G Bm
Far, far away from those city lights,
Em Bm Bm – Bbm – Am
Might be shining on you tonight.
Am C
Far, far away from you.
C G Em C G
On the dark side of the moon.
G Bm
I long to hold you in my arms and sway,
Em Bm Bm – Bbm – Am
Kiss and ride on the CTA.
Am C
I need to see you tonight,
C G Em – C – Am
And those bright lights.
Oh, I know it’s right.
Deep in my heart,
Am G Em – C – G
I’ll know it’s right.
INSTRUMENTAL:
G – Bm
Em – Bm (Bm – Bbm – Am)
Am – C
G – Em – C – Am
G – Em – C – G
By the bed, by the light that you read by,
By the time that I get home to say goodnight.
I need to see you again
On the dark side, my friend.
G – Em – C – G
G Em – C – G
On the dark side…
** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
Hello and welcome to another week of new material from the best acoustic cover song music video blog in the universe! We’re glad you’ve chosen to stop by and we hope you’ll read the posts, watch our music videos, and leave us some comments and requests.
Let me begin my post tonight by explaining the new background. Although I think I will eventually establish the living room as my backdrop — better lighting, better acoustics — I wanted Laptop Sessions regulars to see that my “wall 0′ CD’s” has been rebuilt in the condo. I just recorded this video, so there wasn’t any natural light to speak of. Thus, the image is a bit yellowed. Additionally, I spent the weekend working on installing surge protectors, organizing my bookshelf, maximizing space in the closet, etc., so there aren’t any posters. The walls look pretty plain, but I promise there will be a more complete backdrop soon. I have a cool Beatles poster that came free if you bought two or more Beatles remasters at Newbury Comics, and I’ve been itching to put that up. And, of course, there are the Bob Dylan posters that have been with me since I lived with my parents, so it will be nice to get those up soon, as well.
Until then, let’s just focus on the music…
I’ve wanted to record this song since I heard it in the closing credits of Up in the Air a month ago. I had planned to record it right away, but Spoon’s new album, an Elvis Costello phase, and the aborted Locksley new release all intervened. I had considered milking the Who publicity for a session and I was looking for a fitting Jimi Hendrix song for today, but I just couldn’t put this one off any longer.
If you haven’t heard of Kevin Renick, well, that’s kind of the point. Apparently, he wrote “Up in the Air” a couple years before he heard that director Jason Reitman was working on a film adaptation of the book. The version you hear in the film is the original recording Renick handed to Reitman after he heard Reitman speak. The cassette recording begins, “Hi, Jason. My name is Kevin Renick, and I’ve written a song called ‘Up in the Air.’ I wanted you to hear it. It goes like this…”
What follows is a home recording that is simple and wonderfully suited for the film. Of course, it was literally no work to translate this into a Laptop Session as, for all intents and purposes, it already is. When I read more about Renick tonight, I became even more excited about posting this session. He is not signed to a record label. He has never released an album before. Being unemployed himself, he sings his song with conviction, and it was relaxing to learn, play, and record.
The lyrics, like the song, are deceptively simple. There are some great lines here — “When people ask me what I’m doing with my life, I say, ‘It’s up in the air'” and “I’m hearing from friends; it’s that tired, old advice again: ‘You just cannot keep floating all around; oh, you got to get your feet back on the ground.'”
I can’t understate how well this song encapsulated the feel of the film and of the other excellent music chosen for the soundtrack. The Up in the Air soundtrack includes one of my favorite Elliott Smith songs, “Angel in the Snow” (from the New Moon posthumous release), a couple of cool Graham Nash songs (one with Crosby and Stills, one solo demo), and Dan Auerbach’s “Goin’ Home” (from Keep It Hid, my pick for the #10 best rock album of 2009).
So, that’s the story behind “Up in the Air.” Once I’ve finished posting this session, I’m off to grade some senior papers before dinner, and then I have two things I’m looking very much forward to. The first is watching — and yes, your nerd-o-meters are about to go crazy — Star Trek: Voyager with Nicole. I haven’t watched Voyager for YEARS, not since I watched from the sixth season or so on with my mother. Every week, we’d meet and watch that show until it went off the air. And I loved it! But I never thought to go back, so that’s been my recent television indulgence.
In music-related “news,” the second activity I’m looking forward to tonight is finally being able to relax and read the booklet to the posthumous Jimi Hendrix collection First Rays of the New Rising Sun. I unfortunately had to return a Christmas present, and although I put it off for weeks, I finally exchanged it last Friday for this Hendrix CD. I’ve been mildly interested in it for a few years, but I wasn’t sure what it would be like. I’m generally of the opinion that the overall consistency and quality of Hendrix’s albums started at near-perfection with Are You Experienced? (1967) and declined from there, particularly on Electric Ladyland (1968). That’s not to say that he didn’t make some tremendous, outstanding music after his debut album — “Wait Until Tomorrow,” “Castles Made of Sand,” “Bold as Love,” “Crosstown Traffic,” and his cover of “All Along the Watchtower” — but the second and third albums themselves just weren’t as tight or compelling as the first.
Let me tell you: it’s a SHAME that Hendrix never finished First Rays of the New Rising Sun. Even as a 17 track collection compiled “under the direct supervision of the Hendrix family,” this disc is easily the best, most dynamic work he released after Are You Experienced? Given the time, Hendrix may very well have topped even that. Anyone who owns the greatest hits collection Experience Hendrix already knows the rocking “Freedom,” the jaw-droppingly beautiful “Angel,” and “Dolly Dagger.” If you like those tracks, you should check this out as well, especially for great work like “Night Bird Flying,” “Hey Baby (New Rising Sun),” and “In From the Storm.” Great stuff indeed.
Well, that about does it for me this week. Of course, you should hurry back every day of this week for fun new material — you can bank on another full Laptop Session, a three-part “Yes, No, Maybe So, Retro” series, a Guest Session of a great Buddy Holly song, and an all-new Weekend Review. Don’t miss any of these great music-related posts — you’re only going to find them here…
See you next session!
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
B
It’s only when your poison spins into the life you’d hoped to live
and suddenly you wake up in a shaken panic
B A B
now…
You had set me up like a lamb to slaughter,
Garbo as a farmer’s daughter.
Unbelievable. The gospel according to… who?
I lay right down.
F#
All your sad and lost apostles
A E
hum my name and flare their nostrils,
F# A
choking on the bones you tossed to them.
F#
Now I’m not one to sit and spin because
A E
living well is the best revenge, and
D A E
baby, I am calling you on that.
Don’t turn your talking points on me.
History will set me free.
The future is ours and you don’t even rate a footnote.
now…
So who’s chasing you?
Where did you go, you disappear mid-sentence in a judgement crisis…
I see my in and go for it. You weakened shill.
All your sad and lost apostles
hum my name and flare their nostrils,
choking on the bones you tossed to them.
Now I’m not one to sit and spin
because living well is the best revenge,
and baby, I am calling you on that.
You, savor your dying breath.
I forgive but I don’t forget.
You work it out. Let’s hear that argument again. Camera 3. Go. Now.
All your sad and lost apostles
hum my name and flare their nostrils,
choking on the bones you tossed to them.
Now I’m not one to sit and spin
because living well is the best revenge,
and baby, I am calling you on that.
baby, I am calling you on that.
baby, I am calling you on that.
** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
My cover of “City of New Orleans” by Steve Goodman is influenced by Willie Nelson’s version of the song. The rhythm fittingly drives on like the wheels on a locomotive, and it has a fun chord progression.
** EDITOR’S NOTE **
This is one of those songs I feel like I’ve known forever. The more likely time frame is since I was about ten or twelve, listening to my father’s seventies music cassette tapes. Of course, I know the 1972 Arlo Guthrie version from his album, Hobo’s Lullaby. It turns out Steve Goodman played it for Guthrie at a bar called the Quiet Knight in Chicago, after which Guthrie recorded his cover.
If the quality of a song can be judged by the caliber of people who have recorded it, then this is an outstanding tune. It has been recorded by Willie Nelson, Johnny Cash, John Denver, Judy Collins, and Jerry Reed, and has been performed most recently by Jimmy Buffett in 2005 and former Red Hot Chili Peppers guitarist John Frusciante in 2006.
And now I’m thrilled to add Jeremy Hammond’s name to that long and prestigious list of cover song artists. Jeremy’s music video performance is an excellent, entertaining, faithful rendition that anyone who knows this song will enjoy. If this is your first time hearing the song, perhaps you’ll go out to a CD store (or at least YouTube) and check out the other versions. Jeremy continues to select songs that fit perfectly into the acoustic cover song format, so hurry back soon for another installment of the Guest Sessions at the Laptop Sessions music video blog!
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
