs previously and had seen them live a couple times, but I never really appreciated them until this little summer exploration.

Anyway, this is a song from their album To Our Children’s Children’s Children — it was on the “Gold” collection, too, so it’s not THAT obscure. Not that I’ve been known for choosing obscure songs or anything… 🙂

Without further ado, here it is. The archive is full of sessions from Jim, Jeff, and myself. See you next time!


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