“Halfway There” (Original song by Jim Fusco) – The Open Mic Sessions

By Jim Fusco:

Welcome again to the Open Mic Sessions with me, Jim Fusco!

Today, I bring you the title track to my 2009 album, “Halfway There”.  This is a very special video for me, as this original song live video was selected as one of the top three Instagram videos in the Sam Ash music store open mic video contest!  From there, it went on to win the national Open Mic video contest title!  I was given a $100 gift card to Sam Ash and I’m so glad an original song of mine got that kind of recognition.  It was even featured on Sam Ash’s homepage once it won!

“Halfway There” was a concept I had for an album.  Basically, I was growing up and had to come to terms with getting a job, getting married, and potentially giving up some of the lofty goals I had for myself in previous years.  So, a lot of that album has to do with that sentiment.

But, you know something?  I realized along the way that I’m pretty happy where things ended up.  I realized that I didn’t really want to spend all of my days and nights trying to get gigs, living in perpetual poverty, and holding down some menial job until I hit it big.  Now that I have a normal “day job”, it’s given me the flexibility to  have a nice home and to get some of the guitars that I’ve always wanted.  And, from everything I’ve heard and read, fame isn’t really all it’s cracked-up to be.  I hope to make a name for myself with these Laptop Sessions acoustic cover song music videos online (and maybe get recognized for it someday), but that’s something I can do in my free time.  Problem is, like everyone else that’s married and has a house, I don’t have much free time!

Anyway, I hope you enjoy what I’ve been able to do on my little free time lately.  Going to these open mic nights has brought me out of my comfort zone, but its also ignited my love for playing music again.  I’ve met some interesting people, too.  Stay tuned for more, as I continue to dig into my catalog of original songs and play at open mics around the state.



Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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For all those around us…a review of Those Around Us

By Jeff Copperthite:

Wait a minute…who is this?

Why yes it’s Jeff!  I hope you missed me.  I for one have missed my contributions to the web site, but I am back to post a review – a review of Jim Fusco’s incredible album Those Around Us.

As one of many eager fans of Jim Fusco (and as a good friend), I was thrilled as always to hear that he was releasing a new album.  I have been among the people that are privileged enough to have heard the evolution of Jim’s work – from Walkin’ in the Dark to Halfway There.  He went from using a MIDI program to track his music to dedicating space in his own home strictly for the incredible collection of instruments, microphones, recorders, drum sets, and of course his guitars.

So naturally when his CD release party came about for Those Around Us, I was the fifth person to purchase the CD.  I was hoping for a limited edition numbering on it, but that’s ok.  I’ll just get it from his next album Three Quarters There.

I don’t write reviews often, but I’m required to use a set up.  Now for the album review.

Those Around Us is an album that continues to make me say “How does Jim top himself?”  Every time Jim comes out with another collection of his work and recording, he manages to raise his own level in such a stunning way.  Jim has really pulled off an incredible collection of songs that showcase his songwriting ability, sound engineering, and instrumentation.  I always joke with Jim when I listen to a new album “How did you get all those guys to sound like you?”

The starting track is called “Run My Way” and starts off with a soft opening acoustic guitar.  Then in kicks the lead guitar riff, followed by a drum fill.  The album kicks off with this great song with a super catchy chorus.  Jim manages to work in the right effect at all parts of the song – whether it be the phased electric during the verse, or the stereo panned vocal track.  The song even tosses in a whammy bar.  The outro to the song is like the intro – gradually reducing the instrumentation until it’s just the acoustic guitar.  It is a great opening track – something Jim has a knack for.

The next song “Choose Your Words (carefully)” is another equally strong track.  Jim is putting more effort into making his guitar sound stand out, yet work perfectly in the background of his songs.  In this song, everything blends so well.  The chorus of the song stands out a bit more than the rest of the song – not a flaw by any means.  Just like the previous track, very catchy.  I like how the pre-chorus lead guitar changes ever so slightly to lead perfectly into the “You say those words…” line.

“Don’t Give Up” is an interesting track because Jim has made the song sound full, but there are some typical elements missing – again, not a flaw.  Jim uses only one vocal track for this song, and throws in some delayed vocals during the verse.  The chorus is once again quite catchy.  One minor blip is during the instrument break – the song seems to lose its drive.  The chorus in the song is another catchy one as well.  The line “Don’t stop don’t ever give up on me girl” is complemented nicely by the instrumentation.  The 12-string guitar also stands out in this song.

Jim’s first fast track is “Opportunities”.  This song reminds me of another song from Masters of the Universe called “Only a Dream” during the chorus.  The bass in this song really pops to me (as a bassist).  Jim effectively displays his vocal prowess superbly in this song.  He mixes oohs in during the chorus, and double tracks his vocals during most of the song.  The instrument break is absolutely incredible in this song.  It really should be considered a vocal break as it gradually builds to the end.  A really terrific song in the clean-up spot.

“Good Enough” is the next song.  Jim succeeds in having the music blend perfectly with his vocals.  The builds leading into the chorus are spot on.  He lets his voice do most of the work in this song.  The guitar solo is very strong in this song.

Jim typically does not do very many down tempo songs in his albums.  “Chameleon” is very unique in Jim’s repertoire.  The song works so well that it makes me wonder why he hasn’t written other songs in a similar vein.  The xylophone and electric piano make a very solid chorus riff and build into the nice backing vocals.  I love the electric guitar work in this song as well – the offbeat strumming that Jim does make the song work quite well.  The fade out seems a bit quick on the song, however.  I think it would’ve benefited from a good 15-20 seconds in that department.

I think my 2nd favorite song in the album is the next track “Look Around”.  I almost don’t want to write too much about this song.  The vocals work so superbly at all points, the bass punches, the guitar work is incredible, and the percussion pushes the song forward.  Jim manages to work in a guitar slide to a few tracks, and a lap steel guitar to boot – including the guitar solo.  This song is so impressive – a clear standout.

“Anything for Love” is another “fast” song.  I am a big fan of the bass line of this song.  Jim’s vocal work stands out in this song.  The pitch range in the chorus may sound a bit odd at first, but it catches on really quick.  This one you’ll find yourself singing in the car.  The guitars work solidly in the background, but given the vocals, they seem like they’re there simply to let Jim know what notes belong to the backing vocals.  They work very well in the song.  Again, the bass line makes a great hook.

“Helpless” is my favorite song lyric-wise.  As a fellow married man, I share the feeling of the song.  Jim’s vocal work is at it again making beautiful harmonies during the chorus and echoes.  The guitar tracks are wonderfully played – even though at times there’s a lot going on, it works very well.

“In Your Head” is the third “fast” song on the album.  The chorus is catchy and the instrumentation drives the song very well.  In the interlude after the 2nd chorus, there is something about the vocals that seems out of place to me.  I can’t quite put my finger on it, but it is after the line “up front with me”.  The song’s ending is great, but the way it ends makes it seem like there should be more.  It’s probably the music theorist in me.  It actually works as a great way to lead in the next song, however.

“Follow You Home” is the next song on the album.  This song reminds me most of “classic” Jim – a driven quarter note piano track that is constant in the entire song.  His vocal work is great.  I absolutely love the chorus and the interlude he places in the chorus.  The guitar in the background complements the song quite well.

My favorite song on the album – as has been the case for the last four albums – is again the last track.  Again, everything just works together so well.  Jim’s multitracked lyrics are perfect, as is the electric keyboard that reminds me so much of The Doobie Brothers.  The distorted guitar lead is another great compliment.  I think the catchy outro is what makes the song for me.  Having everything come together and lead the album out just ends the album on such a high note.  This you’ll find yourself singing along to even on the first listen.

To summarize, Those Around Us is an incredible work by Jim Fusco.  How he continues to top himself is an attestation to his ability to improve his own standards and methods.  What amazes me continually is how I say “Wow this album is the best I’ve heard” and then the next one is even better.  Jim has succeeded in what he does best – creating a great rock album that sounds great at any volume with enough hooks and catches to keep you listening to the entire album over and over again.  Jim has really outperformed himself.   You will not be disappointed in this album.

 

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If you are curious, my life has treated me well since my last session despite the loss of my Youtube channel.  Due to a variety of copyright flags I was forced to close my account.  Jim can attest to the annoyance that was.  What I will do in the meantime is re-upload some of my old videos and re-publish the pages when I do so.  Hopefully in the future I will begin to post new videos – if my daughter will actually let me do so!

Until then, buy Those Around Us and enjoy it!  My daughter loves it and can sing along to 4 of the songs already.  Maybe Jim will let me cover a song from the album…

Click to go to the Those Around Us page and buy the album for $10 with Free Shipping!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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“Santa’s Beard” by Jim Fusco – FREE mp3 Download! – Day 13 of 14

By Jim Fusco:

Let’s pretend for a moment that it’s still Friday night, shall we? 🙂

Day 13 is here and I’ve got my last Christmas cover song for you!  It’s a tune I’ve been singing to my 4-month old son since he was born.  For some reason, I got it in my head that he would like it, so I started singing it to him.  Now, it seems like he recognizes it and likes to hear it.  So, I may sing it year-round!

“Santa’s Beard” by the Beach Boys is one of those songs you’ve probably heard in passing here and there over the years.  It’s a cute tune and I really like the vocals, as always.  This ended up being one of the hardest songs to record because of the awesome walking bass line in it.  What a project!  It really took me a long time to get that down, but now that I did, it’s pretty spot-on to the original, if I do say so myself.

Enjoy “Santa’s Beard” and remember to download all of the rest of the Christmas songs.  The last song in Jim Fusco’s 14 Days of Rock’n’Roll Christmas 2015 is next!

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“How Are You Feeling Tonight?” (Original song by Jim Fusco) – The Open Mic Sessions

By Jim Fusco:

Hello everyone and welcome to another new edition of the Open Mic Sessions!  That’s the web video series where I showcase some performances from various Open Mic Nights throughout my travels in Connecticut (so far- that radius may increase!).  I’m excited to bring you more original songs in my quest to play a different original song every time I go out there!  At the pace I’m going, it’ll take me quite a while to cover all of my material.

Today, I bring you “How Are You Feeling Tonight?”, which is the last track off of my 2012 album, “Those Around Us”.  This is a favorite of fellow Laptop Sessions songwriter Jeff Copperthite, as are most of my “album-ending” songs.  I’ve always been critical of songs that various bands choose to end their albums.  They tend to choose songs that are slow and introspective.  I think “How Are You Feeling Tonight?” is also slow and introspective, but this song (the recorded version) has a good beat, too.  It’s also got some biting electric guitar- some of my favorite guitar sounds I’ve done so far.  I always want to send the listener off after listening an album with the want to play the disc over again.  So, I try to put a catchy song at the end that will sound good juxtaposed with Track 1.

The original version of this song also contains block harmonies throughout the song.  That’s kind of rare with me, which is odd considering how much I love harmony vocals.  I can only really think of a couple other songs I’ve done that have harmony vocals throughout, namely “Never Outweigh the Chances” from my 2002 album, “My Other Half”. And that song was done like that on suggestion from my brother Mike, so it wasn’t even my own idea!  I’m glad he made the suggestion, though, as I love the way that came out.

I thought this would be a good song to do solo acoustically in a live, open-mic setting.  I wrote the song with an acoustic guitar handy, though I came up with the “How are you feeling tonight?” line while doing something else- probably just singing to myself in the shower or something.  I liked the idea of that- many of us ask questions of those we care about, even though we already know the answer.  Do we ask because we’re trying to confirm our suspicions?  Are we asking to coax an answer out and possibly start a dialogue?  Or, do we ask just out of concern?  These are the types of questions I tried to explore during the writing of “Those Around Us”.

The funny thing is that I didn’t ask these questions consciously throughout the writing process for the album.  After all of the songs were written, I realized the theme of the lyrics I was writing- analyzing the relationships between me and the people around me that I cared about…or used to, for that matter.  I think someday I’ll look back on “Those Around Us” and will be thankful I delved-into that kind of thinking.  I think it helped me understand the relationships I had (have) and the ones I wanted.

I hope you enjoy my open mic session of “How Are You Feeling Tonight?”, another original song here on the Laptop Sessions acoustic music video blog!



Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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