A note from Chris on what’s to come in 2011

By Chris Moore:

This has been quite a year, one of new beginnings and of new avenues pursued.  I’ve spent much of the year working on my weekly music reviews, so as the new music year begins for me today with the release of the Decemberists’ The King is Dead, I thought this would be the best time to put things in perspective and set goals for 2011.

First of all, I’ll be taking the month of February off and plan to return to the blog some time during March or so.  At that point, I’ll have had time to think over what specific commitments I’ll be making in terms of videos and the Weekend Review, and I’ll return to posting the decent number of Guest Sessions that have been submitted over the last couple months.  Until then, here’s a quick sketch of what I’ll be spending my time on.

The 2010 Project

I was a little less than halfway through the recording of my first solo album in four years when I stalled for school (both teaching and being taught).  Since my graduate class ended a month ago, I have yet to delve back into recording, and it hasn’t been for a lack of desire.  So, over the next month, I’m making the time for these songs before they gather so much dust that I lose the passion and momentum I feel for them now.  (If you’re interested, I’m keeping a detailed record of my recording process at the all-new www.chrismooremusic.com.)

52 Pickup

I’ve kept a notebook with me much of the past year, and the result (which is more than three-quarters complete) is what will be my third collection of poetry, to be titled 52 Pickup.  It’s a fifty-two poem sequence that tracks the dissolution of relationships (both romantic and otherwise) and how one copes with loss and subsequent reassessment.  I’ve been writing often the past couple weeks and many of the poems I’ve written should make the cut.  (You can also read updates on that as they come at my website.)

Other Pursuits

Other January/February obligations and activities will include midterm exams, the closing out of the first semester of the school year, helping to organize two charity benefit events at school, and a slew of one-off commitments.  Thanks to my friend Mike, I’m hooked on Arrested Development and Dexter and nearing the end of both, and I’m gearing up to be as supportive of my girlfriend Nicole’s student teaching as she has been during my past several years of teaching.  And last, but certainly not least, there’s a tremendous music opportunity that has presented itself to me.  It’s called the Dry-Knuckle BedHeads, and while it pains me to say this, I’m going to keep that under wraps until I return.

So, until we meet again, take care and “see you next session”!

She & Him’s “Volume Two” (2010) – The Weekend Review

By Chris Moore:

RATING:  4 / 5 stars

I read recently that Volume Two is, in so many words, a collection of some of the brightest sounding sad songs ever recorded, and I have to agree with that description.

Subtleties such as this are what set She & Him’s follow-up effort apart from the competition.

In the interests of full disclosure, I should concede that, after hearing a track and a half on my first listen, I actually expressed out loud my opinion that I was glad I bought this album, but that I recognized it as a one-speed album of retro pop.

As I have become so accustomed to finding, I was wrong.

By the third track, my nonchalance was deteriorating and before I had completed my first listen, I was hooked by Zooey Deschanel’s unique, alluring lead vocals, backed by M. Ward and company’s instrumentation.  Still, I assumed that this would wear off after a few listens.

Not so.

In ways that I have not quite been able to ascertain and certainly haven’t been able to translate into words, She & Him have managed to walk the line — never crossing it — with what should be derivative sounding retro pop.  At times, I feel like I’ve been transported back to the fifties or sixties, listening to A.M. radio of the past.  At others, these songs feel as new as any indie rock that’s available today, including the sorts of songs played by Deschanel’s husband, the king of indie himself, Death Cab for Cutie frontman Ben Gibbard.

She & Him's "Volume Two" (2010)

She & Him's "Volume Two" (2010)

With two exceptions, this is an album of Deschanel-penned originals, which adds strength to the collection.  Were this a disc of covers, there would be no real tie to modern-day, to the lead singer.  Instead, there is a sense of urgency and relevance in her words, although the overall sound may lean toward the aforementioned retro genre.

Songs like “Thieves” and “Don’t Look Back” are undeniably the highlights of this crop: unique, distinctive tracks.  Although — as per usual — I don’t necessarily agree with the choice of single, “In the Sun” is an entertaining track.

The first half of the album is rounded out with two excellent slower songs.  “Lingering” is an infectious little tune, and “Me and You” is a comforting number.

The second half of the album admittedly lags in a couple places.  “Home” is perhaps the most notable point.  It is not so much that this is a bad song, just that it is not an exemplary one.  (But, then, when has any song about home been great?  Nice, or heartwarming even, but rarely great.)

“I’m Gonna Make It Better” and “Sing” are good songs, but Volume Two doesn’t really pick up again until the final trio of tunes.  The first, “Over It Over Again,” is single material, and certainly first half of the album quality.

Next comes “Brand New Shoes,” a melancholy track that invokes Fiona Apple.

Finally, rounding out the collection, comes the lush, breath-taking vocals of “If You Can’t Sleep.”

Even the covers fit seamlessly — “Ridin’ In My Car” sounding like a natural addition to the originals, and “Gonna Get Along Without You Now” being one of my favorites since my first listen.  Still, these songs — particularly the lyrics — sound dated in a way that most of Deschanel’s originals do not.

From front to back, She & Him have made Volume Two an album of authentic and distinctive sounds, simple but moving lyrics, all punctuated by Zooey Deschanel’s characteristic vocals — truly a must-listen.

The Weekend Review is coming…

By Chris Moore:

Rest assured, the Weekend Review is coming!  In fact, I’m almost finished typing it up, but I just got back after a weekend away, so I want to take a little more time with it before I release an issue of this weekly segment that’s been in the making for over a month…

So, sit tight and tune in tomorrow for a double header “Chris Moore Monday”!

Announcing a new Laptop Sessions weekly feature: “The Weekend Review”

By Chris Moore:

Those of you who regularly check the Laptop Sessions homepage for fresh material may have noticed that I have been writing a music review once a week, posting it on either Saturday or Sunday.  Since we shifted away from the “session-a-day” format, these two days have generally been a dry spot for new material on the website.

And why shouldn’t there be something new to look forward to as you’re kicking back on the weekend and wishing you had something new to read or watch?

Starting now, the Laptop Sessions will be posting a music review once every week on either Saturday or Sunday.  This segment, titled “The Weekend Review,” will focus on new albums that have just been released, classic albums that transcend time, “deep racks reports” on albums that have been underrated and/or forgotten about, and live acoustic and rock music in the tri-state area.

If you or your band has released any music recently — albums, EP’s, singles, etc. — then submit your music HERE to be reviewed.

Get tuned in to the albums and songs worth writing about — don’t miss an edition of “The Weekend Review”!