“Cast No Shadow” (Oasis Cover) [SEASON PREMIERE!]

By Ben:

[Editor’s Note: We received this video from the performer’s daughter a few days ago, and it seemed like the perfect note on which to kick off a new season of Guest Sessions videos on the Laptop Sessions blog.  The LS Blog was originally founded by one man with a guitar, a laptop, and a living room as his stage. Over 600 music videos, hundreds of music reviews, and dozens of special features later, the Laptop Sessions continues to be a source for quality commentary on music.  After all, what is a cover song if not an attempt to interact with and add ourselves into the conversation about our favorite original music?  So, check out the video below!]

A note from his daughter, Jordane:

My papa singing and playing guitar to one of his favourite songs. I feel like it shouldn’t just be me admiring his talent in his living room, but I feel other people from all around the world should admire him too. Please enjoy!

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Video Blog: How Songwriter Jim Fusco Records A Song in His Home Studio

By Jim Fusco:

Originally done in four parts, this remastered video (originally recorded in 2007 and remastered in 2020) is about the triumphs and pitfalls of recording a song in my home studio. You’ll see techniques, advice, and most of all, a bunch of bad luck. The song I’m recording is called “Go Back To Him,” written by Jim Fusco and Alberto Distefano.  The song was featured on my album “Halfway There”, available at http://jimfusco.com and on iTunes!  Make sure to stick around for the end of the video and check out the music video for “Go Back To Him”, complete with remastered stereo audio for the first time!  For those who saw the original video, you’ll recall how dark the video looked, as the overhead lighting in my home studio at the time was not conducive to great video quality.  Thankfully, through the magic of Final Cut Pro X, I’m able to breathe new life into this documentary, which captures what it was like to record a song at 4am (which was easily done at 23 years of age…).

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The Weekend Review: August 2011 Report

By Chris Moore:

 

Tripper (The Fruit Bats)

Released: August 2, 2011

Rating: 3.5 / 5 stars

Top Two Tracks: “Tangie and Ray” & “You’re Too Weird”

On Tripper, quirky, folksy retro rockers the Fruit Bats fall into a comfortable groove, kicking off with the drug-induced experiences of the alliterative “Tony the Tripper,” following up two tracks later with the tale of “Tangie and Ray,” and later adding “Dolly” into the mix.  The Fruit Bats spin a veritable world across the eleven tracks on Tripper, adding bird sounds and what could be a stream to “The Banishment Song,” laying down warm, (dare I say it?) trippy atmospherics throughout.  Thought the album falters a bit near the end, it is overall true to their form.  It doesn’t have the same concision or catchiness as 2009’s The Ruminant Band, but it is, all together, a strong fifth effort from the band.

 

I’m With You (Red Hot Chili Peppers)

Producer: Rick Rubin

Released: August 26, 2011

Rating: 4 / 5 stars

Top Two Tracks: “Factory of Faith” & “Police Station”

This was a good year for rock, in quality if not in quantity.  Earlier this year, I held up the Foo Fighters’ Wasting Light as one of the best rock albums in years.  I’m With You doesn’t quite ascend to that mark, but it is an outstanding rock album all the same: killer guitar, great bass, and all-around passionate performances.  From the well-arranged “Monarchy of Roses” at the start of the album to the standout tracks placed deep in the track listing, I’m With You delivers fourteen strong rock tracks, incorporating a range of sounds developed throughout the Red Hot Chili Peppers’ career.  “Factory of Faith” is catchy with punchy vocals, “Brendan’s Death Song” tempers a heartfelt lead vocal and guitar while caressing the eventual buildup beautifully, and even a less exceptional track like “Ethiopia” brandishes impressively expansive production qualities.  And this is only to comment on the first four tracks, never mind the true standouts: the gorgeous production and energy on “Police Station” and the epic quality of “Even You Brutus?,” to name only a couple.

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“No Lights, No Sound” (Original Wednesday)

By Chris Moore:

Well, it’s been a while since I posted a music video, so I figured I’d better make certain my YouTube account was still functional…

This week, instead of recording a cover song, I felt that it was time to kick off The 2010 Project music video series I’ve been planning for a while.  You may be wondering, what exactly is The 2010 Project?  It is the working title — and, based on a recent conversation, very possibly the official title — of my forthcoming album.

Thus far, as of April break, I’ve chosen the thirteen songs that I plan to record and completed the writing of both music and lyrics.  Since then, I’ve recorded acoustic demos of each song and begun listening them in order to help me think of and decide on arrangements and various aspects of how I’d like the final products to sound.  I’ve been experimenting with GarageBand drum loops, and I’ve been practicing the songs quite a bit since April.  Every weekend since then, I’ve taken an hour to sit down and play through the album in order.

As with any big project like recording an album’s worth of material, anything’s liable to change by the time the final product is ready to be heard.  That being said, I plan to string together thirteen installments in this music video series, each featuring one of the aforementioned songs.  And, understanding that anything can change, I’ll be releasing them here on the blog in the order I plan to sequence them on the album.

The first song up is “No Lights, No Sound.”  Laptop Sessions regulars may recognize this as a video I’ve already recorded and posted over a year ago.  However, this is the finalized version, with some slight lyric changes and additional verses.  This song is a rare case of old lyrics re-emerging on a new song.  The story here is that, a few months ago, I came across the lyrics for an old song that I never really committed to, but had always liked a few lines from.  I thought they might fit nicely into this song, and with a few alterations, I think they do.

In a lot of ways, this is one of the simplest songs on the list, a tune that started as I walked around my room in the dark almost two years ago.  I was home alone, my capo on the second fret from having played another song (which I’ve since forgotten), and the first line sort of came to me: “The lights are off; there’s no one around…”  I wrote this and the first chorus, but that was it for a while.  It wasn’t until months later that I added the middle section and new verses.  Then, this past April, I deleted a verse and added two more in.

“No Lights, No Sound” is a song that has weathered several phases in my recent life, a track that has been conceived, shaped, and reshaped by these phases and survives in its current form with a scheduled slot as the opening track of The 2010 Project.

I hope you like this one.  For some reason, even though my allergies haven’t been hitting me as hard as they probably will soon, my voice wasn’t at its peak today.  That being said, I feel that worked for this solo acoustic performance.

So, without further ado, here is the first installment in the series — hurry back every day this week and both days of the weekend for new posts!

See you next session!

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