Tag Archives: carl wilson

“Do You Wanna Dance?” (Beach Boys Cover)

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By Jim Fusco:

Well, do you? 🙂

Welcome to another Jim Fusco Tuesday here on the Laptop Sessions acoustic cover songs music video blog.  I can’t believe it’s been another week- here I am again to send a new cover song music video your way.

I realized I’ve only done one Beach Boys song so far in 2009 (and a quite unknown one, at that), so I decided to please the Beach Boys faithful (who’d have to be REALLY faithful to wait three months for another video) by doing a song everybody knows in “Do You Wanna Dance?”!

Originally written and recorded by Bobby Freeman in the late 50’s, the Beach Boys version is very far removed from the original recording.  Freeman’s version has a more bossonova feel to it and is a little slower-paced.  Brian Wilson, clearly budding into an ambitious producer at the time, took the song and turned it pure mid-sixties rock and roll.  It peaked on the Billboard Hot 100 singles chart at Nubmer 12, and was the highest charting record with Dennis Wilson on lead vocals.

This was a great song for Denny to sing- I love the Beach Boys version so much more because Brian gave Dennis a chance to sing on it.  The production on the Beach Boys version is very Phil Spector influenced, so my acoustic cover version of it married the Beach Boys verison (in terms of style) without all the guitars, tympanies, etc.

I had to fight siging this song like Bruce Johnston of the Beach Boys, as in concert he’s the one who sings Dennis’ lead vocals.  He sings much differently than Dennis normally would, so there’s different inflection to the words.  I sing more like Bruce than Dennis, so I was inclined to sing the Bruce version- but stopped myself and tried to stay true to Denny’s original vocal style, raspy voice not included.

Right after “Do You Wanna Dance?” was released, the Beach Boys came out with one of their Number One singles in “Help Me Rhonda”, a great song.  1965 was an amazing year for music, but especially for groups like the Beach Boys, the Beatles, and Bob Dylan.  It was also the break-out year for the Byrds.  The Beach Boys’ “Today” album has to be one of the best recordings ever, especially because it combines the happiness of earlier Beach Boys albums and (some of) the production value of later recordings like “Pet Sounds”.

I hope you enjoy my version of “Do You Wanna Dance?”.  On a personal note, I’m scheduled to receive my copies of my new album, “Halfway There”, tomorrow on CD, but the release date still stands for April 7th.  I hope you’re as excited as I am!  When I get the CDs, I’m sure I’ll get ambitious and do a ton of promotion, so stay tuned!  Have a great week- I’ll try to post an original, but I’m pretty tired, so we’ll see.  Talk to you again soon!

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“Livin’ With A Heartache” (The Beach Boys Cover)

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By Jim Fusco:

I kick off the year with a new Beach Boys acoustic cover song.  I bribed Chris (by making clams and spaghetti for dinner) tonight to do this video with me.  He was a welcome addition and really helped to fill-out this song.

Carl Wilson wasn’t the most prolific songwriter, but when he did come out with a new tune, he made it count.  He really took over the role as “leader” of the Beach Boys in the 70s and 80s.  When “Keepin’ the Summer Alive” came out in 1980, he had to juggle his brother Brian’s worsening condition and his brother Dennis’ increasingly tragic lifestyle.

It’s no surprise that I love this album.  Something about it… The Boys just knew what they were doing.  Yes, it’s really cheesy at points, but it’s a really diverse album.  The only true disappointment for me is the lack of ANY Dennis contribution at all.  Oh, wait, I take that back- I think he plays the tambourine on one song…  That’s especially disappointing because Denny had such an amazing contribution to LA (Light Album).  Those songs were supposed to be for his ill-fated (until recently) Bambu album, but even his vocals on Carl’s amazing “Angel Come Home” made the album that much better.  “Love Surrounds Me” is also an incredible song- to me, it just sounds EXACTLY like a song from 1979 should- with elements of rock, blues, disco and mostly funk.  Of course, Bruce Johnston took the “disco” part waaaaaayyyy too far on the horrible (and horribly long) rendition of “Here Comes the Night”.

Anyway, Carl’s best “albums” (meaning albums where he contributed the most) were “The Beach Boys (1985)” and this one, “Keepin’ the Summer Alive”.  These albums will forever remind me of the last day of school each year, as my father would pick us (my brother and me) up from school in the Camaro and we would go have fun on our first day out.

As I’ve gotten older, I’ve grown to love “Livin’ With A Heartache” more and more.  At times, Carl had a bit of a tendency to sound a bit over-dramatic and kind of like a lounge singer (“It’s Over Now” comes to mind), but that may have been just a style of the time.  In this song, Carl sounds angrier and his voice is in perfect form.  I love the country-tinge to this song- another trait I’ve gotten to like more and more as time’s gone on.

I hope you enjoy my first entry for the year.    Oh, and by the way- make sure to check out all the great new sections on the site.  As Chris mentioned yesterday, we have a new homepage design that makes all of the important information and links easier to find.  I hope that the site in its current form will welcome new viewers to the blog better than ever before.

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“Just Once In My Life” (Righteous Brothers & Beach Boys Cover)

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By Jim Fusco:

Welcome to your Sunday, Sunday, Sunday edition of the Laptop Sessions here with me, Jim Fusco!

Onto tonight’s video.  Tonight, I bring you yet ANOTHER “new” band to the Laptop Sessions.  I know this song mostly because of the Beach Boys’ superb version on their popular album, “15 Big Ones”.  That album isn’t great and I really hate those synthesizers in this song, but the vocal power of Carl Wilson (along with the wonderfully strained sound of Brian’s voice on the bridge) make this a standout track.  Plus, it’s a great ending song to the album.  I LOVE the harmonies on the middle 8, too.  It seems like they channelled vocals from the early 60s on that section of the song- something you really don’t get on the rest of the album.  By that time, the Beach Boys’ voices had “manned-up” quite a bit.  But in that section of the song, you’d think they were all 20 again.

It’s funny that the Righteous Brothers aren’t even brothers.  But how many people really do have the last name “Righteous”?

You might notice that this video both looks and sounds a bit different than my others.  The audio sync is off and the quality isn’t great.  Just do me a favor: DO NOT upgrade to iMovie 2008.  It cripples the program and truly ruined this video for me.  It took me an hour just to figure out the technical aspect.  But, the sound is great and the audio is nice and loud.  That’s the one thing the new version of the program did right.  So, I hope you can suffer through the video quality and just LISTEN for this video, as I think it’s one of my better performances.

Enjoy!

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“That’s Not Me” (The Beach Boys Cover)

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By Jim Fusco:

“That’s Not Me” is track three of the pivotal album, “Pet Sounds” from 1966. My family got into the Beach Boys back in 1990 or 1991 because of this album. Of course, we listened to the greatest hits, but we were more interested in this well-crafted, deeper music that “Pet Sounds” brought to the table. Seventeen years later, “Pet Sounds” doesn’t stand as my favorite Beach Boys album- that title goes to a couple of others, including “Holland”, “Sunflower”, and “The Beach Boys (1985)”. But, I still love every single track off of “Pet Sounds”. One of the reasons I like those other albums better is because of the contributions from the other band members. On “Pet Sounds”, it’s really a Brian Wilson solo album, featuring Mike Love, Al Jardine, Bruce Johnston, Carl Wilson, and Dennis Wilson on backing vocals.

But, then you get songs like “God Only Knows” that clearly benefited from Carl’s lead vocals and “That’s Not Me”, which benefited from Mike Love’s great lyrics and singing. This song is a great one to play on acoustic guitar and do a cover of because I didn’t have that feeling of stripping too much away from the song. This is a very personal-sounding song and I think it works great as an intimate cover music video. Of course, I plan on doing pretty much every song from “Pet Sounds”, but I arrived at this choice now because it’s the track that still hung on to that Brian Wilson/Mike Love writing tandem that put them on top in the early 60s.

I hope you enjoy tonight’s Laptop Session acoustic cover song and I hope you’ll come back to see another great cover music video from Chris Moore!

NOTE: This video was remastered in 2020 for improved video and sound.

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