“Bad, Bad Leroy Brown” (Jim Croce Cover)

By Chris Moore:

Hello and welcome to your Sunday, Sunday, Sunday installment of the best acoustic cover song blog on the web today!  After a couple of nineties covers, I’ve decided to go back a bit further… to 1973 with Jim Croce’s “Bad, Bad Leroy Brown.”  This is a song that I remember hearing for the first time when my father bought an audio tape (that’s a hint at how long ago it was…) and played it for me, along with “You Don’t Mess Around with Jim,” explaining that he always liked the story in the songs.  I instantly agreed, thinking that the way Croce described Leroy Brown and his lifestyle was really funny and catchy.

I just learned that Jim Croce’s life was sad, though, as he died the same year that this song (considered his biggest single) was released.  I found it really interesting to learn, according to Wikipedia, that he was the third singer/songwriter to score a posthumous #1 single (for “Time in a Bottle”), after Otis Redding and Janis Joplin.  What is even more sad, I think, is that he died in a plane crash.  I’ve got to be honest here — I don’t consider myself a superstitious person, but if I ever get a record contract and any degree of fame, I’m not setting foot on an airplane…

One of the best parts of doing so many Laptop Sessions this year is that I’ve had a chance to learn so much about great singer/songwriters and to remember so many great songs like this one.  Now, you may wonder how I learned this song if I haven’t heard it in so long.  Well, one of the best parts about having over 11,000 tracks available at my fingertips on my iPod is that I have access to a lot of songs that I have forgotten over the years.  In fact, one of my favorite things to do is to set my iPod to shuffle and just wait to see what great music will come up.  Unfortunately, there are just as many if not more not-so-great tracks that come up in search of the great ones…

But, as they say, it’s the journey and not the destination, right?

If you didn’t already, you should read Jim’s post from yesterday.  He pretty much summed up our day that led to an as-usual great performance by Dewey Bunnell and Gerry Beckley, aka the band America.  Not only was the show great, but they are really nice guys.  After the show, they signed autographs and shook hands with the fans.  I got the chance to tell Dewey that, when teaching the Transcendentalism unit in my English class (Emerson and Thoreau, “Nature” and “Walden,” etc…), I used the Here & Now track “Walk in the Woods.”  He seemed interested, as Gerry smiled and said that he’d been thinking about playing that song in concert so they could do the whistling part!  We all laughed, and for a brief moment, it felt like Jim and I had broken the usually solid barrier between fan and artist.  Cool moment.

I have looked forward to their shows ever since the first time Jim took me to go see them several years ago, and I’ve regretted missing any opportunity to see them.  He had initially gotten into the band because of such songs as “Sister Golden Hair.”  As with many bands he’s gotten into, I felt like I was missing out on something and had no choice — I had to get into them too!  My only past experience with them had been their hit single “A Horse With No Name” that I first heard as a kid (where else?) on a seventies tape that my father had.

And so this session comes full circle!  I present to you an acoustic cover of a song my dad played for me as a kid, and not 24 hours after going to a concert by a band that I first heard in my father’s music collection.

See you next session!

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“Your Life is Now” (John Mellencamp Cover)

By Chris Moore:

And now, ladies and gentlemen, it’s time once again to take a trip back to nineties pop radio…

Three days ago, Jim and I brought you the Sugar Ray single “Someday,” which was a favorite of mine back when I used to wake up early before school to listen to the morning show on Kiss 95.7.  Ross, Courtney, and Scott were the three voices I looked forward to hearing every morning — for a couple years, I was even lucky enough to have a bus driver that played that radio station on the way to school — and they were the ones who played the first songs that I really fell in love with.  Over time, some have faded from my memory and some have remained among my favorites when I listen to my iPod.  The song I’m bringing you tonight is one that had actually faded for quite a while.

Up until last weekend when I recorded this music video, it had literally been years since I had listened to John Mellencamp’s “Your Life is Now.”  It is on his 1998 self-titled album (he’s one of the few artists who have been able to release two different self-titled albums; I’m of course referring to the 1979 album when his name was John Cougar…) and although this is not my favorite track on the album, it is the single.  Thus, considering my penchant for deep tracks, I figured I’d stick to a relatively mainstream song for the first John Mellencamp cover on the Laptop Sessions website.  Unlike the aforementioned Sugar Ray tune (which hit #7 on the Billboard Hot 100), this song never charted.  However, it did reach #15 on the US Rock Charts, which is probably why I heard it played on the radio so much that year.

And, I have to admit, I had a lot of fun these past couple sessions learning the songs that remind me of years ago, when music was all-new, unknown, and simply exciting for me.  I definitely plan to revisit my pop radio roots for future sessions.  (The Jim Croce single turned out to be “Bad, Bad Leroy Brown” — my first Jim Croce cover on this, the best acoustic cover song blog on the Internet!)

Finally, before I go back to reading for school tomorrow — I’m reading a great mystery by Tana French called In the Woods for those of you mystery fans among us — I have to comment on tonight’s episode of TNA Impact!  It was, without a doubt, one of the best episodes probably in months.  It pretty much had everyone and everything you could want in a two-hour wrestling program, with the exception of Christian Cage, one of my all-time favorite wrestlers who was not on tonight’s show.  (As Jim mentioned, though, Samoa Joe wasn’t there, which was a nice trade-off…  Sorry, is that mean?  Well, he’s not the “champ” anymore, so…)  But, seriously, aside from being incredibly disappointed in the way that the Kurt Angle vs. Matt Morgan ended (I wanted Morgan to win, even though I knew he wasn’t going to!!), it was a great show.

Probably the most shocking segment was when Kevin Nash — after demolishing Consequences Creed, or as Nash referred to him, “Unconscious Creed” — completely amped up his ego, proclaiming himself to be the smartest, largest wrestler and a man that women lust for and that men wish they could be.  He actually mocked the men in the audience who brough wives and girlfriends, warning them that their women were thinking only of what it would be like to spend the night with him.

Now, while I in no way, shape, or form would endorse this kind of pompous behavior and I generally dislike anyone whose personality remotely leans in that direction, I have to share this funny moment I had tonight:

Jim:  Chris, now are you such a big fan of Kevin Nash?

Chris:  Well, to be honest, I sometimes do wish I could be seven feet tall, incredibly muscular, and have the nickname “Big Sexy!”

I realize that this all has little to do with acoustic covers, but I really just had to share…

Thanks for reading, watching, and/or listening — I look forward to possibly seeing you back here in three days for yet another all-new acoustic cover music video and a review of the America concert I’m going to see at the Mohegan Sun on Saturday!

See you next session!

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“That Was The Day” (Jim Fusco Original Acoustic Rock Song)

As they say- one hand washes the other.  I helped Chris on Monday with his Sugar Ray video and tonight, he helped me with my original song, “That Was the Day”.  It’s truly a shame that it’s been this long here on the Laptop Sessions before we’ve done this original song.  I’d say, as unknown Jim Fusco original songs go, this is my most “famous”, as it’s been a staple in our live act and a fan-favorite for four years now.  Actually, I can’t believe it’s only been four years- hard to imagine a time when this song didn’t exist.

“That Was The Day” is a song written about the day I met my fiancee Becky.  I had a talk with Chris Moore about the “fact” that a perfect girl didn’t exist.  I said to him, “Well, if she does exist, I’m definitely going to take advantage of the situation.”  I’m not saying Becky is perfect- no one is- but, it was only a day or two after that conversation that I met her, and instantly knew she was the one.  It’s been over six years since that day.

This song just poured out of me one day- rarely in songwriting do I get so inspired and just get the whole tune, chorus, and middle sections out so quickly.  I knew that this would be my “single” for my current album of the time, “That’s All…”.  Of course, the song didn’t go anywhere, but whenever we play it live, I notice the heads looking up and noticing the band.  That’s always a good feeling.

In a hilarious note, I couldn’t walk for a full five minutes after this take.  Something about the way I was standing with one leg on a stool made my left hip just give out.  It felt like someone hit me with a crow bar!

In a completely unrelated note, Chris and I just got through watching the debate tonight between Obama and McCain.  We don’t get political on this blog (although I would bet good money that Chris, Jeff, and I are all on the same page…along with my family), but the debate tonight proved one thing I’ve been saying for a while.  Whether you’re a supporter of McCain or not, from my point of view, he just reminds me of a father giving you a lecture.  He reminds me of the old VFW guys that used to lecture us “kids” in Boy Scouts back in the day about how we didn’t have respect and how they should be treated better because of their age and their service to this country.  That may be true, but again, no one wants to hear it.  It comes across as crotchety and annoying.  I HATE being lectured to (or preached to, for that matter) and McCain literally makes me say, “Please change the channel” every two minutes.

Always one for consistency, Chris refused each time.  I only remembered at the end of the debate: “Hey, it’s MY television!”

Enjoy tonight’s original song and I hope you’ll come on back for great acoustic rock cover songs from Jeff and Chris over the next two days.  We’re excited to see America at the Wolf’s Den in Mohegan Sun on Saturday, so I have to make sure I post early!  But, I have at least two new bands coming up during my next three videos.  I can’t believe it myself, because it almost seems like there can’t be any more to do!  Which new bands are they?  You’ll just have to wait and see.  Until then…

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“This Wheel’s on Fire” (Bob Dylan/Byrds Cover)

By Chris Moore:

I’ve been so excited recently to see what new bands Jim is going to introduce to the blog — I mean, you really have no idea from one day to the next which band he’ll tap in to.  At this point, he’s done so many different bands that it would actually be just as much a surprise to see him break out a classic standby, such as the Beach Boys.  And, to prove how excited I am about these new bands…

…I’m going to contribute a Bob Dylan song!

Big surprise, I realize.  (For those of you who don’t watch regularly, I’m a big Dylan fan and have recorded more Dylan covers than any other band!)  But I have my reasons, I promise.  First and foremost, today is the official release date of The Bootleg Series, Vol. 8: Rare and Unreleased: 1989-2006.  I’ve only had time to listen to the first two thirds of the first disc, but already I’m really enjoying it.  I’ve been concentrating so much on the new Ben Folds album, Way to Normal, that I was loath to take it out of my CD player.  But I’ve already fallen in love with Dylan’s work, even after hearing the first four tracks.  The version of “Mississippi,” one of my favorite songs of all time, is entirely different.  Then, the version of “Most of the Time” sounds less like the 1989 track I know and love and more like a track out of 1963; it’s entirely different, and yet in typical Dylan fashion, it’s entirely amazing.  Following an interesting little piano demo of “Dignity,” Dylan’s first take of “Born in Time” is — as the liner notes suggest — really the definitive version.

To be honest, I think the set might be worth the purchase if only for the “Born in Time” take and the new single “Dreamin’ of You,” an unreleased song from the Time Out of Mind sessions.  When I got home from a meeting late tonight, my first inclination was to record a song that was (a) comfortable for me to play, so I could get to bed on time, and (b) a Dylan song.

This fits both criteria!

That’s all for me for now.

See you next session!

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