“Turn the Page” (Bob Seger Cover)

For Bob Seger chords, CLICK HERE!

By Chris Moore:

Hello, all, and welcome to a little thing we like to call Chris Moore Monday!  I must admit, it’s weird, but pretty cool to have a day assigned to you.  It wasn’t so cool when I came home tired and not feeling all that well from work today and realized that it was, indeed, my day to post a video.

But, I did what any of us here at the Laptop Sessions would do — I took a deep breath, glanced at our list of bands that have yet to be covered, and started practicing.

Today, I bring you Bob Seger’s “Turn the Page.”  Listening to the songs from his greatest hits tonight really brought back some memories for me.  My father had a Bob Seger greatest hits cassette tape and played it often when I was younger.  Songs like “Roll Me Away,” “Night Moves,” and “Mainstreet” really take me back.  I love these songs; they may not be my favorites of all time, but they’re great fun to listen to.

And I learned tonight that another song I’ve always liked — “Turn the Page” — was actually covered by Metallica.  I found their music video online; it’s an interesting one, to say the least.  I really did like the Metallica version, but I of course enjoy Seger’s original version the most.

I hope you like my video — if nothing else, I hope I’ve been able to remind you of one more artist and one more song that you may have forgotten in the crazy rush that is everyday life and modern radio.

That’s it for me.  I’m off to fall asleep to the sounds of Golden Smog, a band I will cover soon for the blog.  However, I need to wait on that for a while and record some more well-known artists (such as Bob Seger).  After all, I’m still making up for last week’s Chris Moore Monday choice of the 70’s band Big Star.

WHO?  I know; that was my reaction, too.  But they’re great!

See you next session!

More Laptop Sessions covers

“Cornerstone” by the Arctic Monkeys – Chords, Tabs, & How to Play

“Cornerstone”
Arctic Monkeys

A                                                         D                          Bm
I thought I saw you in The Battleship but it was only a lookalike.
She was nothing but a vision trick under the warning light.
Bm         F#m    A                                     F#m
She was close, close enough to be your ghost,
F#m     A
But my chances turned to toast when I
D                   Bm                        A
asked her if I could call you her name.

I thought I saw you in The Rusty Hook, huddled up in a wicker chair.
I wandered over for a closer look and kissed whoever was sitting there.
She was close and she held me very tightly until I asked awfully politely,
“Please can I call you her name?”

D                           Bm
I elongated my lift home.
F#m                                           D
I let him go the long way round.
Bm                                                        E
I smelt your scent on the seat belt and kept my short cuts to myself.

I thought I saw you in The Parrot’s Beak messing with the smoke alarm.
It was too loud for me to hear her speak and she had a broken arm.
It was close, so close that the walls were wet,
And she wrote it out in Letraset,
D Bm C#m
“No, you can’t call me her name.”

A                                 C#m
Tell me where’s your hiding place?
A                         C#m
I’m worried I’ll forget your face.
F#m
I’ve asked everyone;
Bm                                      E
I’m beginning to think I imagined you all along…

D                           Bm
I elongated my lift home.
F#m                                           D
I let him go the long way round.
Bm                                                        Dm
I smelt your scent on the seat belt and kept my short cuts to myself.

SOLO:  (A      D – Bm) x2
F#m     Bm
D          E

I saw your sister in The Cornerstone on the phone to the middle man.
When I saw that she was on her own I thought she might understand.
She was close, well you couldn’t get much closer;
She said, “I’m really not supposed to,
but yes, you can call me anything you want.”

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

Learn more songs

House of Heroes’ “Suburba” (2010) – YES, NO, MAYBE SO?

House of Heroes’ Suburba (2010) – MAYBE SO

Suburba (House of Heroes, 2010)

Suburba (House of Heroes, 2010)

(August 3, 2010)

Review:

Energetic and ambitious, both musically and lyrically: this is how I would describe Suburba, an album that keenly navigates the alternative and Christian genres, pulling in stereotypical, “expected” components but not without a few innovative surprises.

Top Two Tracks:

“God Save the Foolish Kings” & “Love is For the Middle Class”

More from the Laptop Sessions

“No Lights, No Sound” (Original Wednesday)

By Chris Moore:

Well, it’s been a while since I posted a music video, so I figured I’d better make certain my YouTube account was still functional…

This week, instead of recording a cover song, I felt that it was time to kick off The 2010 Project music video series I’ve been planning for a while.  You may be wondering, what exactly is The 2010 Project?  It is the working title — and, based on a recent conversation, very possibly the official title — of my forthcoming album.

Thus far, as of April break, I’ve chosen the thirteen songs that I plan to record and completed the writing of both music and lyrics.  Since then, I’ve recorded acoustic demos of each song and begun listening them in order to help me think of and decide on arrangements and various aspects of how I’d like the final products to sound.  I’ve been experimenting with GarageBand drum loops, and I’ve been practicing the songs quite a bit since April.  Every weekend since then, I’ve taken an hour to sit down and play through the album in order.

As with any big project like recording an album’s worth of material, anything’s liable to change by the time the final product is ready to be heard.  That being said, I plan to string together thirteen installments in this music video series, each featuring one of the aforementioned songs.  And, understanding that anything can change, I’ll be releasing them here on the blog in the order I plan to sequence them on the album.

The first song up is “No Lights, No Sound.”  Laptop Sessions regulars may recognize this as a video I’ve already recorded and posted over a year ago.  However, this is the finalized version, with some slight lyric changes and additional verses.  This song is a rare case of old lyrics re-emerging on a new song.  The story here is that, a few months ago, I came across the lyrics for an old song that I never really committed to, but had always liked a few lines from.  I thought they might fit nicely into this song, and with a few alterations, I think they do.

In a lot of ways, this is one of the simplest songs on the list, a tune that started as I walked around my room in the dark almost two years ago.  I was home alone, my capo on the second fret from having played another song (which I’ve since forgotten), and the first line sort of came to me: “The lights are off; there’s no one around…”  I wrote this and the first chorus, but that was it for a while.  It wasn’t until months later that I added the middle section and new verses.  Then, this past April, I deleted a verse and added two more in.

“No Lights, No Sound” is a song that has weathered several phases in my recent life, a track that has been conceived, shaped, and reshaped by these phases and survives in its current form with a scheduled slot as the opening track of The 2010 Project.

I hope you like this one.  For some reason, even though my allergies haven’t been hitting me as hard as they probably will soon, my voice wasn’t at its peak today.  That being said, I feel that worked for this solo acoustic performance.

So, without further ado, here is the first installment in the series — hurry back every day this week and both days of the weekend for new posts!

See you next session!

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