Tag Archives: chris moore

The Best Debuts of 2010

Posted on by
Reply

By Chris Moore:

Hello and welcome to yet another list in this Weekend Review special end-of-year series.  Today, the focus is on the top three debuts of the year.

Regarding the three newly formed bands recognized below, the decision of how best to order them was somewhat difficult.  However, in the end, it is Fistful of Mercy — comprised of Dhani Harrison (yes, George’s son), Ben Harper, and Joseph Arthur — that receives the honor of best debut.  Their album is strikingly well-defined for a first effort, the band quickly finding their collective voice amidst lush harmonies and subdued instrumentation.  One can only hope that there will be a follow-up album in the not-so-distant future.

Broken Bells is perhaps one of the most fascinating collaborations of recent years.  Brian Burton (aka Danger Mouse) and James Mercer (of the Shins) aren’t the most likely couple, but the combination of Burton’s hip hop/electronica background and Mercer’s indie pop/rock mentalities simply work.  The result — the self-titled Broken Bells — is a pensive yet poppy trip.

The third entry on this list is from a band fronted by Kevin Devine and supported by members of the Manchester Orchestra.  Bad Books is a dynamic release that runs the gamut from fully produced indie rock to stripped down solo acoustic performances.  The vocals are likewise well-arranged: simple and raw at times, full and multi-layered at others.

The honorable mention is Mumford & Sons’s Sigh No More, a band with an impressively interesting acoustic sound, and, although I find the album’s sound to be somewhat predictable after the first few tracks, there are strong songs and a strong overall sound that has been developed for this record.

And so, with this brief list, I leave you for the day, and I officially invite you back tomorrow for another!

The BEST DEBUTS of 2010

1)  As I Call You Down – Fistful of Mercy

2)  Broken Bells – Broken Bells

3)  Bad Books – Bad Books

Honorable Mention:  Sigh No More – Mumford & Sons

The Best Vocal Performances of 2010

Posted on by
Reply

By Chris Moore:

Welcome back for another installment of this year-in-review list series, brought to you by the Weekend Review.  Tonight, I’m happy to present the top fifteen vocal performances of 2010.  Some, like “In Vain or True” and “White Blank Page,” are impressive for their use of complex vocal arrangements.  Others, like “Machine Gun” and “Memories” are notable for the emotive quality of Sara Bareilles’ and Rivers Cuomo’s respective performances.

There have been some excellent vocal performances this year, ranging from the raw vulnerability of Steven Page’s cover of “Virtute the Cat Explains Her Departure” to the unleashed quality of Alison Mosshart’s lead on “Gasoline.”  This was one of the most difficult lists to assemble, as the great vocal leads of the year run the gamut in various ways.  So, I’ve done my best to assemble and rank these tracks, taking into account the quality of the individual voices, the emotion behind each delivery, and the overall coherence and interest potentially generated by each vocal.

Without further ado, here’s the list, and be sure to check back tomorrow for another list in this end-of-2010 series!

BEST VOCAL PERFORMANCES of 2010

1)  “In Vain or True” – Dhani Harrison, Ben Harper, & Joseph Arthur (of Fistful of Mercy; As I Call You Down)

2)  “White Blank Page” – Marcus Mumford (of Mumford & Sons; Sigh No More)

3)  “Machine Gun” – Sara Bareilles (Kaleidoscope Heart)

4)  “Memories” – Rivers Cuomo (of Weezer; Hurley)

5)  “Please Move” – Kevin Devine (of Bad Books; Bad Books)

6)  “Thieves” – Zooey Deschanel (of She & Him; Volume Two)

7)  “Gasoline” – Alison Mosshart (of Dead Weather; Sea of Cowards)

8)  “I Have Learned” – Ed Robertson (of BnL; All in Good Time)

9)  “Only the Ocean” – Jack Johnson (To The Sea)

10)  “Summer Sun” – Ben Thornewill (of Jukebox the Ghost; Everything Under the Sun)

11)  “The Chorus Girl” – Steven Page (Page One)

12)  “Ain’t No Grave” – Johnny Cash (American VI: Ain’t No Grave)

13)  “The Dance Class” – Rhett Miller (of Old 97’s; The Grand Theatre, Vol. 1)

14)  “Virtute the Cat Explains Her Departure” – Steven Page (A Singer Must Die)

15)  “Don’t Look Down” – Philip Selway (Familial)

Announcing: end of the year WEEKEND REVIEW festivities!

Posted on by
Reply

By Chris Moore:

To put it lightly, this has been a groundbreaking year for the Weekend Review and all its various off-shoots.  Featured here weekly on the Laptop Sessions acoustic cover song music video blog, the Weekend Review has gone “one-a-week” for what will be a combined total of 52 full-length album reviews by the end of the year.  In addition, there will have been over 30 “Yes, No, or Maybe So” one-sentence reviews, the “Top Five Rock Artists of the Decade (2000-2009)” five-part series, and various other one-off segments.

As 2010 draws to a close, it’s time to go out with a bang.  Thus, I am happy to announce that — starting tomorrow — there will be a music review list posted every day for the rest of the year.  In many cases, this will be in addition to other posts, such as the regularly scheduled sessions.  These lists will include the biggies like the top twenty albums and the top twenty-five songs of 2010, as well as lesser ranked items such as the top three debuts and the top ten music videos.

Be sure to check your LS Blog.  Check it often, as there are still six more Weekend Reviews, the New Music 2010 Special Report, and so much more before the year is over.

It all kicks off tomorrow — fittingly — with the Best Cover Songs of 2010 list.  Don’t miss it!

“The Wrestler” (Bruce Springsteen Cover)

Posted on by
5

By Chris Moore:

(For the chords to “The Wrestler,” go here: The Wrestler Chords)

Hello and welcome to a brand-new week of cover song music videos here at your source for the best of the best — the Laptop Sessions!

But, as much as we like to brag, we really are trying every day to fill this site with a ridiculous number of cover song material — our daily video posts, chords/tabs to your favorite songs, and much more.  We even sneak in a Fusco, Moore, and/or Copperthite original every Wednesday or so…

For today, I’m skimming off the top of the new music / new album current events pool.  Tomorrow is the official US release date of Bruce Springsteen’s 16th studio album.  It’s been less than two years since number 15, so this is exciting news!  I think his previous album, Magic, was one of the best albums of 2007 and certainly my favorite Springsteen album to date.  Now, to be fair, I’ve only listened to his more recent albums, so I reserve my right to change my mind sometime down the line…

But, back to the present.  His new album, Working on a Dream, is coming out amidst a whole lot of Springsteen mania.  For one, there’s his upcoming appearance during the half time show of Super Bowl XLIII on February 1, 2009.  Following in the footsteps of such classic acts as Tom Petty and the Rolling Stones (who were also called out ostensibly to prevent any potential wardrobe malfunctions that may befall a younger, female act!), Springsteen’s album sales are expected to rise directly following the show.  This is opportune timing, then.  Also, two months ago, he released a greatest hits album exclusively at Wal-Mart.  Now, I must admit that I was aggravated when I heard this in the news.  After all, Springsteen is famous and much-respected for his disavowal of corporate sponsorships or endorsements.

Then, as I read some more of the article about this, I realized that it makes perfect sense.  First of all, there’s the statistic that (reportedly) 15% of his recent CD sales have come from Wal-Mart.  Also, there’s the whole Super Bowl business.  I have to admit I can’t blame him and/or his people for pushing a greatest hits out now.  I’m typically disgusted by these sorts of 12-track, almost-all-repeat-tracks-from-his-previous-greatest-hits sorts of releases.  And yet, this is what people will be looking for!  So, as Ben Folds might sing — “You’ve got to give the people what they want!”

Also, the disc is only $9.99, and it’s a limited release item (not part of his official catalog).

I find this stuff fascinating…

But, to come back to tonight’s video, let me explain why I’ve recorded “The Wrestler.”  This is the title track to the film starring Mickey Rourke that has gained the spotlight during various recent award shows.  I have yet to see the film, but I had heard that this track would be a bonus song on the new album.  Thus, I set out to learn it, loved it, and had to record it.  For those of you listening to this song now for the first time, I hope you’ll like my version and want to hear the real one.

I can’t actually vouch for the new album, as I have yet to hear anything other than the song titles from the track listing.  However, I am ecstatic for this, the first new music release of 2009 that I’m really excited for.  I’ll be out during lunchtime tomorrow or as soon as I get out of work to get it.  And, who knows, I may just push myself to write a review tomorrow night.

Crazy?  I know, but that’s what this whole Laptop Sessions thang is all about!

Oh, and before I forget, don’t miss the chords that I just posted a few hours ago here on the site.  Now you can listen AND learn to play the song yourself!

Okay, I’m off to snuggle up with a couple of my dearest friends — one, the Fusco-Moore Experience copy of the latest Rolling Stone (complete with Bruce Springsteen, aka The Boss, on the cover — predictable?  I know, but I couldn’t care less!) and my stack of midterm exams that are ripe for the grading…

See you next session!