“This Wheel’s on Fire” (Bob Dylan/Byrds Cover)

By Chris Moore:

I’ve been so excited recently to see what new bands Jim is going to introduce to the blog — I mean, you really have no idea from one day to the next which band he’ll tap in to.  At this point, he’s done so many different bands that it would actually be just as much a surprise to see him break out a classic standby, such as the Beach Boys.  And, to prove how excited I am about these new bands…

…I’m going to contribute a Bob Dylan song!

Big surprise, I realize.  (For those of you who don’t watch regularly, I’m a big Dylan fan and have recorded more Dylan covers than any other band!)  But I have my reasons, I promise.  First and foremost, today is the official release date of The Bootleg Series, Vol. 8: Rare and Unreleased: 1989-2006.  I’ve only had time to listen to the first two thirds of the first disc, but already I’m really enjoying it.  I’ve been concentrating so much on the new Ben Folds album, Way to Normal, that I was loath to take it out of my CD player.  But I’ve already fallen in love with Dylan’s work, even after hearing the first four tracks.  The version of “Mississippi,” one of my favorite songs of all time, is entirely different.  Then, the version of “Most of the Time” sounds less like the 1989 track I know and love and more like a track out of 1963; it’s entirely different, and yet in typical Dylan fashion, it’s entirely amazing.  Following an interesting little piano demo of “Dignity,” Dylan’s first take of “Born in Time” is — as the liner notes suggest — really the definitive version.

To be honest, I think the set might be worth the purchase if only for the “Born in Time” take and the new single “Dreamin’ of You,” an unreleased song from the Time Out of Mind sessions.  When I got home from a meeting late tonight, my first inclination was to record a song that was (a) comfortable for me to play, so I could get to bed on time, and (b) a Dylan song.

This fits both criteria!

That’s all for me for now.

See you next session!

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“The Girl With No Name” (Byrds cover)

By Jim Fusco:

Okay, really obscure territory here on the music blog.

When my family was getting into the music of the Byrds back in 2000, we really went head-first and listened to every album they made throughout the 60s. Some were better than others because you could tell they were doing a lot of growing up, musically. Plus, many of their later-60s songs were very drug-tinged.

After Gene Clark left the band in late ’65 or early ’66, the band came out with one of their worst efforts, “5D”. I still liked most of the songs, but the playing was sloppy and they were high as a kite.

When we got to the superb “Younger Than Yesterday” LP (on Jim Fusco’s list of “Albums You Should Listen To”), I instantly gravitated to the songs of young Chris Hillman, bassist for the band. He is an amazing bass player, mostly because he was an accomplished mandolin and guitar player, so he took his soloing skills over to the bass for the Byrds.

I love his voice- it’s just so natural. There’s no weird accent. He doesn’t say the words in an odd way. He just sounds good, you know?  His voice is nice and clear and I was happy that he was getting a chance to write more music for the Byrds.  And, like in most bands, the songwriter usually sings his own original songs, so I was happier the more we listened to Byrds songs.

He wrote some of my absolute favorites: “Thoughts and Words”, “Have You Seen Her Face”, and “Time Between”, just to name a few. I plan on doing all of them in the future.

But for now, I give you this song off of “Younger Than Yesterday”, “The Girl With No Name”. It was a lot of fun to play and is a very short song. It’s funny that such a sweet sounding song was probably still influenced by drugs.  I’m just guessing here, but “The girl who had no name” could mean a couple things: For starters, maybe this lady lived on one of those hippie communes where they said, “Hey man, why do I need to be labeled with a name?  Can’t I just BE?”  That’s a possibility.  The other possibility, to me, could be that Hillman just didn’t bother asking for a name.  Whether he was under the influence of something that impaired his judgement at the time is something only he can attest to.

I think the Byrds are a great band to do acoustic cover song versions of.  Their songs had an interesting style.  You could almost tell that they wrote their original songs on acoustic guitar and then found a way to translate them into the psychedelic sound of the time.  “The Girl With No Name” is pretty straight-forward, so my acoustic version here for the music blog stays true to the original.  That’s another reason why I love doing the Laptop Sessions video blog.  In addition to reimagining popular songs acoustically, I like taking obscure songs and playing them for the world.  They’re great songs and they deserve some fresh attention.

I’m gearing up for “#1 Week”, in which we’ll be playing only cover songs that hit Number One on the Billboard charts.  Stay tuned for other great specialty weeks of cover song music videos, too!

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“Cowgirl in the Sand” (Neil Young & the Byrds Cover)

By Jim Fusco:

Thanks for stopping by for your Tuesday edition of the Laptop Sessions acoustic cover songs music video blog!

Today, I bring you a song written by Neil Young, “Cowgirl in the Sand”. Not only is this song one of his most famous, but it’s also generally well-known among country-rock music fans.

The version I’m doing is derivative of the version the Byrds did on their reunion album from 1975. That album isn’t wonderful by any means, but Gene Clark’s contributions are, of course, superb. He sings a great lead on this song, too.  Gene Clark just had a great timbre to his voice.  He could sing rock’n’roll music and country/western music with the best of them.  Of course, Gene Clark was a great songwriter, too, both with the Byrds and on his own solo recordings.  While searching around here on the music blog, be sure to click on Gene Clark’s category to see the other cover songs I’ve done written by him.  If you’re not a fan now (or haven’t heard of him), I guarantee his original songs will get your attention.

This is one song that I never planned on doing, but came into my head one night, so I just sat down and did it! I think some people were a bit surprised that I busted this one out at our first live show as a trio the other day.  My favorite aspect of the Byrds’ version of “Cowgirl In The Sand” is the harmonies on the chorus.  I really hope that we can get those harmonies right in future performances, as I think that’s the flare the Byrds added to make the version their own.

Considering how the Byrds first started, it’s a bit surprising that they gravitated over to country rock like they did.  They were initially marketed as a folk group, electrifying Bob Dylan songs like “Chimes of Freedom” and “Mr. Tambourine Man”.  But, the band members of the Byrds, especially Chris Hillman, started out loving folk music in a different way- the classic, down-home country style.  Chris Hillman is actually an accomplished mandolin player, and there is no better country guitarist than Roger McGuinn.  Basically, they just threw an electric bass in Hillman’s hands and a 12-string electric Rickenbacker guitar in McGuinn’s hands, and they had a big hit band.  In later albums, the band members of the Byrds would write original songs that had a country flare to them, including Chris Hillman’s “The Girl With No Name”, which I’ve also done a cover song music video of here on the music blog.

You may also notice the “incredible fluctuating hairdo” of myself- I recorded this song before getting a haircut, as you saw in the “Aware” cover video (of an original song) from last week.

I hope to do more Neil Young songs in the future and I hope this cover song video attracts some new viewers and music lovers to the Laptop Sessions live acoustic music video series!

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“Set You Free This Time” (Byrds Cover)

By Chris Moore:

Well, after all the fun we had last time, the boys of The Laptop Sessions acoustic cover songs music video blog are back for another Triple Tuesday Special on guitarbucketlist.com. Jeff, the innovator for this event, called me up this weekend and I couldn’t resist!

Here’s my version of a great Byrds tune, “Set You Free This Time.” It’s from their 1965 album Turn! Turn! Turn! and it’s another Gene Clark original. He’s such an underrated songwriter, and I like him more and more every time I listen to his material. And “Set You Free This Time” is such a great song, it deserves to have all three of us give it a shot. The song is very introspective- I wonder if he was writing it about a specific someone, or if it’s just a feeling he had (or was thinking about). For 1965, it was pretty innovative- pop music really didn’t take that turn (turn, turn) until a little while later. Gene Clark always struck me as the same kind of guy that played the lead songwriter (Jimmy) in “That Thing You Do”. He wrote these sad, introspective songs. Then, they were turned into pop hits. But some were just meant to be slow and sad. I’m sure Gene Clark fought with his producers, as well. This song was featured on the second and last Byrds album Gene would appear on (in the 60s, at least).

Jim and Jeff posted their versions below mine so you’ll be able to take your pick…or, hopefully, listen to all three!

As a side note, I would like to thank everyone who frequents my videos. Just yesterday, I accepted my 50th subscriber on YouTube (who, of course, received a coupon, as promised by Jim), and today I’m up to 55. I really appreciate your watching and especially commenting both here and on YouTube!

I hope you’ll continue to check out guitarbucketlist.com as we update the site with new videos!





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