In Search of the Perfect Acoutic Guitar…

By Jim Fusco:

A little over two weeks ago, I got the urge.  On a chance visit to Guitar Center in Manchester, CT (while my wife shopped at the Christmas Tree Shop), I began getting that familiar, “I really wanna buy a guitar” feeling.  I started to think about my fellow “Traveling Acai Berries” member, Steve, who has a beautiful (and beautiful-sounding) Martin D16-RGT acoustic guitar.  I remember playing it and noticing how well it sounded.  Every fret was in tune.  I didn’t have to try so hard to make it sound great.  Plus, it had some nice volume without having to strum very hard.

So, I thought about the idea of actually purchasing a Martin guitar.  I mean, I was always a nay-sayer.  I remember countless conversations with my brother, saying, “Oh, Martins are overpriced- there’s no way they can sound THAT good to justify being over a thousand dollars!”

Then, I played Steve’s guitar.  It was magical.  I knew I had to have one someday.  Little did I know that day would be now!

So, the bug was in my mind.  I began doing some research and honed-in on a few models.  I decided right off the bat that I wanted an all solid wood guitar.  To me, there’s no other way.  I actually didn’t even want Steve’s same model because of its Micarta (synthetic) fretboard.  Not to say that it’s a bad thing- I mean, it’ll NEVER wear down- but, to me, I really wanted an instrument I could hand down for generations.

You see, Martin guitars have been around since 1833 and have been produced (the all-wood ones, at least) in Nazareth, PA for over 175 years.  That’s pretty incredible, especially considering that, after all this time, it’s STILL a family-run business!  When you buy a high-quality Martin, you keep it for life (it has a lifetime warranty, too) and it only gets better (and even more valuable) with age.

So, my search brought up a few potential models, including the DSR, the D-15 Mahogany, and the DSM.  These guitars are all “custom” because they were made for major guitar retailer Guitar Center.  So, they’re not the standard Martin models, but they do offer a significant savings.

Which brings me to my next point: Yes, I gave myself a budget on this, but I really didn’t want to limit myself budget-wise.  I mean, I set out to buy the best acoustic guitar I could possibly purchase- one that sounded great.  I wanted the best acoustic money could buy.  But, I ended up saving a lot of money only because “the best” to me didn’t include a ton of pearl inlays and fancy appointments.  I think it’s true that, with Martins, they stop sounding better at a certain point…and then just start looking better.  Sure, I could’ve gotten one with the perfect cut of wood on the top (no “bear claws”, as they say), but that doesn’t make the sound any better now, does it?

So, I went to a couple stores to try things out.  I played the highest of the high end Martins, including the famed HD-28 and the Eric Clapton signature edition, which actually contained his signature inside the guitar!  But, I didn’t love the sound.  They sounded too muted to me.  They certainly didn’t have the booming, yet sparklingly clear, tones that Steve’s model had.

So, I had to do more research.  I learned that I was looking for a guitar with a spruce top and rosewood back and sides for the tone I liked.  But, I wanted to get a mahogany neck, because I simply can’t resist that intoxicating mahogany smell.  I also decided that I wanted a guitar with an ebony fretboard, because it was the kind of fretboard they used on the highest-end Martins.

I ended up finding the Martin DSR, which had everything I wanted except for the fretboard.  I could’ve lived with that.  But, the guitar had a satin finish to it.  It looked okay (other than the tacky white binding) and was LOUD- a big plus.  I came to the conclusion that the glossy coat was what was holding the other guitars back from being as loud as they could be.  Then, I started thinking about the fact that I want this instrument to be the be-all end-all acoustic guitar.  Am I really going to hand-down a guitar that didn’t have full-body gloss and that had a lower-end fretboard?  I mean, the guitar was about $1000, but I still felt that I would be taking the low road.

So, I got pretty disheartened and kept searching.  I spoke to my brother Mike, who then told me to expand my horizons.  Martin isn’t the only high-end acoustic guitar company, you know.  So, I seriously considered Taylor (so many famous people play them) and Larivee (a Canadian company that Ed Robertson of Barenaked Ladies uses).  But, stores around here don’t sell Larivee and I’ve never heard or played one in person.  And, I tried a couple of Taylors that were around $1,000 and they didn’t trill me.  To me, they played like every other guitar I’ve tried.

And then, in my search through literally hundreds of pages of online forums and articles, I came across one post that mentioned the Martin MMV.  It’s a model, originally made in 2005 (thus “MMV”) for Guitar Center.  It featured EVERYTHING I wanted in the guitar: glossy, Sitka spruce top, East Indian Rosewood back and sides, and the elusive ebony wood fretboard!  It had that same white binding, but I felt a lot better when I realize that the famed HD-28 had the same binding and looked very nice when glossy.  I was so excited, but realized that I would have to buy this sight-unseen.

So, I did as much research on the guitar as I could.  I literally read every webpage I could find about it.  I wanted to buy it on eBay, but really wanted that Martin Lifetime (yes, LIFETIME) warranty, so I decided to buy it new.  I finally found a 15% off coupon from a reputable site, which was good because this model (at Guitar Center, at least) was a full $500 more than the other models I was looking at.

Let me just say how much I love and appreciate my supportive wife, Becky, for understanding that I need such comfort items as these after working all day and night for the past year and a half!

Back to the story: I even got the guy to throw in six sets of Martin strings!

The guitar came in on Tuesday and I couldn’t be happier with it.  It’s LOUD and sounds amazing.  It also smells wonderful.  It came with a hard shell case, too.  I realize that even higher-end Martins use “choice woods” and other classy appointments, but I truly believe that this model sounded better in my ears.  It’s not the flashiest guitar, but I think it’s the highest quality and best sounding Martin before you just start paying for visual upgrades.  I will be proud of this guitar for the rest of my life and will be proud to hand it down someday.  But, they may have to pry it out of my cold, dead hands. 🙂

I hope this guitar will further excite me to play music and inspire me to continue writing new songs.  I look forward to playing it all the time now and feel like I finally have an acoustic guitar that brings me to the next level.  I’m glad to be a Martin owner, too.  I join some pretty good company there.

So, again, this may not be the perfect overall guitar, but to me, it certainly is.  The sound, the look, the prestige- they all fit me like a glove.  I hope it will be the last acoustic guitar I’ll ever need to buy.  Of course, that just leaves me more room for my growing electric guitar collection!

Stay tuned- next week I bust-out the Martin MMV for my first Laptop Session acoustic cover song music video!  See you then.

Epiphone Les Paul Standard Electric Guitar – Jim Fusco’s Guitar Collection

By Jim Fusco:

On this edition of “Jim Fusco’s Guitar Collection”, I bring you one of my newer guitars in the Epiphone Les Paul Standard Electric Guitar.  I got this as an amazing birthday gift- one I picked out, but had never actually seen in person.  So, it was a surprise on a couple of counts!

IMG_2778

I decided on the Epiphone for a couple of reasons.  First, I found the Gibson Les Paul Traditional Pro 50s tribute guitar online for a massive $2,000.  The price has come down a bit since then, but man, I fell in love with that guitar.  And why did I fall in love with it?  Well, because of my brother Mike, of course!  He’s always searching for new and exciting things that he will eventually convince me to buy. 🙂  And when he got his incredible Gibson Les Paul Supreme electric guitar (which I hope he’ll write a blog post about someday, too), I knew I had to have one.

But, I also knew I didn’t want to drop that kind of money on just one guitar.  When your “wish list” of guitars is as long as mine was (is?), sometimes you have to make some compromises.  So, I looked around and found this- the Epiphone Les Paul Standard.  It’s the cheapest model they make, but that didn’t matter to me- it was in Pelham Blue, the same color as the Gibson Traditional Pro!  It’s this kind of metallic blue color that was an old car color.  Match that with some cream-colored binding and you’ve got a winning combination.  Plus, it was “only” $399!

So, what makes the Epiphone different from the Gibson?  They’re both owned by the same company.  Well, the Gibson is made in the US.  So, that doubles the price alone.  Does that mean it’s made better?  Personally, I think not, especially after inspecting every square millimeter of my Epi- the thing is made incredibly well.  The Gibson did have a few better features- it has a Plex setup, which is a computerized way of making sure every fret is perfectly in tune.  Ain’t gonna get that on a $399 guitar.

The Gibson also has better pickups- I think they were Burstbucker Pros or something like that.  The Gibson has a full maple cap while the Epiphone only has a maple veneer top.  But honestly, if the guitar is painted an opaque color like my Epiphone is, why pay extra for a higher grade of wood?  Some may say that the tone is altered.  That may be true, but just because a certain tone is slightly “different” doesn’t automatically make it slightly “better”!

So, when I finally got the Epiphone, I knew that I wanted to do some upgrades, both sonically and cosmetically.  It looked great to begin with, but I didn’t like the amber volume knobs.  So, I replaced them with cream colored ones to match the binding.  I then added a great nameplate that my brother got me- see the photo below!

Epiphone Les Paul Standard Pelham Blue with Sheptone PAF Pickups

And finally, I did the biggest upgrade of all- I did a ton of research and bought Sheptone PAF clone pickups that are made to exacting “Patent Applied For” Gibson pickups that were used on the original Les Paul model guitars of the late 1950s.  The output is so much higher on these pickups and the sound is airy and bright.  It’s a whole different league from the stock pickups.  I’m sure those weren’t bad, but I wanted to make this “Jim Fusco Custom” Epiphone as good as a Gibson.  I honestly think these Sheptone pickups are better than the stock pickups on the Gibson LP Traditional Pro!

Oh, and I swapped-out all of the wiring (the wiring harness), volume, and tone pots (potentiometers).  I did all the wiring myself and had a ton of fun doing it.  Now everything in this guitar is in tip-top shape and sounds amazing.  I’m so happy I chose this one, as it was a fun project.  I now have something truly unique.  You’ll be hearing me play my Epiphone Les Paul on many future songs- this is my first LP guitar, so it should offer some vastly different tones than I’ve ever had before!

Stay tuned for more Guitar Reviews from the Jim Fusco Guitar Collection coming your way on the Laptop Sessions acoustic cover songs music video blog!

“Opportunities” (Original song by Jim Fusco) – The Open Mic Sessions

By Jim Fusco:

Welcome everyone to another installment of the Open Mic Sessions with Jim Fusco!  Today, I bring you another session from my gig at Sam Ash Music Store in New Haven, CT back on April 3rd, 2013.  I went with my brother Mike while he was visiting home for his birthday.  I remember wanting to go to another venue, but chose Sam Ash because they gave me a $10 gift card just for playing!  Yeah, I go where the “money” is…

Anyway, it gave me an opportunity to play another original song from my 2012 album, “Those Around Us”.  This is one of the faster tracks on the album, “Opportunities”, which features a great drum track from my brother Mike.  As we know, tracks like that are great for pairing-down into the famous “Laptop Sessions” style of performing- just me and an acoustic guitar!

So, I hope you enjoy my original song, “Opportunities”.  Stay tuned as I bring you more of the “Open Mic Sessions” here on the Laptop Sessions acoustic cover songs and original music video blog!



Ranking every Beach Boys song/album: “Summer Days (and Summer Nights!!!)” (by Songwriter Jim Fusco)

By Jim Fusco:

Hi Mike and hello to all other participators. Here is my weigh-in for the “Summer Days (And Summer Nights!!!)” album- a true classic.

SUMMER DAYS (AND SUMMER NIGHTS!!)

California Girls – 10 (An American classic- especially for a Beach Boys fan, it just simply doesn’t get much better than this. I have to rank this a 10, even though I believe God Only Knows deserves the undisputed highest spot.)
Salt Lake City – 7
*The Little Girl I Once Knew – 10 (A long-standing choice for my favorite Beach Boys song of all-time. It’s still gotta be in my Top 3)
The Girl from New York City – 6 (It’s okay, but very much under-produced compared to the rest of the album and they seem to be a bit more sloppy. I do like Mike’s overly-low backing vocals, though!)
Help Me, Rhonda – 10 (You know, it’s kind of expected that people will give songs like this a 10, but if you just sit back and LISTEN to this version of “Help Me Rhonda”, you have to realize it’s an incredible song. It’s catchy, but still has substance. It truly is that “Beach Boys” sound. I love Mike’s low part in this tune, as well.)
Let Him Run Wild – 10 (This is one of the best songs EVER- it’s unique and has that incredible chord progression. I think the bass line and the sound of the bass in this song is the best of any song I’ve ever heard. Brian’s vocals are perfect and the emotion is heartbreaking. I can’t believe I’m putting so many 10’s on this album!)
*Let Him Run Wild (alternate) – 8 (Brian’s vocals don’t have that edge like the final version)
You’re So Good to Me – 6.5 (Still a great song, but its simplicity just doesn’t match up with the rest of the classics. Also, those “la’s” in the background get annoying to anyone but true Beach Boys fans)
And Your Dream Comes True – 5
Then I Kissed Her – 6.5 (One of their best covers- a great lead by Al!)
Girl Don’t Tell Me – 8 (Catchy and a great little jab to the Beatles style of the period. Carl gives a great vocal performance, as well.)
Amusement Parks USA – 3 (All I can say is: eh)
Summer Means New Love – 3 (I like the tune and the production, but it’s kind of elevator-music sounding)
I’m Bugged at My Ol’ Man – 5 (This is a really cute song with great vocals by Brian, bad vocals by the others, and a truer-than-it’s-supposed-to-sound lyrics)

** This album IS the Beach Boys on record, as far as the 60s are concerned. This album is what “Sunflower” is to the 70’s Beach Boys. “Summer Days” defines the Beach Boys sound, especially on cuts like “California Girls”. I would challenge anyone to give this album a bad review. It still has that innocence I love so dearly, but pushes the musical envelope as far as it can go without getting too serious. This album is really the farthest Brian could go before getting into the emotions and themes he did on “Pet Sounds” and “Smile”. For me, this album marks the end of an era and the Beach Boys just wouldn’t be the same after this. That early-60s summer fun, teenager, innocence just evaporated when “Pet Sounds” arrived. Of course, I’m not saying that the music to come wasn’t some of the greatest ever, but looking back, I wish they could’ve stayed innocent for just a couple more years… **