Steven Page (with the Art of Time Ensemble)’s “A Singer Must Die” – The Weekend Review

By Chris Moore:

RATING:  3.5 / 5  stars

According to Wikipedia, A Singer Must Die falls under the “orchestrated pop” genre.  If that is accurate, then this is my first orchestrated pop purchase.

And it’s a good one.

Along with the Art of Time Ensemble, Steven Page arranged and performed ten covers — if you include the Barenaked Ladies’ “Running Out of Ink” — that run the emotional gamut and mark a departure from the instrumental sound we’ve come to associate with Steven Page, both as a member of BnL and as the main force behind the Vanity Project.  Here and there throughout his recorded career, there have been strings or horns, but this is the first major release on which he is backed almost entirely by the orchestration of an ensemble.

And yet, the overall tones, themes, and vocal textures are still very much the Steven Page we’ve come to know, particularly in the music he has written and performed this decade.  Page always seemed to be the more serious one in his often comedic BnL partnership with Ed Robertson — the “It’s All Been Done” to Robertson’s “One Week,” if you will.  Throughout this decade, though, Page’s preferences have swung even more to the extreme, considering the beautiful, heartbreaking ballads of Maroon (2000), the topical tracks like “Celebrity” and “War on Drugs” on Everything to Everyone (2003), and the sober “Bad Day” on the otherwise upbeat Snacktime! (2008).

In a sense, the conception of this project could be traced as far back as the 2007 Barenaked Ladies Are Men track “Running Out of Ink,” on which Page voiced the narrator’s social and personal downward spiral made all the more distressing by a loss of creative energy, the bag of of all he’s ever written being tossed off a bridge, bleeding ink, and sinking out of sight by the close of the song.

Now that Page has struck out on his own, the pressures described in that song must be an even more real force for him.  As a solo artist, he will either sink or swim as a result of his efforts alone, and that must be a frightening, if thrilling, experience after two decades in a five-piece band.

A Singer Must Die carries all the maturity and experience you would expect from an artist who has spent more time in the headlines than on record the past few years. The drug-related arrest.  The breakup.

Enough.

At last, Page is back on the top of his game, having released a record that relaxes and frets, breathes and pants for breath, escapes and runs head on into pain and sorrow — an excellent record.

Steven Page (with the Art of Time Ensemble)'s "A Singer Must Die" (2010)

Steven Page's "A Singer Must Die" (2010)

The piano and string-heavy “Lion’s Teeth” kicks off the album on a suspenseful note, tension building with every second that passes.  Page builds up to a near-scream as he sings, “And my arms get sore, and my palms start to sweat; and the tears roll down my face ’til my cheeks are hot and red and soaking wet…”

He goes on to sing, “There’s no good way to end this — anyone can see there’s just great big you and little old me.”

What a way to kick off his first individual effort following the break with BnL!

The greatest strength of A Singer Must Die is the arrangement of tracks.  The opener is followed by the initially calm and beautiful opening verses of Elvis Costello’s “I Want You.”  Fiona Apple set the bar high for cover versions of this track, and Page was up to the task, even if the middle to end of the song suffers from some self-indulgent orchestration.

Next comes a track that surprised me — I never knew I could enjoy a Rufus Wainright song.  Sounding like it came from an early twentieth century crooner’s repertoire, “Foolish Love” further advances the feeling expressed on “I Want You,” if from a different angle.

Thanks to the Art of Time Ensemble, “Running Out of Ink” is even more manic and frantic here than the original Barenaked Ladies version was, and this is saying something.  For me, this is the thematic centerpiece of the album, a song originally co-written by Page himself.  Throughout rock music history, the greatest songwriters have turned to covers when they were themselves “running out of ink.”

Thankfully, Page is not, as he has set the release date for his first solo album proper for later this year.

“A Singer Must Die” and “Taxi Ride” are excellent companion pieces, the former expressing the dangers of self-expression with fitting sarcasm and the latter expressing a bittersweet departure that includes near-hallucinations and the sad, pleading, distressed vocals that few can pull off so convincingly and expressively as Page can.

If “Taxi Ride” is the low point, emotionally speaking, of this record, then “Tonight We Fly” is just the pick-me-up that it needs.  This is a case of perfect lyrics, perfect performance, and perfect timing.

“Virtute the Cat Explains Her Departure” is easily the most heartrending track on A Singer Must Die, and is an exemplary case of Page’s ability to translate a fairly straightforward indie rock track by the Weakerthans into an emotive, beautiful masterpiece.  If there is one track that makes me think of the sad (if not so shocking) news of Page’s departure from BnL last year, this is it.

“For We Are the King of the Buidoir” is, unsurprisingly, a wonderfully quirky song originally written and performed by the Magnetic Fields.  Again, timing is everything as Page’s spot-on rendition of this little gem is right where it needed to be, as a transition between the solemnity of “Virtute” and the frenzied madness of “Paranoid Android,” in and of itself a perfectly placed cover of the Radiohead classic.  After all, what better way to conclude a post-breakup solo album than with lines like “ambition makes you look pretty ugly, kicking and squealing” and “when I am king, you will be first against the wall with your opinion which is of no consequence at all”?

I will be the first in line for Steven Page’s first solo album of original material when it arrives later this year, but for now, A Singer Must Die has served to at least whet my appetite for new material from a man who is arguably one of the most talented singer/songwriters of the past two decades, alongside others like Ben Folds, Elliott Smith, Jakob Dylan, Eddie Vedder, and Jeff Tweedy who have shaped the sound of modern rock music.

If A Singer Must Die is a necessary transition effort before an entirely original release, then it is a promising one.  The choices here are excellent — both obscure and ambitious — and the performances are first rate.

In the end, though, a singer’s death may be compelling, but his imminent rebirth is all the more exciting…

“Polly” (Nirvana Cover)

By Jeff Copperthite:

Good evening and welcome to another awesome edition of The Laptop Sessions!  Tuesday is always a tricky day for me since I usually have school, then a couple of hours to practice and spend time with my wife, then my weekly Dynamis run.  We had a good run tonight, but then I get to post my performance – and tonight it’s a new band!

The band I am featuring tonight is Nirvana, one of the most well-known alternative rock acts of all time.  The song I am playing is from their awesome 1991 album “Nevermind”, and it is “Polly”.  It’s a sweet, acoustic number that is kind of out of place on the album.  All the songs have a grunge feel to them (perhaps not the last track, but the rest of them sure do), and this song breaks up the flow of the album, but in a good way.  It makes all the songs not sound the same, and I think the hooking tracks were all singles, which is why the album sold so well in the first place.

The band was fronted by Kurt Cobain, who committed suicide in the mid-90’s much to the dismay of many Nirvana fans.  But that’s a topic you can read about nearly anywhere.

As far as me, I am nearing another viewcount milestone, and can’t wait to reach the 1/20 of a million mark (that’s for my students who say “I hate fractions”).  I’ll be sure to let you know when I cross that threshold.

It’s also my birthday tomorrow – another year added on to my old fart status.

Enjoy tonight’s session, and report back tomorrow for another awesome original tune by Jim Fusco!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Everyday I Write the Book” (Elvis Costello cover) [Ep 5, Fall 2011]

By The Pete Walter Band:

The London, UK based pop/rock band cover a favourite track by one of their main influences, Elvis Costello.  Featuring an interesting beat-box breakdown.

[Editor’s Note: This is, without argument, one of the coolest Guest Sessions we’ve ever had the honor of featuring.  It takes a classic Elvis Costello track and somehow reproduces it flawlessly without being derivative.  This is also an interesting cover song music video because it is performed by a five-piece arrangement, a setup that is fairly rare on the Laptop Sessions yet always interesting and exciting (see videos by mOu and Chris, Jim, and Becky).  They nail this acoustic performance, which we know you’ll appreciate.]

“Zombie” (Cranberries Cover

By Jeff Copperthite:

Good (late) evening to you!  It’s Jeff tonight posting (a bit late) with another…yes, another!…brand new band to the Sessions.  Lately all 3 of us have been on an unofficial New Bands 3.0 binge.

Tonight’s new band is The Cranberries, an Irish band (with another female lead singer – score another one for the Jeffster) and a song from their debut album (deep breath) “Everyone Else Is Doing It, So Why Can’t We?”  That is the last time I write that album title by the way.

This album produced quite a few successful singles including the song covered tonight.  The song is “Zombie”, which as far as song difficulty goes this is probably the easiest of all the songs I’ve covered to play.  The challenge was singing like Dolores O’Riordan who has multiple octave range.  I decided to sing the verses in key, but drop an octave to sing the chorus parts.  It allowed me to get a little more emotional with the song as well.

I would’ve posted earlier but our Sunday Nyzul Isle runs failed miserably – not because we didn’t succeed, but in 4 boss fights we won all 4, but were awarded absolutely nothing in drops.  Oh well, there’s always next week.

I hope you enjoy today’s cover, and come back tomorrow for another great acoustic cover song by Jim!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!