Tag Archives: best of 2011

The BEST DEBUTS of 2011 (The Year-End Review Awards)

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By Chris Moore:

This year, we’ll start with the notable debuts.  Or, more appropriately, the notable debut (singular).  I listen to a great deal of music every year, and even this only scratches the surface of a solitary droplet in the oceans of new material released, so I should preface this with the disclaimer that there may indeed be other, excellent debuts that I’ve missed.  If there are any that you know about, I encourage you to leave that information in the comments section below, and I’ll check it out asap.

 

That being said, the award for best debut of 2011 goes to Yuck, a band that I picked up because I thought the album cover was kind of cool and quirky.  At first, I was hesitant, as this is low-fi, distortion-heavy garage rock.  However, tracks like “Suicide Policeman” gave me a shock and all but dared me to listen more carefully and not find substance.  By the second listen, I was taken with Yuck’s raw but purposeful style, and it is without reservations that I pass them along to you here.

1) Yuck – Yuck

 

The TOP FIFTY SONGS of 2011 (The Year-End Awards)

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By Chris Moore:

At last, we arrive at the second most important list of the year: the top fifty songs.  This is the list that takes me the longest every time, even more time than the albums list.  This might be helped in part because I start writing my best albums list as early as summertime, but it’s also because I find albums easier to evaluate and rate than individual songs; oftentimes, songs shift and flux up and down over the year.

This year, my greatest challenge was finding a place for two of my former (mOu) and current (the DKBH) bandmate Mike Fusco’s new releases.  I typically avoid having one artist hog the top spots, but the truth was that I couldn’t honestly deny “Modern-Day Pocahontas” the top spot, and I tried but couldn’t come to terms with placing “Chasing Pigeons” any lower than second, even below such outstanding tracks as Brett Dennen’s “Sydney” or Wilco’s “Born Alone.”  If this reduces the authenticity of my list, then so be it: this is my honest assessment of the best fifty songs of 2011.

1)  “Modern-Day Pocahontas” – Mike Fusco

2)  “Chasing Pigeons” – Mike Fusco

3)  “Sydney (I’ll Come Running)” – Brett Dennen

4)  “Born Alone” – Wilco

5)  “L.I.F.E.G.O.E.S.O.N.” – Noah and the Whale

6)  “Arlandria” – Foo Fighters

7)  “Give It All Back” – Noah and the Whale

8)  “Rox in the Box” – The Decemberists

9)  “Hello” – Gerry Beckley

10) “Buckner’s Bolero” – The Baseball Project

11) “All That You Are” – Goo Goo Dolls

12) “Lost All My Ambition” – Mike Fusco

13) “Suicide Policeman” – Yuck

14) “Jejune Stars” – Bright Eyes

15) “Uberlin” – R.E.M.

16) “New Year’s Eve” – Tom Waits

17) “Codex” – Radiohead

18) “Comeback Kid (That’s My Dog) – Brett Dennen

19) “Black and Yellow” – Wiz Khalifa

20) “Lonely Boy” – Black Keys

21) “Two Against One” – Danger Mouse, Danielle Luppi, and Jack White

22) “Rope” – Foo Fighters

23) “Ambulance” – Eisley

24) “Face in the Crowd” – Joseph Arthur

25) “Feel” – Gerry Beckley

26) “This is Why We Fight” – The Decemberists

27) “Jardin Du Luxembourg” – The Ghost of a Saber Tooth Tiger

28) “Till I Get There” – Lupe Fiasco

29) “Dawned on Me” – Wilco

30) “Fire Fly” – Childish Gambino

31) “Release Me” – Jack’s Mannequin

32) “Tangie and Ray” – The Fruit Bats

33) “Season’s Trees” – Danger Mouse, Danielle Luppi, and Norah Jones

34) “Us Against the World” – Coldplay

35) “Surprise, Surprise” – Brett Dennen

36) “Triple Spiral” – Bright Eyes

37) “Someone’s Gonna Break Your Heart” – Fountains of Wayne

38) “Wonder Why” – Vetiver

39) “Art of Almost” – Wilco

40) “Don’t Carry It All” – The Decemberists

41) “Don’t Call Them Twinkies” – The Baseball Project

42) “You and Me” – Parachute

43) “Police Station” – Red Hot Chili Peppers

44) “Titty’s Beer” – Colt Ford (feat. Trent Tomlinson)

45) “Don’t Try and Hide It” – The Dodos

46) “I Don’t Want to Be a Bride” – Vanessa Carlton

47) “Ruined” – Hannah Fair

48) “Because the Origami” – 8in8

49) “Bad As Me” – Tom Waits

50) “Fly Solo” – Wiz Khalifa

 

Honorable Mention:

“Factory of Faith” – Red Hot Chili Peppers

“Raw (How You Like It)” – Common [late entry]

“Keep On Knocking” – The Cars

“Damn These Vampires” – The Mountain Goats

The BEST COLLABORATIONS of 2011 (The Year-End Awards)

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By Chris Moore:

The following artists are being recognized for their notable collaborations.  Had they not worked together, their tracks and, in some cases, albums would not have been nearly as successfully rendered.  Wanda Jackson and Jack White have to earn the top mention for the comeback release of the year.  Jackson was once a hitmaker, a notable player in the rockabilly scene (dating Elvis Presley for a time), but I certainly hadn’t heard of her before this year.  With White’s electric leads and the fitting arrangements that walk the line between classic and modern, The Party Ain’t Over makes good on the claim in its title.

Beyond this collaboration, the others on this list are more traditional.  8in8 was a cool idea: get together to write, record, and release eight tracks in eight hours as a way of showing just how much the music industry has changed in even the past several years.  Gillian Welch’s role, dueting on the Decemberists’ The King is Dead, was a vital one, just as Norah Jones and Jack White added their vocals to a couple tracks and elevated the Rome soundtrack.  I’d be remiss if I didn’t point out and praise the (brief) reunion of Ben Folds Five, just as much as if I didn’t note that some of the tracks on The King is Dead have a strongly R.E.M.-esque vibe to them at least in part because Peter Buck is playing on them.

1)  Wanda Jackson and Jack White (The Party Ain’t Over)

2)  Ben Folds, Amanda Palmer, Neil Gaiman, and Damian Kulash (8in8)

3)  The Decemberists and Gillian Welch (various tracks on The King is Dead)

4)  Danger Mouse, Daniele Luppi, Norah Jones, and Jack White (Rome: Original Motion Picture Soundtrack)

5)  Ben Folds, Darren Jesse, and Robert Sledge (as Ben Folds Five for three new recordings)

6)  Norah Jones and Hank Williams (“How Many Times Have You Broken My Heart”)

7)  The Decemberists and Peter Buck (various tracks on The King is Dead)

8)  Bob Dylan and Hank Williams (“The Love That Faded”)

9)  Kevin Hearn and Garth Hudson (“The House of Invention”)

10) Lupe Fiasco and Matt Mahaffey (“State Run Radio”)

The BEST REMASTERS / REISSUES of 2011 (The Year-End Review Awards)

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By Chris Moore:

This year, I didn’t listen to all that many remasters or reissues.  Pink Floyd re-released all their albums in one intimidating batch.  Had it been one at a time, I might have tried one.  Nearly every week, there have been remasters or reissues on the new release rack at Newbury Comics.  And yet, at year’s end, I am left with only one in mind that carries any weight with me:  The Beach Boys’ SMiLE Sessions box set.

This is – finally, officially – the closest we’ll ever come to hearing what SMiLE would have sounded like, had it been released in context over four decades ago.  Brian Wilson’s 2004 take on SMiLE turns out to be, as expected, a close approximation and, in some ways, a more complete version.  That is the most heartbreaking aspect of this box set: there are parts missing, instrumentation with unfinished vocals, and a general sense of genius abandoned.  This being said, The SMiLE Sessions present a gorgeous, expansive vision that may well have been yet another game changer in a series of re-visionings then taking place, led largely by the Beatles.

We’ll never know how much of an impact this album would have had, or how great a success it would (or wouldn’t) have been.  What we can do is marvel at the beauty of Brian Wilson’s vision and the Beach Boys’ remarkable vocal soundscapes.  (The deluxe box set may only be for the diehard fan, but believe me, it’s well worth it if you consider yourself to be anything approaching diehard!)

1) The SMiLE Sessions – The Beach Boys