Elvis Costello’s “National Ransom” (2010) – YES, NO, MAYBE SO?

Elvis Costello’s National Ransom (2010) – MAYBE NOT

National Ransom (Elvis Costello, 2010)

National Ransom (Elvis Costello, 2010)

(November 2, 2010)

Review:

Aside from a few sparking moments and a couple notable tracks, National Ransom feels more like a collection of sixteen songs that didn’t make the cut for Secret, Profane, and Sugarcane, which was in every way a more engaging, dynamic, and cohesive effort.

Top Two Tracks:

“A Slow Drag With Josephine” & “Five Little Words”

Announcing: end of the year WEEKEND REVIEW festivities!

By Chris Moore:

To put it lightly, this has been a groundbreaking year for the Weekend Review and all its various off-shoots.  Featured here weekly on the Laptop Sessions acoustic cover song music video blog, the Weekend Review has gone “one-a-week” for what will be a combined total of 52 full-length album reviews by the end of the year.  In addition, there will have been over 30 “Yes, No, or Maybe So” one-sentence reviews, the “Top Five Rock Artists of the Decade (2000-2009)” five-part series, and various other one-off segments.

As 2010 draws to a close, it’s time to go out with a bang.  Thus, I am happy to announce that — starting tomorrow — there will be a music review list posted every day for the rest of the year.  In many cases, this will be in addition to other posts, such as the regularly scheduled sessions.  These lists will include the biggies like the top twenty albums and the top twenty-five songs of 2010, as well as lesser ranked items such as the top three debuts and the top ten music videos.

Be sure to check your LS Blog.  Check it often, as there are still six more Weekend Reviews, the New Music 2010 Special Report, and so much more before the year is over.

It all kicks off tomorrow — fittingly — with the Best Cover Songs of 2010 list.  Don’t miss it!

She & Him’s “Volume Two” (2010) – The Weekend Review

By Chris Moore:

RATING:  4 / 5 stars

I read recently that Volume Two is, in so many words, a collection of some of the brightest sounding sad songs ever recorded, and I have to agree with that description.

Subtleties such as this are what set She & Him’s follow-up effort apart from the competition.

In the interests of full disclosure, I should concede that, after hearing a track and a half on my first listen, I actually expressed out loud my opinion that I was glad I bought this album, but that I recognized it as a one-speed album of retro pop.

As I have become so accustomed to finding, I was wrong.

By the third track, my nonchalance was deteriorating and before I had completed my first listen, I was hooked by Zooey Deschanel’s unique, alluring lead vocals, backed by M. Ward and company’s instrumentation.  Still, I assumed that this would wear off after a few listens.

Not so.

In ways that I have not quite been able to ascertain and certainly haven’t been able to translate into words, She & Him have managed to walk the line — never crossing it — with what should be derivative sounding retro pop.  At times, I feel like I’ve been transported back to the fifties or sixties, listening to A.M. radio of the past.  At others, these songs feel as new as any indie rock that’s available today, including the sorts of songs played by Deschanel’s husband, the king of indie himself, Death Cab for Cutie frontman Ben Gibbard.

She & Him's "Volume Two" (2010)

She & Him's "Volume Two" (2010)

With two exceptions, this is an album of Deschanel-penned originals, which adds strength to the collection.  Were this a disc of covers, there would be no real tie to modern-day, to the lead singer.  Instead, there is a sense of urgency and relevance in her words, although the overall sound may lean toward the aforementioned retro genre.

Songs like “Thieves” and “Don’t Look Back” are undeniably the highlights of this crop: unique, distinctive tracks.  Although — as per usual — I don’t necessarily agree with the choice of single, “In the Sun” is an entertaining track.

The first half of the album is rounded out with two excellent slower songs.  “Lingering” is an infectious little tune, and “Me and You” is a comforting number.

The second half of the album admittedly lags in a couple places.  “Home” is perhaps the most notable point.  It is not so much that this is a bad song, just that it is not an exemplary one.  (But, then, when has any song about home been great?  Nice, or heartwarming even, but rarely great.)

“I’m Gonna Make It Better” and “Sing” are good songs, but Volume Two doesn’t really pick up again until the final trio of tunes.  The first, “Over It Over Again,” is single material, and certainly first half of the album quality.

Next comes “Brand New Shoes,” a melancholy track that invokes Fiona Apple.

Finally, rounding out the collection, comes the lush, breath-taking vocals of “If You Can’t Sleep.”

Even the covers fit seamlessly — “Ridin’ In My Car” sounding like a natural addition to the originals, and “Gonna Get Along Without You Now” being one of my favorites since my first listen.  Still, these songs — particularly the lyrics — sound dated in a way that most of Deschanel’s originals do not.

From front to back, She & Him have made Volume Two an album of authentic and distinctive sounds, simple but moving lyrics, all punctuated by Zooey Deschanel’s characteristic vocals — truly a must-listen.

The Weekend Review is coming…

By Chris Moore:

Rest assured, the Weekend Review is coming!  In fact, I’m almost finished typing it up, but I just got back after a weekend away, so I want to take a little more time with it before I release an issue of this weekly segment that’s been in the making for over a month…

So, sit tight and tune in tomorrow for a double header “Chris Moore Monday”!