The Best Original Christmas Songs of 2010

By Chris Moore:

I didn’t originally plan to make a Christmas music-related list, as there isn’t really much of note this year.  However, considering that I have twelve other categories, I figured: why not?

The only song that organically caught my interest this year is Coldplay’s “Christmas Lights.”  Released as a single earlier this season, I decided to check it out, as Coldplay’s last album was actually quite good.  A bit overrated, to be sure, but certainly one of the best of 2008.  And while “Christmas Lights” may not be a contender for an all-time holiday classic, it is the best I’ve heard this year.

The other two that stood out to me are the original tracks from Wilson Phillips’ new Christmas CD.  “Warm Lovin’ Christmastime” and “I Wish It Could Be Christmas Every Day” have the Beach Boys-esque harmonies you’d expect and manage to pull off that Christmas feel that is essential for a great yuletide track.

So, consider checking out these songs, though in this category I am a big fan of the rock classics — Elvis Presley, Phil Spector & friends, Chuck Berry, the Beach Boys, etc. — and new classics — Barenaked Ladies, Moody Blues, Relient K, Brian Wilson, etc.

Merry Christmas to you and yours — enjoy the biggest lists of the year in the archive!

The BEST ORIGINAL CHRISTMAS SONGS of 2010

1)  “Christmas Lights” – Coldplay

2)  “Warm Lovin’ Christmastime” – Wilson Phillips

3)  “I Wish It Could Be Christmas Every Day” – Wilson Phillips

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The Best Debuts of 2010

By Chris Moore:

Hello and welcome to yet another list in this Weekend Review special end-of-year series.  Today, the focus is on the top three debuts of the year.

Regarding the three newly formed bands recognized below, the decision of how best to order them was somewhat difficult.  However, in the end, it is Fistful of Mercy — comprised of Dhani Harrison (yes, George’s son), Ben Harper, and Joseph Arthur — that receives the honor of best debut.  Their album is strikingly well-defined for a first effort, the band quickly finding their collective voice amidst lush harmonies and subdued instrumentation.  One can only hope that there will be a follow-up album in the not-so-distant future.

Broken Bells is perhaps one of the most fascinating collaborations of recent years.  Brian Burton (aka Danger Mouse) and James Mercer (of the Shins) aren’t the most likely couple, but the combination of Burton’s hip hop/electronica background and Mercer’s indie pop/rock mentalities simply work.  The result — the self-titled Broken Bells — is a pensive yet poppy trip.

The third entry on this list is from a band fronted by Kevin Devine and supported by members of the Manchester Orchestra.  Bad Books is a dynamic release that runs the gamut from fully produced indie rock to stripped down solo acoustic performances.  The vocals are likewise well-arranged: simple and raw at times, full and multi-layered at others.

The honorable mention is Mumford & Sons’s Sigh No More, a band with an impressively interesting acoustic sound, and, although I find the album’s sound to be somewhat predictable after the first few tracks, there are strong songs and a strong overall sound that has been developed for this record.

And so, with this brief list, I leave you for the day, and I officially invite you back tomorrow for another!

The BEST DEBUTS of 2010

1)  As I Call You Down – Fistful of Mercy

2)  Broken Bells – Broken Bells

3)  Bad Books – Bad Books

Honorable Mention:  Sigh No More – Mumford & Sons

More from the Weekend Review

The Best Vocal Performances of 2010

By Chris Moore:

Welcome back for another installment of this year-in-review list series, brought to you by the Weekend Review.  Tonight, I’m happy to present the top fifteen vocal performances of 2010.  Some, like “In Vain or True” and “White Blank Page,” are impressive for their use of complex vocal arrangements.  Others, like “Machine Gun” and “Memories” are notable for the emotive quality of Sara Bareilles’ and Rivers Cuomo’s respective performances.

There have been some excellent vocal performances this year, ranging from the raw vulnerability of Steven Page’s cover of “Virtute the Cat Explains Her Departure” to the unleashed quality of Alison Mosshart’s lead on “Gasoline.”  This was one of the most difficult lists to assemble, as the great vocal leads of the year run the gamut in various ways.  So, I’ve done my best to assemble and rank these tracks, taking into account the quality of the individual voices, the emotion behind each delivery, and the overall coherence and interest potentially generated by each vocal.

Without further ado, here’s the list, and enjoy the rest of the end-of-2010 series in the archive!

BEST VOCAL PERFORMANCES of 2010

1)  “In Vain or True” – Dhani Harrison, Ben Harper, & Joseph Arthur (of Fistful of Mercy; As I Call You Down)

2)  “White Blank Page” – Marcus Mumford (of Mumford & Sons; Sigh No More)

3)  “Machine Gun” – Sara Bareilles (Kaleidoscope Heart)

4)  “Memories” – Rivers Cuomo (of Weezer; Hurley)

5)  “Please Move” – Kevin Devine (of Bad Books; Bad Books)

6)  “Thieves” – Zooey Deschanel (of She & Him; Volume Two)

7)  “Gasoline” – Alison Mosshart (of Dead Weather; Sea of Cowards)

8)  “I Have Learned” – Ed Robertson (of BnL; All in Good Time)

9)  “Only the Ocean” – Jack Johnson (To The Sea)

10)  “Summer Sun” – Ben Thornewill (of Jukebox the Ghost; Everything Under the Sun)

11)  “The Chorus Girl” – Steven Page (Page One)

12)  “Ain’t No Grave” – Johnny Cash (American VI: Ain’t No Grave)

13)  “The Dance Class” – Rhett Miller (of Old 97’s; The Grand Theatre, Vol. 1)

14)  “Virtute the Cat Explains Her Departure” – Steven Page (A Singer Must Die)

15)  “Don’t Look Down” – Philip Selway (Familial)

More from the Weekend Review

Announcing: end of the year WEEKEND REVIEW festivities!

By Chris Moore:

To put it lightly, this has been a groundbreaking year for the Weekend Review and all its various off-shoots.  Featured here weekly on the Laptop Sessions acoustic cover song music video blog, the Weekend Review has gone “one-a-week” for what will be a combined total of 52 full-length album reviews by the end of the year.  In addition, there will have been over 30 “Yes, No, or Maybe So” one-sentence reviews, the “Top Five Rock Artists of the Decade (2000-2009)” five-part series, and various other one-off segments.

As 2010 draws to a close, it’s time to go out with a bang.  Thus, I am happy to announce that a music review list was posted every day for the rest of the year.  In many cases, these were in addition to other posts, such as the regularly scheduled sessions.  These lists will include the biggies like the top twenty albums and the top twenty-five songs of 2010, as well as lesser ranked items such as the top three debuts and the top ten music videos.

Be sure to check your LS Blog.  Check it often, as there are still six more Weekend Reviews, the New Music 2010 Special Report, and so much more before the year is over.

It all kicked off — fittingly — with the Best Cover Songs of 2010 list.

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