“A Winter’s Tale” Cover by the Moody Blues – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“A Winter’s Tale”
The Moody Blues

Intro: F   Bb   F   Bb   F   C   F

F                                Bb
The nights are colder now
Am                                   Bb
Maybe I should close the door
F              C                       Dm
And anyway the snow has covered all your footsteps
Gm                         C
And I can follow you no more

The fire still burns at night
My memories are warm and clear
F
But everybody knows
C                 Bb              C         F
It’s hard to be alone at this time of year

F                                Bb
It was only a winter’s tale
Just another winter’s tale
And why should the world take notice
F                                    C
Of one more love that’s failed?

F                                Bb
A love that can never be
Though it meant a lot to you and me
F
On a world-wide scale
C                                        F
We’re just another winter’s tale

Instrumental:  F   C   Dm   Dm/C/Bb   C   F

While I stand alone
A bell is ringing far away
I wonder if you’re here
I wonder if you’re listening
I wonder where you are today
Good luck, I wish you well
For all that wishes may be worth
I hope that love and strength
Are with you for the length
Of your time on earth

CHORUS

Instrumental

CHORUS

Instrumental (x2)

Sing the following over the end of the instrumental:
Bb                           C           F            C – F
We’re just another winter’s tale.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“I Would Prefer Not To” (Chris Moore original)

By Chris Moore:

Hello and welcome to another edition of Original Wednesday here at the Laptop Sessions!

Tonight, I’m happy to present the second installment of my summer preview series of my forthcoming album The 2010 Project.  I began recording demos a few months ago, as I mentioned in a previous post, and now I’ve officially hacked out a track listing.  There will be thirteen tracks, all of which are fully composed now and have been recorded in demo form — a few of the demos are more fully produced, but minimally.

Now, I’m at the phase where I’m putting together the tools I need to record.  With the help of a friend, I’ve recently picked up a set of seriously great headphones, which will be a necessary component of the mixing process.  He also helped me pick out a USB microphone that I’ve been experimenting with this week.  There is a line in and external mic plug that I may use if I’d like to refine the sound quality as I begin to record the tracks in a couple weeks.  Finally, I had to replace my guitar pedal, which I had to throw away a few months ago when I pulled it out of storage and found the batteries had leaked.  I tried to clean it out, but it was too far gone.  So, I just got the latest Zoom pedal, which I can’t wait to try out!

Which brings me to the track I’m unveiling today.  Previously, this has only been played for two people: my girlfriend and one of my dearest friends of all time.  Both encouraged me that the new music I’ve been writing is among my best, so I’m hoping to make them proud by the time I’ve finished recording this new album.

And it’s about time — this marks four years since Love Out of Fashion!

“I Would Prefer Not To” will be the second track on the album, following “No Lights, No Sound.”  Those of you English majors out there will pick up on the allusion to the Herman Melville short story “Bartleby, the Scrivener: A Story of Wall Street.”  The verses are as simple as they come, only two chords: D and A.  When I record the studio version, I hope to flesh out the riff I have in my mind and make that more catchy.  The chorus is more interesting and, as in my favorite songs by artists like Bob Dylan, Mike Fusco, and others, the lyrics change slightly each time around.  The song deals with the conflicts that arise from not wanting to disappoint others, but also needing to follow your impulses and passions.  It’s a very personal song, critical at times — though it’s meant to be more confident than scathing — and I think there is a universal quality to it, regardless of its personal nature.

Without further ado, I give you my acoustic performance of “I Would Prefer Not To.”  I hope you like it, and that you’ll continue to check back for more Original Wednesdays in the near future.

See you next session!

Best Debuts of 2012: A Weekend Review Special Edition

By Chris Moore:

The BEST DEBUTS of 2012

 

Both of my favorite debuts this year weren’t true debuts, but rather they were solo debuts by artists well-established as the front men of bands: Jack White of the recently defunct White Stripes and Craig Finn of the Hold Steady, which is currently on hiatus.  Neither topped my year-end best albums list, but both were exciting nonetheless and suggest much promise for future solo efforts. 

 

Blunderbuss – Jack White

Clear Heart Full Eyes – Craig Finn

The Weekend Review: December 2012 Report

By Chris Moore:

 

Almeria (Lifehouse)

Producer: Jude Cole

Released: December 11, 2012

Rating:  3.5 / 5 stars

Top Two Tracks: “Gotta Be Tonight” & “Right Back Home”

For a band that I have accused in the past of being derivative of itself, I picked up this album with some hesitance.  To be honest, I haven’t heard an album from Lifehouse that I truly loved and respected since 2002’s Stanley Climbfall.  That being said, Almeria is a welcome surprise.  At every turn, it is an energetic return and it features a dynamic sequence of tracks.  From the extremes of the modern-sounding yet carefully-paced seriousness of “Between the Raindrops” to the bluesy throwback sound of “Right Back Home” and so many stops between, Lifehouse seems to delight in showing off their range.  “Gotta Be Tonight” bubbles with potential as it stomps away as the opener, and it is followed by highlights such as the catchy, fittingly cyclical “Nobody Listen” and the nearly-Beatles-esque “Lady Day.”  All in all, Almeria is a notable effort from Lifehouse and one whose diversity should bring listeners back for more across many listens.