“The Long and Winding Road” (The Beatles piano cover song)

By Jim Fusco:

Welcome to another episode of The Laptop Sessions with me, Jim Fusco!  I can’t believe it’s been two weeks since my last video- the time is flying lately.  Now that things are coming along nicely with the new house (driveway is in and the grass is looking better), I hope to start enjoying everything a bit more soon.

Today is a record-breaking day here on the Laptop Sessions acoustic cover songs music video blog.  Today, the site got it’s highest view count EVER: over 5,600 hits and still counting!  Yes, most of these hits were to the homepage, which is great.  But, the part I’m very excited about is the fact that close to 200 of those hits have been to “deep” pages on the site (past posts, etc.)!  That’s a pretty big deal, especially considering that just a couple months ago, the site was getting only about 200 views a day- total!  So, the promotion I’ve been doing seems to be working nicely.

Now, you would think that, after last week’s article, I would be playing on my new Martin MMV guitar tonight.  But, some sad circumstances lead me to this new video- the first in a long time on the piano.

“The Long and Winding Road” is a song by the Beatles that everyone knows.  It’s one of those songs that you hear in a restaurant, a department store, and the radio from time to time.  It’s a great Paul McCartney song that appeared on the “Let It Be” LP, but I personally like the one on “Let It Be…Naked” better.  Even though I found the chords with the words “Capo on 1st fret” above them, I transposed the chords to piano on the fly and let this one rip.  As with most Laptop Sessions cover songs I do, it’s SO much easier when I already know the words by heart.  Chords are easy to remember because they’re logical- for instance, if the sound goes up (in pitch), then chances are the chord goes up (in pitch).  So, I almost always instantly remember the chords.  But, when you have to think about lyrics, things get difficult.

Tonight, I dedicate this cover song music video to my good friend and colleague, Diane.  For the past year and a half, she’s been my SAVIOR at work.  She works down at the warehouse our company uses and is always so helpful.  She’ll get anything done instantly- she’s truly the best.  She’s made my life so much easier over the time I’ve been with the company.  Plus, we’ve come to have countless conversations over the phone and we’ve always had a great relationship.  It’s even possible that we’re distantly related!  We’ve been out for drinks after work on a few occasions, as well, and we always have a great time.

But, unfortunately, the higher-ups at my company decided to move to a different warehouse.  I understand- business is business.  But, I know I’m not the only one that’s going to miss Diane terribly- she’s that valuable to my working life.  Hey, maybe she’ll want to move to Florida and work at the new place! 🙂

Anyway, months ago, she requested “The Long and Winding Road” by the Beatles as a Laptop Session after she began watching my videos.  She waited patiently for a long time.  But, Steve (of the Traveling Acai Berries) was very, very busy and we couldn’t find the time to get-together and play this song on camera.  The goal was to bring Steve’s electric piano in, too.

So, when I heard the news about Diane no longer working with me, I knew I had to record “The Long and Winding Road” for her.  Now that I have Becky’s piano in the house, it was easy to set everything up and record one of my more unique videos.  I think it came out great (especially the way I got the audio to record) and I hope it will make Diane realize how much I’ll miss her.  Plus, what a perfect song (subject matter) for the occasion.

Thanks for stopping-by for this edition of the Laptop Sessions in HD with Jim Fusco.  Have a great week and enjoy “The Long and Winding Road”, one of our many Beatles cover songs!

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“Real Love” (Beatles Cover)

By Jim Fusco:

Well, then- welcome to the first Jim Fusco Thursday here on the Laptop Sessions acoustic cover songs music video blog! 🙂  I’m happy tonight, as it was a day of getting things done.  Actually, the past two days were all about getting things done and that always gives me a good feeling.  I need to cover a few topics before I get started tonight:

  1. My album, “Halfway There” is now on iTunes and available for download!!  I’m very excited about this.  I just signed up for some promotion.  If I get any kind of response, I’ll gladly do a bigger campaign.  Go check it out: http://itunes.apple.com/us/album/halfway-there/id361828586 Please, it would mean so much to me if you would sign-in to iTunes, rate, and comment on the album.  The more popularity it gets from the loyal music blog followers, the better chance it has at succeeding!
  2. Next up, I’m going to be releasing the classic second (and last) album by MoU, “Homestead’s Revenge”.  And, just like everything else in that band, I’ll be covering the cost of this submission myself…
  3. I recorded three “episodes” of the Laptop Sessions tonight!
  4. Speaking of “episodes”, I had a thought tonight.  I’m afraid that there’s so many Laptop Sessions videos that they’re becoming meaningless.  Honestly- I don’t even remember some of the songs I’ve done!  So, I’ll continue for a while on the once-a-week plan, but I really think I should do a “season” of them, much like a TV show.  I think once every two weeks, or 26 “episodes” would be good for the year.  That way, each music video would be a special event.  And it would probably give me more time to promote the site.  I used to worry that there wasn’t enough content to promote, but now I know that there’s SO much content that too much work went into it all with little return.  I’ll keep you posted on my thoughts.
  5. Finally, I want to mention the passing of rock legend Johnny Maestro of the Brooklyn Bridge.  I was going to record “The Worst That Could Happen”, but I realize that, other than the chorus, it’s not one I know too well.  I’ll keep listening and maybe I’ll bust it out someday.  R.I.P., Johnny.

Onto tonight’s video!

This video, “Real Love” by the Beatles, came out so great that I wanted to push it ahead of my planned video for tonight.  I love this song so much and even though it’s played on piano in the recorded version, it translated very well to my nylon stringed acoustic guitar.  And playing it on the 3rd fret capo really made it sound like the original.  Now, when I say “original”, I actually mean the version done by the remaining Beatles (over John’s home recording) in 1996.  John’s demo version does appear on one of his “Best Of” solo albums, but the lyrics are slightly different.  The Beatles version from the Anthology in 1996 is simply perfect.  The vocals are stunning (even though John’s voice sounds very ghostly and distant due to the original source tape they used, it works to a much better effect here than on “Free As A Bird”) and the guitar solo is so great.  It’s George at his rock best- a biting and wailing solo over such a great love song.

And last night, I arrived at a pretty big conclusion: In my opinion, John Lennon is the best songwriter of all time.  Yes, Brian Wilson is still (and will always be) my favorite songwriter, I have to admit that there was no one better than John Lennon.  He wrote some of the best songs of all time- and some earlier than all the other 60s bands!  He had a knack for the hooks (like, “Yeah, yeah, yeah”), but also wrote some of the best ballads ever.  “In My Life”, “Woman”, and “Real Love” are three amazing examples.  Okay, so Paul McCartney is a great songwriter, but his great songs are great and his less-than-great songs STINK!  Even John Lennon’s less-than-perfect songs are good.  He just had that gift.  He was a great lyricist and wrote some of the most unique melodies ever.

So, with that in mind, I went to record “Real Love”.  I remember when it came out- watching the Beatles Anthology on TV when it first aired in 1996.  It was awesome.  Especially because, at that point, I still thought I was the only Beatles fan in my generation.  So, having that kind of special on TV was pretty big for me.  And two new songs just made it a perfect situation.

I hope you enjoy tonight’s rendition of “Real Love” by the Beatles.  I know it’ll go down as one of my favorite videos simply because I realized that it’s one of my favorite songs.  It’ll always make me wonder, “What if the Beatles endured and somehow got to play into the 90s?”  I think we all know it would’ve been awesome, despite what critics might have said at the time.  It always bugged me that everyone expected bright, pop songs- but think about it: if the Beatles had continued playing from where they left off with “Abbey Road” (“Let It Be” was recorded earlier), the songs would’ve sounded very similar to “Free As A Bird” and “Real Love”.  And that’s just fine by me.  Make sure to check out all of our Beatles cover songs here on the music blog!

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Music Review: The Beatles’ “Please Please Me” (2009 Stereo Remaster)

By Chris Moore:

Of all the remastered Beatles discs, the Fab Four’s debut album might seem the least likely to be the first you’d want to hear.  After all, it is their most raw effort, not only for the fact that it was their first experience in the studio but also because they were pursuing a “live” sound.  It was essentially recorded in a day under the supervision of a profoundly talented producer (George Martin) and four boys with a tremendous deal of potential (John, Paul, George, and Ringo), all five of whom had yet to re-create — or, really, create — the genre in which they would spend much of their respective careers and earn much of their respective fame.

Perhaps for all those reasons, Please Please Me is an excellent place to start.

"Please Please Me" - the Beatles' debut album, remastered for 2009!

“Please Please Me” – the Beatles’ debut album, remastered for 2009!

Amidst all the controversies over mono versus stereo, should the remasters have been remixed?, etc., Please Please Me has been released in the awkward stereo format — instrumentation at the left, vocals panned right — that would have been available only to “a small number of hi-fi enthusiasts,” as the liner notes recall.

I had to chuckle to myself as I sat in the parking lot today, cellophane wrapper on the floor and new-CD smell filling my nostrils, as I imagined how exciting and fresh this format must have been at the time, a hint of what was to come in the not-so-distant future.

For the first time today, I too was excited to purchase a Beatles album.  Each of my previous purchases of a Beatles record on CD left me feeling empty.  Sure, the music was excellent — phenomenal and mind-altering, even — but the packaging has always been far too sparse, nothing more than the cheapest of cheap jewel cases and a one-fold booklet.  The packaging of this 2009 remastered album makes it worth the purchase alone.  There are reprinted liner notes, rare photos, and a mini-documentary that, although very brief (less than four minutes), includes entertaining footage and interesting narration from all four band members as well as George Martin.

The songs themselves sound as good as they ever have.  The Beatles’ rapid ascent to pop music stardom becomes clear after hearing tracks like the energetic “I Saw Her Standing There,” the vocally superb “Please Please Me,” and George’s lead vocal debut “Do You Want to Know A Secret?”

As if these weren’t enough, the other Lennon/McCartney originals round out the set nicely — the classics “Love Me Do” and the lesser-known but equally catchy “Misery.”

Even the covers, like “Anna (Go To Him)” and “Twist and Shout,” shine almost as bright as Lennon/McCartney originals.  Although I have always maintained that “A Taste of Honey” is disposable, it is interesting to hear the first instance of Paul’s double-tracked lead vocals on a recording.

Throughout this remastered album, as with the original release, the words that continually come to mind are “energetic” and “fun.”  In all reality, the remastered tracks are merely cleaned up versions of the original mixes — the same as always with a sharper focus, so to speak.

If the past four decades are any indication, this may be the last overhaul of the Beatles catalog for a very long time.  For those of us “hi-fi enthusiasts” in 2009, it seems a shame to go on for the foreseeable future without all the Beatles’ material — arguably the most essential albums and tracks of rock and pop music — in full, lush stereo sound, each vocal and instrument standing out.

And yet, even if you feel this way, the 2009 remaster of Please Please Me — with all its simplicity and raw energy — should provide nothing but pleasant listening and reading.  And if you’re interested, make sure to check out all of our Beatles cover songs here on the Laptop Sessions acoustic cover songs music video blog!

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Music Review: The Beatles’ “Let It Be” (2009 Stereo Remaster)

By Chris Moore:

It is truly a testament to the outstanding talent and staying power of the Beatles that Let It Be, their final and perhaps least ambitious — by their own designs, at least — release, is composed of such an impressive assortment of tracks.

For this reason alone, the 2009 remastered version of this classic 1970 album is worth your time and money.

Held up against the previously released audio on the CDs that have been standard issue for over two decades now, this remaster is crisper and cleaner in all the right places.  To be fair, this is probably one of the less drastic remasters, as Let It Be was originally issued in actual stereo.  Still, the seasoned Beatles fan will immediately take note of the subtle improvements, such as the even warmer ambiance of the background vocals in “I Me Mine” and the clearer separation between piano notes and vocals in both “Let It Be” and “The Long and Winding Road.”

It is a joyful experience to hear the individual vocals and instrumentation as clearly as possible.  After all, when the bulk of these tracks were laid down in January 1969 — almost one and a half years before the release of the album — the keyword had been simplicity.  Following the tumultuous White Album sessions, they had decided to adopt a more “live in the studio” feel for their next album.  Paul in particular felt that they had lost the cohesion that could only come from playing live.  Considering the backbreaking schedule of live shows in their early years and the relative happiness of their early period, it is difficult to disagree.

The Beatles' "Let It Be" (1970)

The Beatles’ “Let It Be” (1970)

For this reason, as well as the fact that Let It Be was mixed, remixed, re-arranged, and shuffled around by so many people outside the Fab Four before its initial release in 1970, I think Let It Be…Naked should be and is the first and best way to experience this album.  Purists, traditionalists, and historians may disagree, but any detractors to this theory must first explain why the Beatles’ initial intentions for the concept of this album should be all but ignored in favor of the “actual” release.  Why tracks like “Maggie Mae” and “Dig It” could ever belong on the same vinyl — or silver, for that matter — disc as gems like “Two of Us,” “Across the Universe,” and “Let It Be” is beyond this writer.

Before I trample upon too much musical holy ground, I should reinforce that the 2009 remaster provides a great experience.  Some argued that the tracks should have been stripped down and entirely remixed.  While I wouldn’t have been against that idea if it had been engineered by the right team, there doesn’t seem to be the need for anything quite so drastic here.

Perhaps the focus should instead fall on the pressures within and around this record.  Within, it is interesting to consider how complicated and tense the Beatles’ interpersonal relationships had become, and yet to listen in wonder at the beautiful music they made despite it all.  Outside of the recording process, there was a great deal of expectation when the album was released, especially considering that it wasn’t available for sale until after the Beatles had announced that they were breaking up.  That put a lot of weight on this very final addition to what is arguably the greatest rock ‘n roll catalog of all time.  Even Rolling Stone fluctuated wildly, dismissing the album at its release but soon after adding it as #86 on their list of the best rock albums of all time.

Regardless of your perspective on this album, Let It Be is a strong addition to anyone’s music collection, if only for the outstanding songs it contains — and not only the singles, but many of the deep tracks, as well.

I’ll probably still click one more space lower on my iPod for Let It Be… Naked, but I have enjoyed hearing the original in remastered audio.  And make sure you watch all of our great Beatles cover songs videos here on the music video blog!

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