The Magnetic Fields’ “Realism” (2010) – Yes, No, or Maybe So

Realism (The Magnetic Fields) – MAYBE

The Magnetic Fields' "Realism" (2010)

The Magnetic Fields' "Realism" (2010)

(January 26, 2010)

Review:

Sounding like the Now People’s dysfunctional cousins, The Magnetic Fields have put together a fine — if quirky — acoustic album that transcends simple folk rock.

Top Two Tracks:

“You Must Be Out of Your Mind” &  “Walk a Lonely Road”

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Shawn Mullins’ “Light You Up” (2010) – YES, NO, MAYBE SO?

Shawn Mullins’ Light You Up (2010) – MAYBE

Light You Up (Shawn Mullins, 2010)

Light You Up (Shawn Mullins, 2010)

(October 12, 2010)

Review:

Mullins is a distinctive songwriter, steeped in tradition but indisputably original, and he assembles a keenly woven set of tracks in Light You Up — still, there is something tauntingly brief about Matthew Sweet’s appearance on “California.”  (You petered out after your debut, so mull it over: an electric Thorns album would be sweet!)

Top Two Tracks:

“California” & “The Ghost of Johnny Cash”

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The Gaslight Anthem’s “American Slang” (2010) – Yes, No, or Maybe So

The Gaslight Anthem’s American Slang (2010) – MAYBE

The Gaslight Anthem's "American Slang" (2010)

The Gaslight Anthem's "American Slang" (2010)

(June 15, 2010)

Review:

If you ever wondered what Bruce Springsteen would have sounded like had he been born into the alternative/punk rock legacy, well… the time has come; American Slang suffers a bit from homogeneity of sound, but each of the ten tracks here unfolds as a vivid landscape that transports the listener to a new and yet not entirely unfamiliar locale.

Top Two Tracks:

“Orphans” & “The Diamond Church Street Choir”

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House of Heroes’ “Suburba” (2010) – YES, NO, MAYBE SO?

House of Heroes’ Suburba (2010) – MAYBE SO

Suburba (House of Heroes, 2010)

Suburba (House of Heroes, 2010)

(August 3, 2010)

Review:

Energetic and ambitious, both musically and lyrically: this is how I would describe Suburba, an album that keenly navigates the alternative and Christian genres, pulling in stereotypical, “expected” components but not without a few innovative surprises.

Top Two Tracks:

“God Save the Foolish Kings” & “Love is For the Middle Class”

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