The BEST COLLABORATIONS of 2011 (The Year-End Awards)

By Chris Moore:

The following artists are being recognized for their notable collaborations.  Had they not worked together, their tracks and, in some cases, albums would not have been nearly as successfully rendered.  Wanda Jackson and Jack White have to earn the top mention for the comeback release of the year.  Jackson was once a hitmaker, a notable player in the rockabilly scene (dating Elvis Presley for a time), but I certainly hadn’t heard of her before this year.  With White’s electric leads and the fitting arrangements that walk the line between classic and modern, The Party Ain’t Over makes good on the claim in its title.

Beyond this collaboration, the others on this list are more traditional.  8in8 was a cool idea: get together to write, record, and release eight tracks in eight hours as a way of showing just how much the music industry has changed in even the past several years.  Gillian Welch’s role, dueting on the Decemberists’ The King is Dead, was a vital one, just as Norah Jones and Jack White added their vocals to a couple tracks and elevated the Rome soundtrack.  I’d be remiss if I didn’t point out and praise the (brief) reunion of Ben Folds Five, just as much as if I didn’t note that some of the tracks on The King is Dead have a strongly R.E.M.-esque vibe to them at least in part because Peter Buck is playing on them.

1)  Wanda Jackson and Jack White (The Party Ain’t Over)

2)  Ben Folds, Amanda Palmer, Neil Gaiman, and Damian Kulash (8in8)

3)  The Decemberists and Gillian Welch (various tracks on The King is Dead)

4)  Danger Mouse, Daniele Luppi, Norah Jones, and Jack White (Rome: Original Motion Picture Soundtrack)

5)  Ben Folds, Darren Jesse, and Robert Sledge (as Ben Folds Five for three new recordings)

6)  Norah Jones and Hank Williams (“How Many Times Have You Broken My Heart”)

7)  The Decemberists and Peter Buck (various tracks on The King is Dead)

8)  Bob Dylan and Hank Williams (“The Love That Faded”)

9)  Kevin Hearn and Garth Hudson (“The House of Invention”)

10) Lupe Fiasco and Matt Mahaffey (“State Run Radio”)

The BEST REMASTERS / REISSUES of 2011 (The Year-End Review Awards)

By Chris Moore:

This year, I didn’t listen to all that many remasters or reissues.  Pink Floyd re-released all their albums in one intimidating batch.  Had it been one at a time, I might have tried one.  Nearly every week, there have been remasters or reissues on the new release rack at Newbury Comics.  And yet, at year’s end, I am left with only one in mind that carries any weight with me:  The Beach Boys’ SMiLE Sessions box set.

This is – finally, officially – the closest we’ll ever come to hearing what SMiLE would have sounded like, had it been released in context over four decades ago.  Brian Wilson’s 2004 take on SMiLE turns out to be, as expected, a close approximation and, in some ways, a more complete version.  That is the most heartbreaking aspect of this box set: there are parts missing, instrumentation with unfinished vocals, and a general sense of genius abandoned.  This being said, The SMiLE Sessions present a gorgeous, expansive vision that may well have been yet another game changer in a series of re-visionings then taking place, led largely by the Beatles.

We’ll never know how much of an impact this album would have had, or how great a success it would (or wouldn’t) have been.  What we can do is marvel at the beauty of Brian Wilson’s vision and the Beach Boys’ remarkable vocal soundscapes.  (The deluxe box set may only be for the diehard fan, but believe me, it’s well worth it if you consider yourself to be anything approaching diehard!)

1) The SMiLE Sessions – The Beach Boys