Category Archives: Beach Boys Songs

Beach Boys songs & covers: Acoustic cover songs – music videos by the songwriters of the Laptop Sessions video blog. Daily music blog with new indie rock acoustic songs.

“Farmer’s Daughter” (Beach Boys cover)

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By Jim Fusco:

Hello all! Here’s another song for the Laptop Sessions! This one is by request for an early Beach Boys tune called “Farmer’s Daughter”.  It’s a pretty cute little song (only four chords!) made exponentially harder because of the fact that it’s ALL sung in falsetto!  But, as Brian Wilson was about when he recorded this, I’m in my early 20s, so I think I hit the notes!  I, for one, love the songs from the very early Beach Boys albums.  It was definitely a different time.  It was before the Beatles made it big in America and there was an innocence to the music.  Of course, that’s why I love the music I love- I try not to listen to too many depressing songs.  For instance, I was starting to get in to Elliot Smith’s music.  But, as anyone who has heard of Elliot Smith knows, his songs are almost always dark and with an overtone of suicidal thoughts.  Elliot was a great musician and songwriter.  But, I could never become a huge fan because of the songs’ subject matter.  Listing to music has always been a source of joy for me, so I’ve decided to stay in my happy pre-Vietnam music world, smiling all the way. 🙂

Although, I will admit, “Farmer’s Daughter” is a bit too “vanilla”, even for me.  But, Brian Wilson sings it so sweetly and it works.  In fact, many of the songs from their early albums are a bit embarrassing to listen to now.  Remember “Chug a Lug”?  Probably not- it’s not that memorable.  But, basically, it’s about drinking beer…root beer!  I’ve played that song for people over the years and it’s embarrassing every time I do.  But for some reason, I really like that song.  It’s just a song a bunch of teenage friends, brothers, and cousins wrote and sang together for fun.  And their voices are so “cute” that you can’t help but smile while singing.

Speaking of SMiLE, I wonder if these early songs gave Brian Wilson some influence over his most notable work.  He wanted SMiLE to be something fun- something that was brilliant, but also made you not take the music so seriously.  He always seemed stuck in a child-like state.  I wonder if he looked back on these early songs and thought, “Yeah, I’d like to get back to that fun again.  How do I do that while still sounding cool, complex, and relevant?”

One other album I love so much (which you’ll see plenty of videos from here on the music blog) is the Beach Boys Christmas Album from 1964.  It’s one of my absolute favorite albums of all time.  Why?  Well, it fits all the criteria I listed above!  It’s great music with the wonderful innocence and happiness of Christmas built right in.  Nothing puts a bigger smile on my face (musically) than their Christmas songs.

I hope you enjoy, and stay tuned for many more updates to the Laptop Sessions Acoustic Cover Songs Music Video Blog in the coming days.

“Palisades Park” (Freddy Cannon Cover)

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Welcome to another all-new Jim Fusco Thursday and another video in our series of Beach Boys cover songs here on the Laptop Sessions acoustic cover songs music video blog!  Well, that’s a technicality because the Beach Boys just covered this song on their 1976 album, “15 Big Ones”.  It’s actually from Freddy “Boom Boom” Cannon!

I believe this will be my last “weekly” cover song music video, as I’m going to switch to a bi-weekly schedule like I mentioned before.  This will allow me to be more creative with my videos and will also give me a chance to promote the videos I already made.  I mean, this is video #212 already!  And I’ve noticed that my views per day are pretty stagnant, even though I have more and more each week.  That means my older videos aren’t getting views anymore, and that’s just a shame!  I will make a point to post every Thursday night, however, with some interesting pieces on music, guitars, and rock’n’roll, so you’ll still get your weekly “Jim Fusco Fix”!

Before tonight’s video, I have two things to mention:

First, for my brother Mike’s birthday, I made him a long overdue iPhone website!  That means it’s specifically formatted for the iPhone (but will work on any mobile phone, too).  It’s SOOOO cool- you’d never know it was a website- it looks like an iPhone App!  Plus, if you bookmark http://mikefusco.com on your iPhone to your Home screen, you’ll see a cool logo button of Mike and the website will open up in “full screen” mode, so it’ll look like an authentic iPhone app!  You can watch Mike’s YouTube videos, listen to his music, and stay updated with him on his live Twitter feed!  CLICK HERE TO VIEW MIKE’S SITE!

The second thing is that in two weeks, you’ll be hearing a much nicer sound in my acoustic cover song music videos.  I won’t give anything away just yet, but trust me, it’ll put my videos into the Major Leagues.

Okay, onto “Palisades Park” by Freddy “Boom Boom” Cannon.  I love the personas they gave 50’s and early 60’s stars.  Everyone had to be bigger than life.  They had to be icons of their days.  And songs like “Palisades Park”, though not very complex or difficult, will always be remembered as the roots of rock’n’roll, and therefore classics.

“Palisades Park”, written after an amusement park in New Jersey, was actually not an “A” side.  For those of you born in the 80’s and later, an “A” side was the side of a vinyl record that was officially released as a single.  Yes, before iTunes, you could buy individual songs!  🙂  Well, actually, the flip-side of the record had another song on it, known as (big surprise) the “B” side.  Usually, these were throw-away songs, especially early-on.  There were a few double-sided hit singles, namely “Come Together” and “Something” from the Beatles, so it was possible to have two hits on one vinyl single.

Anyway, “Palisades Park” wasn’t meant to be the hit, but apparently a DJ played the “B” side of the record by accident and the song caught on in a big way- all the way up to Number 3 on the Billboard Hot 100 charts!  And, in 1962, there was some pretty fierce competition.

I actually knew this song more intimately because of the Beach Boys cover version on their 1976 album, “15 Big Ones”, where they played covers of early rock’n’roll songs, mixed with originals that sounded similarly.  The Beach Boys version isn’t great, but I still like Carl Wilson’s lead vocals- you’ll probably hear some phrases sung like Carl here because that’s the way I’m used to singing the song.  I knew Freddy Cannon’s version first, but listened to the Beach Boys version many, many more times.

Well, that’s all for me tonight- so happy it’s Spring now and I’m looking forward to some great times in the next few months.  I’m a little sad about going to a 26 episodes a year schedule, but I’ve already got a dozen songs lined up and ready to record, so don’t think I’m losing my inspiration!  In fact, my new “sound” is meant to boost my inspiration and get me to write and record again.  So, until next week, I hope you have a great weekend and enjoy “Palisades Park” by Freddy Cannon (and covered by me, Jim Fusco!).

“The Trader” (Beach Boys Cover)

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Welcome to another week of the Laptop Sessions with me, Jim Fusco!  Tonight, I bring you the week’s first video in the Beach Boys’ classic song, “The Trader”.

First, let me say that tonight’s video is potentially the last that I’ll record here in the condo, as we’re hoping everything is still on track for moving in to the new house next Friday.  You’ll notice that this is the first video I’ve done since the studio was painted back to white- it’s sad, but I hope to rebuild bigger and better (and smarter) someday!

Onto tonight’s video: Carl Wilson wrote, in my opinion, one of the greatest songs of all time in “The Trader” for the Beach Boys’ 1973 album, Holland.  I love the album, too- they were just so cool in 1973.  Dennis’ contributions to the album were great and Mike Love gave his best song of all time in “Big Sur”.

But, Carl really stole the show with “The Trader”, a two-part masterpiece about an explorer finding a new land and claiming it for “velvet robes” (royalty).  In the process, he kicks-out the natives from the land and builds shops, roads, etc. through their beautiful countryside.  So many times things like this have happened through history, just because (as the song says) someone comes in, sees someone else already there, and is threatened because they say, “They’re not like me.”

The second part of the song, in my opinion, is supposed to be from the point of view of the natives.  How they see the world is so much different from the imperialistic visions of the “Trader” and, honestly, I always lose myself in the second part of this song.  The imagery that Carl and co-writer Jack Rieley put into their lyrics make me feel so bad for these people that were driven out of their homes and native land.  It’s such an odd idea that the evening breeze, the merging streams, etc. can all be valid “reasons to live” as we all (myself included) rely on such materialistic things.

Obviously, Carl lends an amazing vocal to this track, as he pretty much always did with his songs and others.  I tried to replicate it best I could here and believe I got the vocals down pretty good!  The second part of the song is sung much softer than I had anticipated, but I decided to keep it because it allowed me to sing a bit “sweeter” without having to project my voice.  Believe it or not, after just two false-starts, I was able to record this take.  I guess it helps when you’ve heard a song about 200 times over a span of fifteen years.

I’m currently racking my brain for some ideas on how to increase traffic to the site.  Our numbers are still up over last year’s numbers, but I fear for next year’s numbers.  It’s going to be tough to get back up there again without my ability to bug the other guys to step-it-up (which, in turn, makes me step-it-up).  So much has changed since I started this blog.  It’s hard to believe what’s gone on in the past two years.  Looking through our Original Wednesday posts, it was so interesting to get a once-a-week view of the three of our lives.  One minute, you’re best friends with someone, the next you barely know them.  And one week someone is missing someone, and a few weeks later, they’re not anymore.  So, if you’ve been visiting the Laptop Sessions acoustic cover songs music video blog recently, maybe you should take a look back through the archives and see where we were all at during the past couple of years.  You’ll learn a lot about us and learn how much things can change in such a short period of time.

Until next week, I hope you have a much less stressful week than I’m going to have! 🙂

The Deep Racks Report: “Carl and the Passions – ‘So Tough'”

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By Chris Moore:

I think we’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to brief but focused reports on ALBUMS that do not receive as much commercial or critical attention as they should.

Carl and the Passions – “So Tough” by the Beach Boys

After a series of unfortunate career moves in the late sixties, not the least of which involved Brian’s last-minute withdrawal from the 1967 Monterey Pop Festival and the release of Smiley Smile in lieu of SMiLE, the Beach Boys’ reputation — particularly in the rock press — was lackluster at best.  By the early seventies, the band was experimenting with new sounds and recording what are arguably among the best albums of their career.

Carl and the Passions – “So Tough” arrived just as their re-established stardom was fading again.

While some may argue that the album is more a compilation of songs from four different, disconnected sets of writers, the end result must be weighed without placing too much emphasis on the drama that surrounded the sessions.  And there was certainly no shortage of drama.  During the sessions for Carl and the Passions, Brian Wilson drew further away from his brothers and the band, disappointing record executives and fans alike.  Dennis Wilson put his hand through a window and was unable to play drums either in the studio or in concert.  And, to top it off, Bruce Johnston had a falling out with Beach Boys collaborator Jack Rieley and subsequently left — either of his own free will or after being fired.

For any fan of the band, the history surrounding these sessions can only serve to affect one’s expectations of the album itself.

And that simply isn’t fair.

Granted, Carl and the Passions – “So Tough” may not be a masterpiece like Pet Sounds and Sunflower were (even though it was packaged with Pet Sounds, further increasing the probability that it would pale in comparison).  Yet, from the first piano notes of “You Need A Mess Of Help To Stand Alone” to the final fadeout of Wilson’s tremendously moving “Cuddle Up,” Carl and the Passions makes good on all that could ever be hoped for on any Beach Boys album — namely, by delivering superb vocals,  fantastic instrumental arrangements, and a combination of upbeat tracks and more introspective ballads.

There is something intriguing about seeing the band fight to hold its own and truly redefine itself without Brian Wilson at the helm.  In a sense, they went back to the drawing board, inviting new members Blondie Chaplin and Ricky Fataar to join the band, naming the album after an early incarnation of the Beach Boys that performed at a Hawthorne High School talent show, and returning if only momentarily to the endearing directness of their early liner notes with the inclusion of “Thanks to Alan’s Mom for renting the Bass Fiddle on the first session.”

“You Need A Mess Of Help To Stand Alone” is a great opening track, offering an interesting groove and somehow straddling the line between raw and perfectly honed.  “Here She Comes” boasts catchy bass and piano parts and properly introduces the influences of Fataar and Chaplin.  In their book Brian Wilson and the Beach Boys: The Complete Guide to their Music, Andrew G. Doe and John Tobler label this song as well as Fataar and Chaplin’s previous band and self-titled effort The Flame as “boring, overlong, and self-indulgent.”  Why they make this assessment, I cannot justify.

Look for a “Deep Racks Report” on The Flame in the not-so-distant future…

“He Come Down” is gospel rock that borders on the cheesy, but is still fun and convincingly felt.  Still, it is all but forgotten by the time track four kicks off.  “Marcella” is certainly a standout here and continues to prove why the powers-that-be were at least somewhat justified in endlessly seeking after new material from Brian Wilson.

“Hold on Dear Brother” and “Make it Good” are solid, enjoyable tracks, if perhaps overshadowed by the other Fataar/Chaplin and Wilson/Dragon tracks (respectively) also on this album.

“All This is That” is another perfectly rendered performance on the album, taking Robert Frost’s poem “The Road Not Taken” and adding a pleasant transcendental twist in a manner that only the Beach Boys ever could.

“Cuddle Up” is easily one of the great Dennis Wilson tracks of all time.  Its simple, beautiful lyrics are delivered in this heartbreaking vocal performance with haunting yet pretty background vocals, always knowing when to build up and when to back off, fading out the album on a subdued orchestral note.

At the end of the day, Carl and the Passions – “So Tough” is an essential Beach Boys album for any fan who acknowledges their presence post-1966.  And if you’re a rock music enthusiast that doesn’t own a seventies Beach Boys album, then by all means go out and get Sunflower.

If you like that one, then you’d be missing out if you didn’t pick up Carl and the Passions, too!