By Chris Moore:

RATING:  2.5 / 5 stars

Although Ringo’s past several albums have been billed as solo records, they have actually been songwriting and performance collaborations with a core of talented singer/songwriters better known as the Roundheads.  They have been musically and lyrically interesting and, at times, even ambitious.

Well, there is no question that Y Not is a true Ringo Starr solo release.

Whereas the collaborations on his past records could be traced through the liner notes and behind-the-scenes documentaries, it is clear that any collaborative efforts on this album are directed by Ringo himself.  Ownership is the key word for Y Not, as his fifteenth studio album finds him producing his own material for the first time in his considerably decorated career.

The result?  This is a fun record, one that Ringo and his assorted guests obviously enjoyed recording.  As the title implies, there is a generally carefree attitude ringing forth from these tracks, an attitude which Ringo has carefully cultivated over a lifetime’s worth of recording and performing.  As early as “Peace Dream,” his positive worldview is sung with as much emotion and sincerity as ever before, followed by the blunt honesty and autobiography of “The Other Side of Liverpool.”  The latter is different from many of his previously autobiographical tracks — think: “Liverpool 8” — in that it covers some darker realms of his past, but it does so with that same air of confidence and cool attitude that we have come to know and expect from the famous drummer for the Beatles.

Ringo Starr's "Y Not" (2010)

There are many positive comments to be made about Y Not, to be certain, and yet the unfortunate flip side of the “ownership” coin is that this most recent Ringo release comes across as somewhat flat compared to his previous albums.  Anyone who has heard his recent work — Ringo Rama (2003), Choose Love (2005), even as far back as Time Takes Time (1992) — will note the diminished effect of this record.

Even from the outside looking in, Y Not is a black and white, one-fold booklet release with a minimum of effort put into design and packaging.  The advertisement label, never mind the album cover, looks like something I could have designed on Windows 98 and printed out on an inkjet printer manufactured a decade ago.  The advertisement sticker itself seems like an afterthought, placed on the bottom rear of the CD case.

But these are only superficial observations; obviously, an album should be judged first and foremost on the quality of the material contained on the CD or downloaded from Internet.

And this is where the true inconsistencies of the album begin.

There are some truly outstanding songs — the funky, uplifting “Time” and the aforementioned “Peace Dream” to name two.  Then there are some fun if mediocre tracks like the repetitive “Everyone Wins,” the somewhat phoned-in (pun intended) “Fill in the Blanks,” and the title track, which frankly borders on annoying, especially by the time the Indian-influenced middle section arrives. “Walk With You” narrowly avoids falling into this category by virtue of the fact that Ringo’s duet with Paul McCartney elevates it to “gem” status.  There is a reason why these two men were members of what was arguably the best rock band of all time.

Finally, there is a track which will make you shake your head, and not in a good way.  Consider the album closer “Who’s Your Daddy” which is every bit as embarrassing as it sounds.  This is essentially a Joss Stone song with Ringo Starr guest-dueting on the chorus, laying down the anchor phrase “Who’s your daddy?” amidst her lead vocal.

The review essentially boils down to this: Y Not is a disappointment if you’re looking for material to compete with the best material of his career, or even his recent career.  (If you think too long about the title, that’s an oddity and perhaps a disappointment in and of itself — IM shorthand?  Really?)

If you’re simply looking for some fun rock and roll to kick off your 2010 soundtrack, then give this one a try.  Even for all my criticism, I’d be hard-pressed to recommend an artist or band who can so consistently provide such fun, upbeat, positive rock music as Ringo always has and continues to produce.  And, really, between the excellent and embarrassing songs, there are some wonderful tracks like the oh-so-obviously Richard Marx co-written song “Mystery of the Night” and the one Roundhead throw-back “Can’t Do It Wrong,” both of which are more than up to snuff, earning a place alongside some of Ringo’s best album tracks.

The final verdict is that I’m sad to see the Roundheads disband, but I’m happy to have Ringo carry on and take more personal responsibility for his music than ever before.

And yes, embarrassing as it may be, I’ll be singing along with Ringo on “Who’s Your Daddy” just about every time…