“Wishful Thinking” (Wilco Cover)

For Wilco chords, CLICK HERE!

By Chris Moore:

Welcome back for another installment of “Chris Moore Monday” here at the Laptop Sessions.  I’m excited to bring you another installment in my little Wilco project.  I decided a couple months ago that I would like to record one song from each of their albums — since there are six, I figured that would be a reasonable goal.

I’ve already recorded from their first album (“Box of Letters” from A.M.), third album (“How to Fight Loneliness” from Summerteeth), fourth album (“I Am Trying To Break Your Heart” from Yankee Hotel Foxtrot), and now I’m happy to present “Wishful Thinking,” a track from their fifth album, A Ghost is Born.

This album took me a little time to get into, but once I did, I really grew to love the songs.  There aren’t really any songs on the album that stand out as single-worthy; in fact, I don’t believe they even released a single.  But, as you become more and more familiar with the songs, you begin to pick up on the subtle nuances in both the instrumentation and the vocals.  Considering the album’s twelve tracks, I thought this one would work best as a solo acoustic number.  In addition, I think the vocals are a particularly good match for my range and style, so I’m always excited when that happens…

Although I chose this song, my instant favorite track on the album was “Company In My Back.”  I didn’t even know what that meant at first, but I loved the song, so I had to do some research so I could fully understand what I was singing along to!  I may yet record that track (coincidentally the song that follows “Wishful Thinking”) for a future “Members Only” video or a surprise non-Monday video.  After all, with so many great bands and songs that we haven’t covered, I don’t feel like I can spend too much time on any one artist, even if they’re one of my favorites…

So, I’ll hold myself back from recording my final two Wilco songs of this little “project” at least for a while.  I did finally buy the second Wilco studio album today with a Best Buy gift card from Christmas.  That was exciting, if a bit sad, since that’s the final gap in my Wilco collection.  But, it’s a double album, so it’s a sizeable gap and I’m sure I’ll enjoy it.  I’ve only had time to listen to the first disc, and I was distracted for part of it, so I think I’ll put it on as I get ready for bed.

I should share that the second CD I bought with the gift card today is Warren Zevon’s 1991 album Mr. Bad Example.  Apparently, this is the “Encore: Back in Print Imprint” version.  If I recall properly, this album was such a flop when it came out that it went out of print until recently.  I couldn’t be more excited, as my second favorite Zevon album of all time is The Envoy, his eighties album that was so poorly received that his record label dropped him.  And I love that one!  What a shame.

On a personal note, outside of my DVD player temporarily going haywire last night, I had a really relaxing weekend.  For those of you who don’t teach and/or have work that you bring home, that’s also code for “I didn’t really get much work done.”  Oh, well.  The week will begin soon enough, and as good ole T.S. Eliot wrote, “There will be time.  There will be time.”  I hope so, because I’m going into midterms with a slightly larger pile of work than I hoped for and my BEST portfolio on the horizon…

Oh, and I almost forgot.  If you haven’t already, you should check out my review of Meade Skelton’s new single “My Loudoun County Home,” which I posted yesterday.  Jim and I are quite excited to have our music reviews section expanding, so go ahead and read them all!  Or, if you don’t have time for that, then just get yourself back here tomorrow night for another awesome “Jim Fusco Tuesday.”

See you next session!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

For all those around us…a review of Those Around Us

By Jeff Copperthite:

Wait a minute…who is this?

Why yes it’s Jeff!  I hope you missed me.  I for one have missed my contributions to the web site, but I am back to post a review – a review of Jim Fusco’s incredible album Those Around Us.

As one of many eager fans of Jim Fusco (and as a good friend), I was thrilled as always to hear that he was releasing a new album.  I have been among the people that are privileged enough to have heard the evolution of Jim’s work – from Walkin’ in the Dark to Halfway There.  He went from using a MIDI program to track his music to dedicating space in his own home strictly for the incredible collection of instruments, microphones, recorders, drum sets, and of course his guitars.

So naturally when his CD release party came about for Those Around Us, I was the fifth person to purchase the CD.  I was hoping for a limited edition numbering on it, but that’s ok.  I’ll just get it from his next album Three Quarters There.

I don’t write reviews often, but I’m required to use a set up.  Now for the album review.

Those Around Us is an album that continues to make me say “How does Jim top himself?”  Every time Jim comes out with another collection of his work and recording, he manages to raise his own level in such a stunning way.  Jim has really pulled off an incredible collection of songs that showcase his songwriting ability, sound engineering, and instrumentation.  I always joke with Jim when I listen to a new album “How did you get all those guys to sound like you?”

The starting track is called “Run My Way” and starts off with a soft opening acoustic guitar.  Then in kicks the lead guitar riff, followed by a drum fill.  The album kicks off with this great song with a super catchy chorus.  Jim manages to work in the right effect at all parts of the song – whether it be the phased electric during the verse, or the stereo panned vocal track.  The song even tosses in a whammy bar.  The outro to the song is like the intro – gradually reducing the instrumentation until it’s just the acoustic guitar.  It is a great opening track – something Jim has a knack for.

The next song “Choose Your Words (carefully)” is another equally strong track.  Jim is putting more effort into making his guitar sound stand out, yet work perfectly in the background of his songs.  In this song, everything blends so well.  The chorus of the song stands out a bit more than the rest of the song – not a flaw by any means.  Just like the previous track, very catchy.  I like how the pre-chorus lead guitar changes ever so slightly to lead perfectly into the “You say those words…” line.

“Don’t Give Up” is an interesting track because Jim has made the song sound full, but there are some typical elements missing – again, not a flaw.  Jim uses only one vocal track for this song, and throws in some delayed vocals during the verse.  The chorus is once again quite catchy.  One minor blip is during the instrument break – the song seems to lose its drive.  The chorus in the song is another catchy one as well.  The line “Don’t stop don’t ever give up on me girl” is complemented nicely by the instrumentation.  The 12-string guitar also stands out in this song.

Jim’s first fast track is “Opportunities”.  This song reminds me of another song from Masters of the Universe called “Only a Dream” during the chorus.  The bass in this song really pops to me (as a bassist).  Jim effectively displays his vocal prowess superbly in this song.  He mixes oohs in during the chorus, and double tracks his vocals during most of the song.  The instrument break is absolutely incredible in this song.  It really should be considered a vocal break as it gradually builds to the end.  A really terrific song in the clean-up spot.

“Good Enough” is the next song.  Jim succeeds in having the music blend perfectly with his vocals.  The builds leading into the chorus are spot on.  He lets his voice do most of the work in this song.  The guitar solo is very strong in this song.

Jim typically does not do very many down tempo songs in his albums.  “Chameleon” is very unique in Jim’s repertoire.  The song works so well that it makes me wonder why he hasn’t written other songs in a similar vein.  The xylophone and electric piano make a very solid chorus riff and build into the nice backing vocals.  I love the electric guitar work in this song as well – the offbeat strumming that Jim does make the song work quite well.  The fade out seems a bit quick on the song, however.  I think it would’ve benefited from a good 15-20 seconds in that department.

I think my 2nd favorite song in the album is the next track “Look Around”.  I almost don’t want to write too much about this song.  The vocals work so superbly at all points, the bass punches, the guitar work is incredible, and the percussion pushes the song forward.  Jim manages to work in a guitar slide to a few tracks, and a lap steel guitar to boot – including the guitar solo.  This song is so impressive – a clear standout.

“Anything for Love” is another “fast” song.  I am a big fan of the bass line of this song.  Jim’s vocal work stands out in this song.  The pitch range in the chorus may sound a bit odd at first, but it catches on really quick.  This one you’ll find yourself singing in the car.  The guitars work solidly in the background, but given the vocals, they seem like they’re there simply to let Jim know what notes belong to the backing vocals.  They work very well in the song.  Again, the bass line makes a great hook.

“Helpless” is my favorite song lyric-wise.  As a fellow married man, I share the feeling of the song.  Jim’s vocal work is at it again making beautiful harmonies during the chorus and echoes.  The guitar tracks are wonderfully played – even though at times there’s a lot going on, it works very well.

“In Your Head” is the third “fast” song on the album.  The chorus is catchy and the instrumentation drives the song very well.  In the interlude after the 2nd chorus, there is something about the vocals that seems out of place to me.  I can’t quite put my finger on it, but it is after the line “up front with me”.  The song’s ending is great, but the way it ends makes it seem like there should be more.  It’s probably the music theorist in me.  It actually works as a great way to lead in the next song, however.

“Follow You Home” is the next song on the album.  This song reminds me most of “classic” Jim – a driven quarter note piano track that is constant in the entire song.  His vocal work is great.  I absolutely love the chorus and the interlude he places in the chorus.  The guitar in the background complements the song quite well.

My favorite song on the album – as has been the case for the last four albums – is again the last track.  Again, everything just works together so well.  Jim’s multitracked lyrics are perfect, as is the electric keyboard that reminds me so much of The Doobie Brothers.  The distorted guitar lead is another great compliment.  I think the catchy outro is what makes the song for me.  Having everything come together and lead the album out just ends the album on such a high note.  This you’ll find yourself singing along to even on the first listen.

To summarize, Those Around Us is an incredible work by Jim Fusco.  How he continues to top himself is an attestation to his ability to improve his own standards and methods.  What amazes me continually is how I say “Wow this album is the best I’ve heard” and then the next one is even better.  Jim has succeeded in what he does best – creating a great rock album that sounds great at any volume with enough hooks and catches to keep you listening to the entire album over and over again.  Jim has really outperformed himself.   You will not be disappointed in this album.

 

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If you are curious, my life has treated me well since my last session despite the loss of my Youtube channel.  Due to a variety of copyright flags I was forced to close my account.  Jim can attest to the annoyance that was.  What I will do in the meantime is re-upload some of my old videos and re-publish the pages when I do so.  Hopefully in the future I will begin to post new videos – if my daughter will actually let me do so!

Until then, buy Those Around Us and enjoy it!  My daughter loves it and can sing along to 4 of the songs already.  Maybe Jim will let me cover a song from the album…

Click to go to the Those Around Us page and buy the album for $10 with Free Shipping!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

The Weekend Review New Music Report: 2010 Edition

By Chris Moore:

In the past, before the Weekend Review was officially a segment on the Laptop Sessions blog and my articles had the oh-so-clever title of “Music Review” — and I know, I know, “the Weekend Review” isn’t all that much more clever — I have been accused of writing reviews that were positive to a fault.

This may well be true, as I have found it challenging these past couple years to define and refine my voice as a music critic who is also a singer/songwriter.  After all, it has been difficult to find a comfortable middle ground between praising music simply because someone labored over it and pointing out flaws to bring others down a notch.

Being an “amateur” has allowed me the opportunity and relative privacy to hone my craft.

I’ve come a long way from the every-so-often, knee-jerk nature of my early “CD Reviews,” articles that I typed and saved on my computer long before the Fusco-Moore Productions blog — now known as the Laptop Sessions blog — was launched.  I’ve also come a significant way since the aforementioned “Music Reviews.”  And, I’d like to think that I’ve progressed as a writer over the past year of “Weekend Reviews.”

So, this being my fifty-second and final Weekend Review of 2010, I decided to dedicate it to laying out a table of contents of sorts for the fifty-four reviews I’ve written this year (including “Yes, No, Maybe So?” one-sentence reviews).  They’re arranged below in descending order from my one five-star rating down to my handful of one-star reviews.

What it all amounts to is a lot of music from a diverse range of artists that run the genre gamut.  The one common denominator here, the one solid link between all subjects of the Weekend Review, is the presence of the singer/songwriter.  With the exception of a couple of cover song albums, these are albums of original music released in 2010.

The best I can offer as an overall statement for the year’s music is that this was, overall, an excellent year for new music.  The range tended to follow the bell curve (1 five star, 14 four stars, 23 three stars, 13 two stars, and 3 one stars), but this should not undercut the fact that there were fourteen very strong, interesting, entertaining albums released this year.

In all fairness, what the year was lacking was any albums that really blew everything else out of the water.  Although several have argued this point with me, I do not hesitate a moment to give All in Good Time (BnL) the full five-star nod.  That being said, I do not consider it their best album, not by a long shot.

So, where does that leave us?

In my opinion, it leaves 2010 as a very strong year with at least fifteen strong reasons to buy new albums, but it also leaves a gap for those attuned to and awaiting the next, best classic albums for the ages.

I hope you’ll check back for my final post (at least for a while) on the blog tomorrow and that you’ll consider checking some of these albums out while they’re still available on the ever-increasingly trend- and contempo-centric CD shelves.

54 New Albums, 2010: Arranged in descending order of star ranking (out of 5).

All in Good Time (Barenaked Ladies) – 5 stars
Bad Books (Bad Books) – 4.5 stars
Be in Love (Locksley) – 4 stars
Broken Bells (Broken Bells) – 4 stars
Heaven is Whenever (The Hold Steady) – 4 stars
Kaleidoscope Heart (Sara Bareilles) – 4 stars
Lonely Avenue (Ben Folds & Nick Hornby) – 4 stars
Mines (Menomena) – 4 stars
Mojo (Tom Petty & the Heartbreakers) – 4 stars (4.5 w/o “Candy” & “Takin’ My Time”)
Night Work – (Scissor Sisters) – 4 stars
Sea of Cowards (The Dead Weather) – 4 stars
Suburba – House of Heroes – 4 stars
The Grand Theatre Volume One (Old 97’s) – 4 stars
The Suburbs (Arcade Fire) – 4 stars
Volume Two (She & Him) – 4 stars
A Postcard from California (Al Jardine) – 3.5 stars
A Singer Must Die (Steven Page with the Art of Time Ensemble) – 3.5 stars
American Slang (The Gaslight Anthem) – 3 stars
American VI: Ain’t No Grave (Johnny Cash) – 3 stars
As I Call You Down (Fistful of Mercy) – 3.5 stars
Brian Wilson Reimagines Gershwin (Brian Wilson) – 3.5 stars
Brothers (The Black Keys) – 3.5 stars
Dark Night of the Soul (Danger Mouse & Sparklehorse) – 3.5 stars
Death to False Metal (Weezer) – 3 stars
Destroyer of the Void – (Blitzen Trapper) – 3.5 stars
Easy Wonderful (Guster) – 3 stars
Everything Under the Sun (Jukebox the Ghost) – 3.5 stars
High Violet (The National) – 3.5 stars
How to Destroy Angels (How to Destroy Angels) – 3 stars
Hurley (Weezer) – 3.5 stars
Light You Up (Shawn Mullins) – 3 stars
Lo-Fi for the Dividing Nights (Broken Social Scene) – 3 stars
Page One (Steven Page) – 3.5 stars
Sigh No More (Mumford & Sons) – 3.5 stars
Something for the Rest of Us (Goo Goo Dolls) – 3.5 stars
Stone Temple Pilots (Stone Temple Pilots) – 3.5 stars
To The Sea (Jack Johnson) – 3 stars
Transference (Spoon) – 3.5 stars
Court Yard Hounds (Court Yard Hounds) – 2.5 stars
Crazy for You (Best Coast) – 2.5 stars
Eureka (Rooney) – 2 stars
Everything Comes and Goes (Michelle Branch) – 2 stars
Familial (Philip Selway) – 2.5 stars
Forgiveness Rock Record (Broken Social Scene) – 2 stars
Heligoland (Massive Attack) – 2 stars
Infinite Arms (Band of Horses) – 2 stars
National Ransom (Elvis Costello) – 2 stars
Realism (Magnetic Fields) – 2.5 stars
Women & Country (Jakob Dylan) – 2.5 stars
Write About Love (Belle & Sebastian) – 2.5 stars
Y Not (Ringo Starr) – 2.5 stars
100 Miles from Memphis (Sheryl Crow) – 1.5 stars
Clapton (Eric Clapton) – 1 star
Interpol (Interpol) – 1 star

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

“Moment” (Chris Moore Original)

For Chris Moore chords & lyrics, CLICK HERE!

By Chris Moore:

Good evening and welcome to what has become a Christmas tradition for me here at the Laptop Sessions.  Each year since 2007, I have posted one yuletide original during the month of December.  Last year, I wrote and recorded a song on Christmas eve, so this year I wanted to post another on the last Original Wednesday before Christmas Eve.

This year’s selection is one I wrote years ago and was first included on the Chris, Jim, and Mike holiday album Our Christmas Gift to You.  To be honest, I don’t remember exactly when I wrote this song, but I certainly remember my first recording.  I had never recorded using a multi-track mixer, so Mike lent me one that he had inherited from a local photographer.  In its day, it had been a really nice system.  Unfortunately, some of the controls were off and there were certain tracks that would become spliced together — I’m not sure how else to describe this.  Essentially, I couldn’t lower or raise the volume on one track without another following it.

That being said, it felt like Mike was handing me a portable professional studio!

I rushed home late from Mike and Jim’s house that night, quietly snuck into my house (my parents were fast asleep), and set up in the small bathroom in the basement.  After about twenty minutes of silent trips up to my bedroom, the mixer had been set up on the toilet, the microphone stands near the shower, the keyboard by the towel rack, and I was sitting on my stool with my back against the sink.

And yes, I am holding myself back from making the obvious stool/bathroom pun here…

The version I recorded that night was quiet and a bit sloppy, but it really wasn’t as sloppy as it should have been for my first recording.  To be certain, many songs that I would record later on more reliable equipment seemed, at least to me, to be inferior to the overall feel of my first “Moment.”

The next version that I recorded was for the November 25, 2004 release of Our Christmas Gift to You.  I felt very much like the rawer, indie cousin of my future bandmates, as my two songs weren’t as fully produced as Jim and Mike’s were.  Still, it felt — and still feels! — exciting and, to be honest, like an honor to hear “Christmas Cards” and “Moment” alongside some of my all-time favorite Christmas originals, like “The First Snow” and “Christmas Evening.”

Although “Moment” sounds very quirky and I salivate just thinking about a day in the future when I might re-record it with a minimalist drum kit keeping time, I always liked it (and, of course, I’ll always have the MoU Christmas Concert 2006 CD to hold me over…).  “Moment” is one of those songs that makes me feel something when I listen to it.  Even now, years and years after writing it, I remember exactly how I felt the day I wrote it.  It’s like being able to pick up a guitar or put on a CD and go back in time to the end of high school/beginning of college.  As you’ll hear, it’s a song about a person who has just learned that the love of his life is returning to town after being away for a year, ostensibly as a journalist overseas.  The narrator hasn’t heard from the person, only rumors, and is frustrated that no one seems to understand how important this news is to him.  As the song continues, we get some flashbacks to the previous Christmas and a vague but satisfying real-time encounter set during a Christmas eve church service.  The final line explains the title: “Hay was all they had in the manger — hay was all that Mary had; but that didn’t matter none to Mary ’cause Mary had Joseph to share each and every moment…”

If you’ve ever found yourself at Christmastime, connected to what used to be close friends merely by rumor and third-hand report, then you’ll understand where this song is coming from.  For this recording, I tried to harken back to my first off-the-cuff, essentially one-take recording by staying in my pajamas and simply playing it once to rehearse it before hitting the “record” button.

The result?  My third Original Wednesday post on the eve of Christmas.

The problem?  I’m fresh out of original Christmas songs for next year…

I’ll just have to hope inspiration strikes before then!

Merry Christmas, and I’ll see you next session!