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Brian Wilson – CONCERT REVIEW!- 7/16/2008 at the Warner Theatre in Torrington, CT

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By Chris Moore:

For the set list, click HERE!

A quick Google search of Brian Wilson these days will yield first and foremost the release date and information about his upcoming album That Lucky Old Sun, which will hit stores on September 2. This is exciting news, extending a decade of increased productivity on the former Beach Boy’s part. In 1998, he released an excellent if somewhat overlooked album titled Imagination; this yielded the adult contemporary hit “Your Imagination.” Six years later, he released not only an album of new recordings, Gettin’ In Over My Head (which was received similarly to Imagination), but also released an album called SMiLE. Since 1966, this album has been considered perhaps the most anticipated new rock music album that was never released. Wilson managed to overcome the demons that once haunted him during the initial recording sessions in the mid-sixties and released this US #13 and UK #7 charting album! Now, word that he is releasing new material could not be more exciting than for the fans who have waited with bated breath to see if Wilson’s period of productivity, both in the recording studio and on the stage, would continue.

You may be wondering what all this wonderful background information has to do with the concert that Brian Wilson and his band performed at the Warner Theatre in Torrington, CT on Thursday, July 16, 2008.

The key connection here is what follows lower on the first page of Google results, namely a blog article titled “Brian Wilson refunding Hammerstein Ballroom ticket money…” According to the article, fans complained that the show was only 75 minutes long and performed by a smaller band than Wilson is typically known for. Reading this for the first time the afternoon before I was to attend this concert, I suddenly wondered if disappointment lay ahead. After all, a quick glance at the posts on BrianWilson.com’s message board suggested that there was a significant amount of tension surrounding the recent concerts. When the time came to leave for the concert, I did what any self-respecting Wilson fan would do; I gathered a collection of Beach Boys and Brian Wilson solo albums, got in my car, and kept my expectations somewhere between medium and low.

It should at least be explained briefly here that this show probably did have a lot to live up to. After all, I have seen Brian many times in my brief six years as a loyal and interested fan of his work. The most memorable and incredible concert I attended was, without hesitation, a SMiLE show in New York City. Not only did I go with my friend and fellow Laptop Sessions acoustic cover songs music video blog founder Jim Fusco, but he had enlisted me to help him film his honors’ college thesis project. Due to his legwork, we were graced by the presence of a handful of Brian Wilson’s touring band members right in our very hotel room! After recording enough footage, we enjoyed the rest of the stay in New York for what it was — an opportunity to meet, in a casual environment, such Beach Boys figures as writer David Leaf and band members Probyn Gregory and Taylor Mills. This was probably the most memorable music experience of my entire life; it certainly was up to that point!

So, this being said, the concert at Warner Theatre on July 16th had a lot to live up to. Still, I came to terms with the fact that this was billed as a “Greatest Hits” show, meaning I wasn’t expecting rarities or even tracks off the new album. (I’m not sure what the aforementioned show at the Hammerstein Ballroom was billed as…) I had read elsewhere that Darian Sahanaja, a major contributor to the sound and structure of the band, was unable to attend this tour, as well as Taylor Mills. Two other regular members had recently left the band. I wondered what it would all sound like, and whether or not it would be worth my $50.

It most certainly was. Even with the aforementioned absences, the band was spot-on and sounded remarkably clear and crisp, most likely owing to the acoustics of the small venue. Although the show only lasted for 90 minutes (which was brief compared to some previous shows I have seen), he played 28 songs spread out over a main set and two encores. The set list was somewhat predictable, but then, isn’t that the nature of a greatest hits show?

What struck me was the energy in the room. Applause broke out the moment background vocals were sung during “In My Room.” Within the first few notes of “Do You Wanna Dance?,” every single person with a floor seat was on his or her feet and shaking around. Finally, and perhaps most unusual for this concert veteran, was the fact that not a soul went for the door until the final song of the second encore was over and the lights had fully come up. This was exciting, as I am often frustrated to find that people would rather get out of the parking garage before the traffic builds than stay and watch the band perform their final song or two.

What I couldn’t understand to any degree was why the couple in their early thirties sitting in front of me got up during “Do You Wanna Dance?” and never came back. What did they expect to hear? As far as greatest hits concerts go, this was just about the best you could ever ask for — well-known songs, lively performers, and faithful arrangements.

Perhaps the best aspect of the concert was Brian’s talkative nature. I wondered if he was considering the bad press he had recently received or if he was simply in a good mood. Regardless, he engaged the band and the audience throughout the show. He began with a brief statement before the show, something like, “It’s great to be in Torrington.” He explained the origins of songs — “I wrote this one when I was 19 in my car” — and later asked the band, then the crowd, to make the noise a coyote makes.

Before the final song of the main set, he asked, “You didn’t come here for bad vibes, did you?” No! the crowd responds. “Did you come here for medium vibes?” No! “Good vibes?” YES!!

I think the set list speaks for itself; these are the quintessential Beach Boys songs, mostly tracks that he wrote in the 1960s and 1970s that still have importance to us today. We still love to hear them, and the band did an excellent job (as they always do!) of performing them. The two curve balls of the night were the tracks from the upcoming release That Lucky Old Sun, “Goin’ Home” and “Southern California.” The former sounded great; it was catchy and employed powerful harmonies, although Brian’s lead vocal was difficult to distinguish in the mix. In the second new track, he clearly took command of his part. Suffice it to say that, if I wasn’t excited about the new album before now, I was after listening to these performances.

Other highlights included Scott Bennett’s absolutely scorching electric guitar solo, not to mention Brian’s opening piano riffing, on the seventies Beach Boys track “Marcella.” (He had tapped the keys of his keyboard just before “Sloop John B,” and then continued to ignore the instrument behind which he sat as the night went on.)

All in all, this was a great show and I’m glad that I went. I can’t say it was my favorite Brian Wilson show, and how could it be when compared to the others I have seen in the past? No, I took this for what it was — a greatest hits show with a couple of sneak peaks of new material to come. I truly couldn’t have been happier to find that Brian was in high spirits and incredible form, on the eve of yet another new album.  While you wait, make sure to check out all of our Brian Wilson and Beach Boys cover songs here on the Laptop Sessions acoustic cover songs music video blog!

 

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The Bob Dylan Concert Primer: November 2010 – Playlists on Parade

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By Chris Moore:

Since Mike, Nicole, and I are getting revved up for Bob Dylan’s upcoming November 27th concert at the MGM Grand, I’ve been designated the task of preparing a soundtrack for preparation.  I’ve been so busy that I’ve let time slip by since Mike asked me, but I couldn’t allow this to go any farther than tonight.

I started by looking up the set lists for Dylan’s past ten shows (this was made simple by them being easily available on Dylan’s Facebook page).  Each set list is comprised of between 15 and 17 songs, so I sorted through all of the songs and put a tally mark next to each track for each time it was performed.

Well, 53 songs later, it was only somewhat clearer which songs might be played at our November 27th show!

I’ve done my best here to put together the tracks that have been played most often, sorting through different versions I have on my iTunes to pick for not only the best versions, but also to add variety to the playlist.  And “Thunder on the Mountain,” “Ballad of a Thin Man,” “Jolene,” and “Like A Rolling Stone” have been played at every show in the same order, so those are a fairly certain bet (unless he switches it up in the next few weeks).  I’ve put them at the end of the playlist, as they were most often the end of the set list, so don’t stop before you reach those!

Once I compiled this playlist, I couldn’t help but post it here online…

Without further ado, here it is, my November 2010 Bob Dylan Concert Primer.  For all those going to see Dylan this month, I hope this is helpful!  🙂  (For the true Dylan fanatic, I’ve posted my raw data notes below this playlist.)

1)  “Leopard-Skin Pill-Box Hat” – The Bootleg Series Vol. 4: Live, 1966

2)  “Beyond Here Lies Nothin’” – Together Through Life (2009)

3)  “Highway 61 Revisited” – Highway 61 Revisited (1965)

4)  “Just Like a Woman” – Blonde on Blonde (1966)

5)  “Summer Days” – Love & Theft (2001)

6)  “Workingman’s Blues #2” – Modern Times (2006)

7)  “Tangled Up in Blue” – Blood on the Tracks (1975)

8)  “Cold Irons Bound” – Masked & Anonymous (2003)

9)  “Simple Twist of Fate” – The Bootleg Series Vol. 5: Live 1975

10)  “High Water (For Charley Patton)” – The Bootleg Series Vol. 8: Tell Tale Signs (Live Version, 2003)

11)  “Rollin’ and Tumblin’” – Modern Times (2006)

12)  “Thunder on the Mountain” – Modern Times (2006)

13)  “Ballad of a Thin Man” – Highway 61 Revisited (1965)

14)  “Jolene” – Together Through Life (2009)

15)  “Like a Rolling Stone” – Highway 61 Revisited (1965)

Statistics compiled from 10 setlists of shows between Oct 19 and Oct 31, 2010.  Each night, Dylan played between 15 and 17 songs.

Leopard Skin                                                iiiiiiii

This wheels                                                i

stuck inside                                                iii

just like a woman                                    iiiiiii

beyond here                                                iiii

tangled up                                                iiiiii

rollin and tumblin                                    iiii

spirit on the water                                    ii

high water                                                iiiiiiiii

workingman’s blues                                    iiii

highway 61                                                iiiiiiiiii

ain’t talkin                                                i

Thunder on the                                     iiiiiiiiii

ballad of a thin man                        iiiiiiiiii

Jolene                                                iiiiiiiiii

Like a rolling stone                        iiiiiiiiii

senor tales of                                                ii

I’ll be your baby                                                 i

the levee’s gonna                                    iiii

i don’t believe you                                    i

honest with me                                                ii

a hard rain’s a-gonna                                    ii

cold irons bound                                                iiii

love sick                                                            ii

nettie moore                                                ii

rainy day women #12                                     i

Don’t think twice                                                ii

tryin’ to get to heaven                                    ii

blind willie mctell                                    i

summer days                                                iiii

cat’s in the well                                                i

it’s all over now baby blue                                    ii

things have changed                                    ii

desolation row                                                ii

not dark yet                                                i

all along the watchtower                                    ii

lay lady lay                                                i

Man in the long black                                    i

i feel a change comin on                                    i

visions of johanna                                    i

Masters of war                                                i

simple twist of fate                                    iiii

just like tom thumb’s                                    i

forgetful heart                                                i

It ain’t me babe                                                i

tweedle dee & tweedle dum                        i

if you ever go to houston                                    iii

when the deal goes down                                    i

the man in me                                                i

positively 4th street                                    i

the lonesome death of hattie                        i

forever young                                                i

queen jane approximately                                    i

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BnL Live at the Klein, November 2010 – The Weekend Review

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By Chris Moore:

See the Set List HERE.

On the heels of my previous BnL concert review, posted little more than three months ago, there isn’t much more that needs to be said, other than to underscore several assertions concerning the Barenaked Ladies.

First, it really can never be too soon to see them play live again.  After seeing them in August with decent seats and having had an outstandingly fun time, I almost considered letting this second New England tour stopover pass me by.

Almost.

Being fortunate enough to live in an area that is located in, as a friend recently referred to it, the “Barenaked Belt,” it simply doesn’t make sense to not take advantage of it.  And, this time around, the venue was considerably smaller – Mohegan Sun Arena being 9500 capacity, and the Klein Auditorium being only 1400.  We sat front row balcony, or “mezzanine” as the theatre people say, and got some performances that probably wouldn’t find their way into a stadium set, songs like the rarely played “Moonstone” and “Tonight is the Night I Fell Asleep at the Wheel.”

A second assertion, and perhaps the main thrust of my August review, is that BnL is every bit as good as they were when Steven Page was in the band.  This is surprising, as he is such a unique talent and a man who brings considerable stage presence and energy to the live shows.

And, for the record, let’s be clear that I would love to see the five-man band reunited at some point down the road.

But, for now, the four-piece Barenaked Ladies are still a force to be reckoned with, and they have apparently decided that no catalog item is off limits, regardless of how much of a “Steven” song it is/was.  Take, for example, the fairly standard middle of their order, a veritable greatest hits of Steven Page tracks: “Sound of Your Voice,” “It’s All Been Done,” “Too Little Too Late,” and “Brian Wilson,” all topped off with the not-so-subtle “You Run Away.”

A third assertion is one that struck me early in the set last night: the Barenaked Ladies are the rare group of men that have gotten cooler as the years pass.  One needs only to compare their image and sound from the excellent and not-to-be-slighted Gordon era with their current stage show in order to appreciate just how cool they’ve become without losing too many fans to claims of selling out.

They have such a vast array of music, and to a certain degree, they allow for it in their set lists.  Although there are certain songs that you can reasonably expect (and in certain orders), there is room for adlibs and unexpected deep tracks, songs like those mentioned above.  Even songs that have been played about ten thousand times over their career, like “One Week,” have taken on a fresh appeal.  With Kevin Hearn singing the Page parts of “One Week” last night, I think they’ve finally perfected their recent live arrangement of this, their best-known composition.  Likewise, Tyler Stewart and Jim Creeggan have stepped up their game, Stewart bringing down the house with his reinvigorated, Jack Black-esque approach to “Alcohol” and Creeggan with his on-stage gesticulations, ear-to-ear grin, and acceptance of the spotlight for tracks like “On the Lookout” and “Peterborough and the Kawarthas.”

Finally, as if it needs to be said, Ed Robertson is a force unto himself.  His white man rapping helped to establish the band’s public image, and he is ever willing to put himself out there for a laugh.

When I choose the words “put himself out there,” I mean that literally.

Last night, as a tribute to their excellent opening act Jukebox the Ghost’s final night on tour, Robertson emerged from backstage with only a towel on.  Then, positioning himself between keyboardist/lead vocalist Ben Thornewill and the audience, he opened his towel so only Thornewill could see him and proceeded to dance to the music.  He moved around the stage and repeated this process for the other two band members.  Meanwhile, the crowd was laughing and clapping and screaming, and guitarist Tommy Siegel laughed his way through his vocals.

As Thornewill pointed out after the song, he could only see Robertson in his peripheral vision at first.  When he reached his hand out to pretend to tickle him, he found that Robertson was indeed wearing only a towel.

Never let it be said that the “Barenaked” part of their band name hasn’t been earned.

Forgive me for getting up on my soapbox yet again, but BnL continues to be one of the most underappreciated rock music acts of the modern age.  If you or someone you know hears “Barenaked Ladies” and instantly thinks “goofy,” “funny,” “If I Had $1,000,000,” and/or “One Week,” then check bnlmusic.com for a tour date in your area.  One show and you’ll be hooked.  Guaranteed.

I’ve been a fan now for over a decade, and they continue to recapture my interest and adoration each and every time I see them live.

As I climb off my soapbox, I bid you good day and hope this review might at least inspire a spin of Maroon or Stunt.  Or Gordon.  Or Maybe You Should Drive.  Or Everything to Everyone.  Or…

Well, you get the idea.

More music reviews

Barenaked Ladies SET LIST – 8/06/2010 at Mohegan Sun, Uncasville, CT

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Click HERE to read the review!

1)  “Who Needs Sleep?”
2)  “Old Apartment”
3)  “Falling for the First Time”
4)  Improv 1 – “At Mohegan Sun” rap / “Something Tells Me I’m Into Something Good”
5)  “Every Subway Car” (with Angel Taylor)
6)  “Told You So”
7)  “Easy”
8)  “Eraser”
9)  “Another Heartbreak”
10) “On the Lookout”
11) “Sound of Your Voice” (acoustic)
12) “It’s All Been Done”
13) “Too Little Too Late”
14) “Golden Boy”
15) “You Run Away”
16) “Four Seconds”
17) “Big Bang Theory Theme”
18) “One Week”
19) “Pinch Me”
20) “If I Had $1000000”
21) Improv 2 – “Oh, It’s Magic, You Know” / rap / dance number

22) “Alcohol”
23) “Watching the Northern Lights”
24) “Brian Wilson”

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