By Chris Moore:
As you walk in the gates at a Wilco concert this summer, your ticket is scanned and you are handed a free tour program.
That’s right; I said “FREE.”
And this is no cheap artifact thrown together for the sake of it. This is a 34 page program, printed and bound as professionally as any other band’s tour program for which you would probably spend in the ballpark (pun intended) of $15 to $20. Inside, you’ll find exclusive band photographs, the “Wilco Top 5-a-go-go” (a set of “Top 5” lists from the band members), interviews with Jeff Tweedy and Derek Welch (who designed the Wilco toys and the Nudie suits you see in the artwork for the new album), reproduced handwritten lyrics for “Country Disappeared,” a brief word from Glenn Kotche about a custom aspect of his drumset, a scorecard listing all the Wilco songs across the x-axis and all the locations for the summer tour down the y-axis, cartoons, and more…
I think you get the idea.
Although I didn’t know it when I entered the gates Saturday at Dutchess Stadium in Wappingers Falls for my first Wilco concert, this is precisely the type of show the band was about to put on: one jam-packed with more effort, creative energy, and ability to impress than I ever thought possible.
Over two and a half hours — and that’s AFTER Conor Oberst and the Mystic Valley Band left the stage — Wilco played a full set with two encores that added up to 29 songs. The band entered by simply strolling through a gate on the first base line, walking across the outfield, and running up the steps to launch immediately into a rocking version of “Wilco (the song),” the opening track from their new album.
Throughout the night, Jeff Tweedy and the boys of Wilco played predominantly from their most recent four albums (Yankee Hotel Foxtrot, A Ghost is Born, Sky Blue Sky, and Wilco (the album) – six songs a piece, except for Sky Blue Sky‘s five), but they also played three songs from their third album Summerteeth and dusted off one each from their 1995 debut album A.M. (CLICK HERE to read a review of A.M.), its 1996 followup Being There, and the first Mermaid Avenue.
The first 22 songs — the main set — came at a rapid pace, as the band members somehow maintained the same soaring level of enthusiasm for recreating some of their best songs, as well as some deeper album cuts, onstage with either note-for-note perfection compared to the studio versions (“I Am Trying to Break Your Heart,” “Shot in the Arm,” & “Walken”) or by introducing interesting new rythyms, riffs, and other interesting aspects to their interpretations (“War on War,” “Too Far Apart,” & the by-now-classic concert version of “I’m the Man Who Loves You”).
Throughout the night, Tweedy interacted with the crowd in his characteristic way, the night’s main topics being the mosquitoes that were swarming the stage — “Does anyone have any DEET?” he asked — and the glow sticks that were being tossed around amongst the audience members at the foot of the stage — he mimed a set of “try to hit me, I dare you!” arm motions during one song, causing a volley of glow sticks to shower the stage, showing off the audience’s profoundly poor coordination.
“You guys have really bad aim,” Tweedy laughed at the end of the song. That prompted a few more glow sticks to be launched in his direction, but he managed to duck each of them.
The first encore only included two songs, but it stretched on for more than twenty minutes. The first song, “Poor Places,” was a heartfelt rendition of Yankee Hotel Foxtrot‘s penultimate track. It was followed by a scorching, more than full-length version of A Ghost is Born‘s “Spiders (Kidsmoke).” The latter is one of the songs that showed off the considerable talent and electric stylings of the three guitarists — Tweedy, the incredible Nels Cline (who truly brought a distinctive guitar style to the band when he joined in early 2004), and Pat Sansone (who was really unleashed in the second encore when he engaged in a volley of solos that passed between him and Cline as though they were firing automatic weapons).
The encore ended with Tweedy calling for the audience to clap to the beat, raising their arms above their heads. As the instrumentation dropped away, he issued a challenge; apparently, the Brooklyn, New York crowd at Keyspan Park couldn’t keep up the beat after the band stopped playing. Instead, they sped up rapidly.
For a brief moment after they stopped playing, I thought this crowd would fare better… but it was not to be so. The members of Wilco motioned for the crowd to slow down and Tweedy started laughing as they went back to their instruments for the final riff of “Spiders.”
“You guys were good,” he politely exaggerated after the song ended.
When they left the stage for the second time, I thought for certain that the show had ended. After all, they had played 24 songs and it had been two hours since they took the stage at 8:30pm.
And yet they still returned for more!
The second encore kicked off with an upbeat rendition of “The Late Greats” that had the entire crowd moving — from foot-tapping to full-out dancing — and smiling. Next came the first single off the new album, “You Never Know,” complete with note-for-note perfect George Harrison-esque slide guitar by Cline.
“You have time for a couple more?” Tweedy asked, to which he received the deafening screams of the crowd.
When they kick-started “Heavy Metal Drummer,” you would have thought this was Lynyrd Skynyrd about to play “Freebird” for the response that issued forth from the audience. They played a great version, but nothing could have prepared me for their interpretation of “Hoodoo Voodoo.” With lyrics that Woody Guthrie wrote for his children but was never able to record, this track appeared as one of the Tweedy leads on Mermaid Avenue. I’ve always liked this song, but I’ve never loved it the way I did for those five minutes they played it, complete with a new driving guitar riff, pitch-perfect vocals by Tweedy as though we were in the studio with him back in 1998, and outstanding guitar work by Cline and Sansone.
Even though Tweedy had only asked the crowd if they had time for “a couple more,” Wilco launched into one final song. By this time, the concert had to end at some point. “I’m A Wheel” was just as good a song to close with as any that remained unplayed from their catalog.
As the song ended, Tweedy said a brief farewell, and Wilco turned on the crowd and exited from whence they had come.
Walking to my car, I realized that this is a fifteen year old band that is somehow in their prime now. I’m so accustomed to seeing bands that have been playing for decades, that I forget sometimes that it is a different experience to attend the concert of a band that still has something to prove to history — namely that they deserve a place in the memories of rock music fans for all time. I entered Dutchess stadium a big fan of the band, but tonight, Wilco had me convinced that they deserve that aforementioned place.
All in all, this was by far the best $42 I have ever spent. If you have the opportunity, get out there and see this band at the peak of their game (ballpark pun, this time, NOT intended…).
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
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