Category Archives: Barenaked Ladies Songs

Barenaked Ladies covers: Acoustic cover songs – music videos by the songwriters of the Laptop Sessions video blog. Daily music blog with new indie rock acoustic songs.

“Break Your Heart” (Barenaked Ladies Cover)

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By Chris Moore:

Hello and welcome to what is a momentous occasion for me…  my 100th Laptop Session!  That’s — count ’em — one hundred acoustic rock cover songs, recorded after almost nine months of posting every third day.  Thus far, Jim is the only one of us to reach the 100 mark and Jeff can’t be too far behind me, so this is definitely an exciting time for us here at the music blog.

I wanted to make today’s session a great one, so I decided to go barenaked.  Barenaked Ladies, that is!  As I explained in my previous post, I love the Steven Page-sung track from Born on a Pirate Ship called “Break Your Heart.”  It’s quite the emotional tune and is certainly characterized (and highlighted!) by a classic Steven Page lead vocal.  I almost felt silly even attempting this song, considering that it is not exactly in my range, but I wanted to set the bar high for my next hundred videos.  By this time next year, I would love to have 100 more songs recorded, and have many of them be more ambitious, more perfected, and overall more exciting than even the first hundred.

I mean, don’t get me wrong; it’s been a crazy ride thus far.  But still, I’m excited to improve and increase the popularity of the blog.  It would be nice to know that people were actually reading these blog posts; it would certainly make me want to write longer, more interesting and informative entries.

Before I leave you to the video, I need to share one last tidbit from my day.  I hadn’t downloaded all the free music at Fusco-Moore.com/Store, so I took a little trip on over and “purchased” all that free material.  If you’re a Laptop Sessions fan in the least, then this is a must-have — we have eight volumes worth of acoustic rock covers, not to mention live shows.

Well, that’s it for me tonight — Aside from the fact that I’m nodding off as we speak and wondering when Jim will notice that I’ve completely slumped over on my laptop, I’m going to let my video speak for itself.  Stay tuned for another cover from Jeff tomorrow and another from Jim the following day.  And, guess what?  I’ll be back on the third day for yet another acoustic cover song on the best cover music blog in the universe!

See you next session!

Barenaked Ladies Live in Concert: Fri., August 6, 2010 at Mohegan Sun – A Weekend Review Special Edition

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For the set list, CLICK HERE!

By Chris Moore:

To the public eye, and even to some fans, the Barenaked Ladies’ break with Steven Page is a loss that could nullify any future efforts in the band’s name.  This is understandable to some degree, as Page has appeared to be one half of the band in their most well-known singles (think: “If I Had $1000000” and “One Week”).  If Page is gone, some have said, then perhaps it is time for BnL to close up shop.

Anyone in attendance at the Mohegan Sun arena on Friday, August 6 would beg to differ.

(Correction: anyone with any sense, which is clearly not everyone based on other reviews which have been posted on the web, Ticketmaster.com in particular.)

The truth is that the Barenaked Ladies achieved live in concert what they recently achieved on record with All in Good Time: reminding their audience that their three supporting members are more than simply support members.  Kevin Hearn, in addition to being a skilled multi-instrumentalist is a songwriter in his own right.  And this is nothing new; remember “Sound of Your Voice,” the standout third track on Are Me?  Remember “Hidden Sun,” the hidden track on Maroon?  Yeah, those were Kevin Hearn songs, each another good reason to sing “Hold on, here comes a Kevin Hearn song” to his new track “Another Heartache,” as Mike had us all doing in the car on the way to the concert.

Jim Creegan is not only their bass player, but has released numerous albums apart from BnL, many with former Lady Andy as the Brothers Creegan.  Recently, he has begun adding his songs to BnL albums again, and it may come as a shock to realize that the band’s best singer is arguably a man known more for his background vocals than his leads.

Tyler Stewart has always been the guy who makes you laugh.  He’s a good drummer, but we’ve known that.  Well, starting with “Allergies” on 2008’s Snacktime, Stewart has asserted even his lead singing voice.  In the absence of Page, Stewart has accompanied frontman Ed Robertson at all of their All in Good Time promotional interviews, from radio to VH1, and his voice can be heard in a brief but significant role on what should have been the latest BnL single, “Four Seconds.”

Really, it should have come as no surprise that the 8/6/2010 Barenaked Ladies show at Mohegan Sun met and far exceeded any expectations I had for the concert — which were many and various, having seen the five-piece band in action and being the longtime fan that I am.

BnL keychain from their merch table

BnL keychain from their merch table

Aside from the improvisational numbers, the unmitigated high points of the concert were their performances of “Old Apartment,” “Eraser,” “On the Lookout,” “Sound of Your Voice,” and “Alcohol,” each highlighting a different strength of their live show.

Hearing “Old Apartment” three songs into the show was a surprise and a treat.  It was almost as if to make a statement that they will still play their older songs regardless of Page’s absence.  “The Old Apartment” has classic Steven Page lead vocal written all over it, but Robertson did an outstanding job of leading the song as if he, not Page, had been singing it for two decades.  In the encore, they again made a statement with Stewart taking the lead on “Alcohol,” bringing the house down as he stepped out from behind the drum kit (with Robertson taking over there) and channeled Jack Black in his energetic performance.  This was not simply a novelty, like, “Oh, that’s nice that they gave Tyler something else to do.”  This was a surprising, thrilling, straight-up amazing performance of a track I never expected to hear in concert again.

“Sound of Your Voice” was originally performed by its writer, Hearn, in concert until they realized that Page’s presence took the song to whole new level.  Again, I was disappointed to think that I would never hear this song performed to its full potential again.  Not so.  Their new arrangement of “Sound of Your Voice” features Hearn on acoustic guitar, singing lead, and the three other band members singing Temptations-style backup, perfectly voicing the signature parts of the song that were previously hit by guitars and other instruments.  This was an impressive, funny, and yet seriously good version of the song.

When Creegan took to the piano, my first response was, “Wait.  Jim plays piano?”  Making like the Band, the Ladies mixed up instruments all night long, and this was perhaps the pinnacle.  Creegan’s performance of “On the Lookout” was beautiful and perfect, except perhaps for the absence of Robertson’s “Let’s roll this one from the top” intro from the studio recording.  Another piano song that stood out was “Eraser,” introduced by Hearn and Robertson competing to see who could hold out the “Eeeeeeeeee-” note longer than the other.  Suffice it to say that this ended with Robertson pretending to fall, ending up “unconscious” on his back.  Even the songs from their children’s album held up here, and “Eraser” was every bit as impressive as the other, more “serious” songs.

True to form, a Barenaked Ladies concert wouldn’t be complete without improvisation.  Twice during the night, the four-piece experimented musically, sans Steven Page who had always been their most theatrical member.  In his place, Robertson put together a hilarious medley of Herman’s Hermits’ “Something Tells Me I’m Into Something Good” and a rap about gambling at Mohegan Sun, the latter of which was a theme returned to all night in their stage banter.  Then, with Hearn on piano for a medley of recent pop songs kicked off with the 1974 Pilot song “Magic” — best known for the chorus line, “Oh, oh, it’s magic, you know” — Robertson, Creegan, and Stewart performed a dance number that not only caused the most energetic crowd reaction of the night, but was also fantastically choreographed and obviously well-rehearsed.  The next time I have to explain BnL to someone who has only heard their hits, I will mention this final improv:  they didn’t settle for being goofy; instead, they put together a tight performance that demonstrated just how seriously they take their on-stage personas.

The Barenaked Ladies are as tight, impressive, and enterprising a band as they have ever been.  After two decades as one of rock music’s most under-appreciated quintets, save for a short stint at the top of the charts in 1998, it looks like they’re poised to be one of rock music’s most under-appreciated quartets of the new decade.  Their live act is as exciting and as long (in the range of two hours) as my favorite act of last summer, Wilco, a band that has reached what is perhaps their critical prime.  Do yourself a favor and tune in to BnL as well.

Barenaked Ladies SET LIST – 8/06/2010 at Mohegan Sun, Uncasville, CT

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Click HERE to read the review!

1)  “Who Needs Sleep?”
2)  “Old Apartment”
3)  “Falling for the First Time”
4)  Improv 1 – “At Mohegan Sun” rap / “Something Tells Me I’m Into Something Good”
5)  “Every Subway Car” (with Angel Taylor)
6)  “Told You So”
7)  “Easy”
8)  “Eraser”
9)  “Another Heartbreak”
10) “On the Lookout”
11) “Sound of Your Voice” (acoustic)
12) “It’s All Been Done”
13) “Too Little Too Late”
14) “Golden Boy”
15) “You Run Away”
16) “Four Seconds”
17) “Big Bang Theory Theme”
18) “One Week”
19) “Pinch Me”
20) “If I Had $1000000”
21) Improv 2 – “Oh, It’s Magic, You Know” / rap / dance number

22) “Alcohol”
23) “Watching the Northern Lights”
24) “Brian Wilson”

The Barenaked Ladies’ “Maroon” (2000) – The Weekend Review

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** This is the first in a five part series of music reviews, counting down from the #5 to the #1 albums of the decade, 2000-2009.  On January 2nd, 2010, the #1 album will be revealed, along with the complete Weekend Review picks for the Top Thirty Albums of the Decade. **

By Chris Moore:

RATING: 5/5 stars

Maroon is one of those rare albums that truly has it all.

There are catchy singles, mid-tempo numbers, and ballads.  The subject matter is at times serious, at others sentimental, but always with tongues planted (with various degrees of firmness) in cheek.  Indeed, the songwriting duo of Ed Robertson and Steven Page is at their best — and arguably their most collaborative and exclusive — on this record.

There is a reason Page/Robertson should be remembered as one of rock’s all-time great pairings, and this album is the best support for that argument.

In most circles, it seems as though 1998’s Stunt, with the #1 hit single “One Week,” has been cemented as the essential disc from the Barenaked Ladies’ catalog, and yet that album has always seemed quirky and unique at the expense of true substance.

Maroon is the document of a band at the pinnacle of their success, having refined their work through various members, styles, and phases.

And it is truly one of the best albums of the decade.

The Barenaked Ladies' "Maroon" (2000)

The Barenaked Ladies' "Maroon" (2000)

From the first strums of “Too Little Too Late,” Maroon establishes its sonic landscape with crunchy, catchy electric guitar parts supported by crisp rhythm guitars and typically impressive work from both Jim Creegan on bass and Tyler Stewart on drums.  Whereas multi-instrumentalist Kevin Hearn had helped to redefine BnL’s sound on Stunt, the balance of power shifted somewhere between 1998 and 2000 to find Hearn truly taking a place as a Barenaked Lady, a member of the band rather than a catalyst for change.

And the contributions he makes to the band — his electric solos (take one listen to the end of “Pinch Me”) as well as more unique instrumental parts — make it difficult to return to earlier albums and not distinctly feel his absence.

And in front of it all, Steven Page and Ed Robertson share singing duties on an album that is noteworthy for its vocals alone.  On “Pinch Me,” Robertson and Page manage to recreate the magic of “One Week” in a more fully developed track.  It is easy to view this as an attempt to recapture the runaway success of the aforementioned #1 single (perhaps even more so with the Everything to Everyone lead single “Another Postcard”), but a closer listen will yield a respect for “Pinch Me” as a song that stands on its own.

The first five tracks are an adrenaline rush of catchy, upbeat songs.  Try not to gasp for air attempting to sing all the words.

And this is the type of album that compels one to learn the words, just to feel what it is like to be on the “in,” and to sing the words along with Page and Robertson.

Tracks six and seven take a different direction, slowing down the tempo and becoming very serious.  Still, they manage to be songs that simultaneously demand one’s attention and are entertaining at every turn.

The subsequent songs, “Humor of the Situation” and “Baby Seat,” pick up the pace and inject new life into the album before coming in for a final landing via three increasingly sobering tracks, all to be topped off by the bonus track: the touching, hauntingly beautiful Hearn-penned “Hidden Sun.”

By the time the hidden track has faded out, the listener’s first response must be to crank the volume up on “Too Little Too Late.”  There is a certain psychology attached to the sequencing of this album, which guides one into the depths of the human psyche, passing fears and concerns and regrets and startling revelations before returning to the top to begin the journey all over again.

Any album that can provide this type of experience, incorporate wordplay at all the right moments to suggest — if not prove — the band’s levity amongst all this serious subject matter, and do so all in the form of infectiously catchy and moving songs demands to be respected and recognized in the annals of rock history.

Short of that, it deserves a place on this writer’s top thirty best albums of the decade list.

Slot number five, to be exact.

Released only nine months into the decade, Maroon set the bar quite high for all other new rock music albums to come.

Returning for a listen today only confirms that the bar is still quite high and securely in place.