CD Review: Songwriter (and Former Beatle) Ringo Starr’s New Music on “Liverpool 8”

RATING:  3.5 / 5 stars

By Chris Moore:

When I read that Ringo and his longtime musical partner Mark Hudson had severed their working relationship, I was concerned for what Liverpool 8 might end up sounding like. Would it follow in the solid, enjoyable footsteps of 2003’s Ringo Rama and 2005’s Choose Love, or would it embrace a new sound altogether? How would Dave Stewart’s influence as producer manifest itself in the music? As much as I’d like to believe I’m open-minded about artistic development, I have also grown fond of Ringo’s recent sound.

A couple nights after the album’s release, I sat in my car outside the CD store, hurriedly tearing the shrink wrap off of Liverpool 8. As the title track began, I was simultaneously hesitant and intrigued – it was a new sound, but certainly not a negative one – hearing Ringo tumble words-first into the autobiographical, “I was a sailor first…” Some may say (and, in fact, some reviewers have already said) that this song is a campy rehashing of his past exploits as a Beatle. I, however, have to scoff at those sentiments.

It strikes me as far too easy to write off or make fun of an “I remember when” song by an ex-Beatle. Have we forgotten the great ex-Beatle autobiographical songs? (George Harrison’s “All Those Years Ago” and “When We Was Fab,” just to name a couple.) Listen to the track for yourself; I hope you’ll find it as interesting, informative, and fun as I did. My favorite line has to be (referring to the leader of the band he was in when Lennon and McCartney saw him play and asked him to join the Beatles), “Played Butlin’s camp/with my friend Rory/It was good for him/it was great for me.” In a recent live version, I’m certain I saw him grinning on that last part, as if to say, “Of course it was ‘great’ for me!”

Initially, I did find the album to be somewhat darker than his recent work, but that is by no means to suggest that his basic advocacy of the “Peace and Love” lifestyle has lessened; if anything, it is just as strong as it has ever been. Songs like “For Love” and (my personal favorite) the solid rocker “If It’s Love That You Want” may not have the most original lyrics, but they have all the heart that we have grown to expect out of Ringo. Even the more serious songs, such as “Now That She’s Gone Away” and “Gone Are the Days,” shine through with lively guitar solos and, of course, reminders that “it don’t come easy” (Any fan of Ringo’s recent, excellent albums who has checked their Billboard ratings would agree!).

At the end of the day, I cannot say that I like this album more than Choose Love or especially Ringo Rama, but I can say that it is a solid, enjoyable album that proves Ringo cannot be written off as the least talented ex-Beatle. He has been smart enough to surround himself with talented young musician/songwriters who compliment his excellent drumming. He has created and maintained an exciting new sound in his recent work. He possesses a larger-than-life personality that drives even his lesser songs forward. And, if nothing else, he still knows how to rock n’roll!

“Looking For You” (New Music – Independent Music Songwriter Chris Moore)

By Chris Moore:

Hello and welcome to the “Title Tracks Week” edition of the Laptop Sessions! Today, I’m proud to pull one out of the archives, dust it off, and present it to you in all its laptop camera – recorded glory… This is the title track from my 2005 album Looking For You – click here to listen!. “Looking For You” is one of only three songs (all included on that album) that I’ve released with drums included in the mix. At the time, Jim officially produced three tracks off the album for me and they are, by far, the standout tracks! With his help and musicianship, I was able to include percussion and background vocals like no other song I had previously released. To this day, I still remember the hours I spent teaching him the songs and learning what I could from his recording style.

“Looking For You” quickly became one of the staples of our band at the time, the trio “Chris, Jim, and Becky.” We played coffee houses and open mic nights, and this song seemed to fit amongst our rather acoustic fare. For whatever reason, I had a hell of a time remembering the words though, so there are some embarrassing live tracks floating around out there. But there is a really great recording of it on our only release as a trio, appropriately titled Live in the Studioclick here to listen!.

Then, in 2006, MoU began recording their debut album – click here to listen!, again with a “live in the studio” sound. Looking for standards that we were comfortable playing, “Looking For You” made the final cut. This, I think, is the definitive version. Years of playing this song finally gelled on this recording, as the three of us were joined by Mike Fusco on drums and Cliff Huizenga on bass.

As a final note, I must admit that I have purposely pushed this song out of our set lists as of late. The reason is certainly not that I don’t like the song; the length of this post should refute that suggestion! (In fact, I’m not sure I’ve ever told anyone before, but this was the first harmonica solo I ever played on my own and it really marked the beginning of that instrument in my music.) I’ve felt that the words of the song get buried in a live, electric rock setting, and that’s the real reason it’s been passed over recently. Playing it again tonight was a blast!

I hope you enjoy it, and I hope you’ll come back to https://guitarbucketlist.com tomorrow for an all-new “Title Track” Laptop Session from Jeff Copperthite… it’s sure to be a great one!

See you next session!



“I Threw It All Away” (Bob Dylan Cover)

It’s back-to-back Bob Dylan songs for me. This one comes from his 1969 country-rock album, complete with “Lay, Lady, Lay” voice! For those of you WCJM.com Free Internet Radio fans out there, try not to confuse this with John Daley’s trademark tones…

I’ll be tapping into some new artists in the next few posts, and I’d like to really kick off the Christmas season with some holiday tunes (coming soon!). As always, thanks for “tuning in”!!

(Looking for a different song? Use the SEARCH bar to the upper right of the screen!)

Ranking every Beach Boys song/album: The Beach Boys Christmas Album (by Songwriter Jim Fusco)

By Jim Fusco:

BEACH BOYS CHRISTMAS ALBUM:

We Three Kings of Orient Are – 9.5
*Little Saint Nick (single) – 10
Little Saint Nick (album) – 9.5
*Our Father – 5
*Auld Lang Syne (alternate) – 5
Santa’s Beard – 7 (LOVE the chord progression and the combination of Mike’s low part and Brian’s high part on “He wants to meet old Santa Claus”)
Christmas Day – 6
I’ll Be Home for Christmas – 7 (I consider this the standard for this song)
The Man with All the Toys – 7.5 (The same reason why I like this song is the reason why it gets docked some points. It has this “dark” sound to it that kinda doesn’t sound very Christmas-song like. However, I like the darker sound because I love those dark Christmastime nights)
Blue Christmas – 6.5
White Christmas – 6
*Little Saint Nick (alternate) – 6.5
Merry Christmas, Baby – 7
Santa Claus is Coming to Town – 5
Frosty the Snowman – 5
Auld Lang Syne – 4 (They couldn’t have done ONE more take to let Dennis have another chance?)

** This is one of my favorite albums. That doesn’t mean it’s the best by any means, but this always makes me SO happy. I have 200 Christmas songs and know how to play most of them. I love Christmas and everything that goes with it. This album contains songs that make me SO happy every time I listen to them, that it automatically brings back memories. I love Elvis’ first Christmas album because of that, too. Something about that innocence and that late ’50s, early ’60s Christmas time vibe… I’ll never live in that kind of world. I’ll never get to experience that, seeing as I grew up in the ’90s (and still growing, in fact, at 23). I hope to give my future children Christmases like that, and that’s why every note on this album is like gold to me. I listen to it about 50 times a year- more than any other album. I know the songs aren’t perfect and the recording sounds a bit rushed, at best. But, they’re voices are at top-notch form here. Classic. **