Tag Archives: chris

“Eight Days A Week” (Beatles Cover)

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By Jim Fusco:

Welcome, everyone, to another Laptop Sessions acoustic cover song music video!  The plan is to hold another recording session with my fellow “Traveling Acai Berries” later this week, but for now, I bring you the second video from our last session two weeks ago.  Unfortunately, I still can’t bring myself to drop the $60 to get the Beatles Rock Band yet (that new mortgage looms large in the foreground) and the same goes for the remastered box set, which I’m just dying to hear.

Tonight, our video is “Eight Days A Week”, another addition to our collection of Beatles cover songs.  It’s funny how this one became a video- Steve (whose shoulder is shown in this video) said, “Hey Jim- play a whole bunch of D notes on your guitar rapidly and let me try something.”  Sure enough, within a few seconds, we started the song.  Fast-forward a couple minutes (and a little discussion on harmony parts) and you had our fellow band member Chris C. sight-reading sheet music and playing the melody on his mandolin.  That’s him there in the center of the video, transposing notes on the fly.

I love the way the song songs with the two guitars and the mandolin.  You can really hear the mandolin part in the second half of this cover video and it adds such a cool dynamic.  We’ve got some great videos planned that will feature the mandolin, which I’m pretty excited about.  I will forever be a chord player (and improv. soloist) on the mandolin, so it’s cool to play with someone that can translate sheet music into a mandolin part.

Steve and I combined for some great singing in this video, if I do say so myself.  For some reason, I’m singing this with so much confidence and we had some nice parts together, especially on the “Eight days a week, I lo-uh-uh-uh-ove you” part.  And, I feel so much more easy-going when Steve’s playing guitar with me because I don’t have that feeling that I have to be the entire band.  I can strum, learn some licks, etc.  Very exciting stuff!

On a personal note, things are going well, but I don’t know how- we’re tearing the condo up, getting ready to sell things for some extra pre-house cash and working on getting the condo “rental-ready”.  That’s in addition to working and doing extra night and weekend work to ensure we’re okay financially when we move into our new place about a month and a half from now.  Thankfully, Becky is always one to look on the bright side with a sense of knowing- I’m not a fan of those who just see the rosy side of things for the sake of seeing it that way…

Anyway, I kind of wish I had eight days in a week so I could get all this stuff done.  Thankfully, some aspects of life (job, marriage, family) are stable now, so it makes dealing with the unstable things in life (like living your life by the whim of a mortgage company that doesn’t answer the phone) that much more bearable.

I’ll look forward to our next recording session on Friday and hopefully we’ll be back with new videos next Tuesday night.  Hey, maybe this time we can finally introduce the fourth Acai Berry…but we’ll all have to wait and see.  Until then, have a great week!

“Two Of Us” (The Beatles Cover)

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By Jim Fusco:

I swear we didn’t plan this… I’m sure by now, if you’re a rock music fan, you’ve heard about the Beatles Rock Band game that’s coming out tomorrow, Wednesday, 9/9/09.  Everyone in the gaming world is excited about this new release, and you better believe I am, too!  You see, it’s very rare we get an official Beatles release (any more “interview” discs floating around?), and it’s great to see the Beatles music brought to a whole new generation of youngsters that are sure to fall in love with it just like the rest of us did.  I’m excited about the new Rock Band video game for Playstation 3, but I’m especially excited about the entire Beatles catalog (including the collection of singles in Past Masters Volumes 1 and 2) being remastered and re-released.  I’ve wanted the Beatles albums remastered for as long as I remember hearing them.  The original tape transfers sound so tinny- the discs they were selling on shelves all the way up until today were made in 1986 and have just been duplicates.  Go ahead- check your CDs- they all say 1986 on them!  That’s back in the time where they had to tell you the “great sound quality and fidelity” you get with CDs…  Anyway, as I am happy that they’ve remastered the original two-track masters of the Beatles albums, I’m a bit disappointed in two things:

First, they’re not remixed.  Not to say that they weren’t mixed great for the time, especially because (next to Brian Wilson, in my personal opinion) George Martin was the best producer ever.  But, now you listen to these songs and many leave a lot to be desired.  Imagine if you heard some of the songs on “HELP!” without all the vocals to the right channel and the music in the left.  Imagine if the drums in the early records were panned more towards center so they don’t cut through the mix (especially the tambourine).  As tacky as the “Love” CD from Cirque de Soleil is, it’s still pretty cool to hear the songs in such lush stereo, as opposed to the duophonic sound that they achieved before the late 60s.

And second, there are no bonus tracks.  My father is quick to point out some key missing tracks that were left off the Anthologies (“The extended version of “Dig It”!”, he always yells) and we’re left with nothing more than the albums that we’ve already bought on LP, 8-track, cassette, and original CD.

So, there’s Beatlemania in the air and I love it.  It’s been WAY too long since the fervor of the Anthology series and it feels great to say, “Oh yeah, well I’m only 25 and I’ve been a fan ALL 25 years!”

Which brings me to tonight’s Beatles cover song video.  Let me tell you, folks- prepare to be blown away.  Along with my mystery guest Steve and other off-camera guest Chris (not Moore) (from my new cover band, the Traveling Acai Berries, also featuring Bill, who couldn’t be at the session), we play a completely effortless version of “Two of Us” from the “Let It Be” album.  Chris appears on-camera in the video I’ll be posting next week, but Steve, by request of his college-age daughter who would commit social suicide if her friends found out her father was on YouTube singing Beatles songs with a 25 year old 🙂 , decided that he would just show his guitar skills on camera.  Actually, that’s Steve singing with me on this one, too.

And that way I described the performance: effortless.  That’s what makes it different from many of my past collaborations.  Whether it be getting the chords right, remembering the words, or remembering harmony parts, past duets have always been troublesome.  But Steve, Chris, and I play this like we’ve been playing for years, and that’s what I love about this video.  You can barely hear Chris in this video- he’s playing mandolin away from the microphone, but at times, especially late in the chorus, you can hear him plucking away.  His sight reading was impressive.  On next week’s video, you can definitely hear him, though.  Steve’s playing is great, as he took the time to learn all those parts I don’t on guitar, which is just so great knowing that I can just sing and play rhythm.  Steve reminds me a lot of my father- not only in his love for the Beatles music, but in how he can sing harmony parts without having to teach him every note.  Somehow, he just knows.  And that’s where this familiarity comes from- it really shows through in the video.

I sincerely hope you enjoy tonight’s performance- one’s that’s been in the works for months now.  It was a lot of fun and I hope they’ll want to do more, especially when they see all the good reviews we’ll get!  I’ll be back next week and hopefully I’ll be enjoying the new Beatles Rock Band game, too.  I’m going to wait until Christmas for the Beatles remastered albums, though- in stereo, of course.  And don’t even get me started on the new “mono” box set… 🙂  Until next week!!

The Deep Racks Report: “Carl and the Passions – ‘So Tough'”

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By Chris Moore:

I think we’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to brief but focused reports on ALBUMS that do not receive as much commercial or critical attention as they should.

Carl and the Passions – “So Tough” by the Beach Boys

After a series of unfortunate career moves in the late sixties, not the least of which involved Brian’s last-minute withdrawal from the 1967 Monterey Pop Festival and the release of Smiley Smile in lieu of SMiLE, the Beach Boys’ reputation — particularly in the rock press — was lackluster at best.  By the early seventies, the band was experimenting with new sounds and recording what are arguably among the best albums of their career.

Carl and the Passions – “So Tough” arrived just as their re-established stardom was fading again.

While some may argue that the album is more a compilation of songs from four different, disconnected sets of writers, the end result must be weighed without placing too much emphasis on the drama that surrounded the sessions.  And there was certainly no shortage of drama.  During the sessions for Carl and the Passions, Brian Wilson drew further away from his brothers and the band, disappointing record executives and fans alike.  Dennis Wilson put his hand through a window and was unable to play drums either in the studio or in concert.  And, to top it off, Bruce Johnston had a falling out with Beach Boys collaborator Jack Rieley and subsequently left — either of his own free will or after being fired.

For any fan of the band, the history surrounding these sessions can only serve to affect one’s expectations of the album itself.

And that simply isn’t fair.

Granted, Carl and the Passions – “So Tough” may not be a masterpiece like Pet Sounds and Sunflower were (even though it was packaged with Pet Sounds, further increasing the probability that it would pale in comparison).  Yet, from the first piano notes of “You Need A Mess Of Help To Stand Alone” to the final fadeout of Wilson’s tremendously moving “Cuddle Up,” Carl and the Passions makes good on all that could ever be hoped for on any Beach Boys album — namely, by delivering superb vocals,  fantastic instrumental arrangements, and a combination of upbeat tracks and more introspective ballads.

There is something intriguing about seeing the band fight to hold its own and truly redefine itself without Brian Wilson at the helm.  In a sense, they went back to the drawing board, inviting new members Blondie Chaplin and Ricky Fataar to join the band, naming the album after an early incarnation of the Beach Boys that performed at a Hawthorne High School talent show, and returning if only momentarily to the endearing directness of their early liner notes with the inclusion of “Thanks to Alan’s Mom for renting the Bass Fiddle on the first session.”

“You Need A Mess Of Help To Stand Alone” is a great opening track, offering an interesting groove and somehow straddling the line between raw and perfectly honed.  “Here She Comes” boasts catchy bass and piano parts and properly introduces the influences of Fataar and Chaplin.  In their book Brian Wilson and the Beach Boys: The Complete Guide to their Music, Andrew G. Doe and John Tobler label this song as well as Fataar and Chaplin’s previous band and self-titled effort The Flame as “boring, overlong, and self-indulgent.”  Why they make this assessment, I cannot justify.

Look for a “Deep Racks Report” on The Flame in the not-so-distant future…

“He Come Down” is gospel rock that borders on the cheesy, but is still fun and convincingly felt.  Still, it is all but forgotten by the time track four kicks off.  “Marcella” is certainly a standout here and continues to prove why the powers-that-be were at least somewhat justified in endlessly seeking after new material from Brian Wilson.

“Hold on Dear Brother” and “Make it Good” are solid, enjoyable tracks, if perhaps overshadowed by the other Fataar/Chaplin and Wilson/Dragon tracks (respectively) also on this album.

“All This is That” is another perfectly rendered performance on the album, taking Robert Frost’s poem “The Road Not Taken” and adding a pleasant transcendental twist in a manner that only the Beach Boys ever could.

“Cuddle Up” is easily one of the great Dennis Wilson tracks of all time.  Its simple, beautiful lyrics are delivered in this heartbreaking vocal performance with haunting yet pretty background vocals, always knowing when to build up and when to back off, fading out the album on a subdued orchestral note.

At the end of the day, Carl and the Passions – “So Tough” is an essential Beach Boys album for any fan who acknowledges their presence post-1966.  And if you’re a rock music enthusiast that doesn’t own a seventies Beach Boys album, then by all means go out and get Sunflower.

If you like that one, then you’d be missing out if you didn’t pick up Carl and the Passions, too!

This “expletive” moment is brought to you by…

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By Chris Moore:

On the way to work this morning, I was mentally running through all the things I have to do today, seeing as how it is my first day back to school after the weekend.  Mondays are always tough like that…

And that’s when I realized it’s not Monday.

No, indeed, it is not Monday.  Which is complicated further by the fact that I spent ten minutes this morning donating to the Woody Guthrie Foundation so that I could, with a clear conscience, download and learn a song that I want to play for this week’s Chris Moore Monday.

Instead, as I was listening to the song on my way to work, I realized that I completely missed the boat.  But, rest assured, there will be a Chris Moore cover song this week… 

It just won’t be posted on a Monday. 

Things to look forward to later today:

– My post, edited with my administrative priviledges to look as though it had been posted yesterday.

– A brand-new song, recently released as a download-only track.

– At least one bad pun on the fact that I DIDN’T use my “memory” on “Memorial” Day. 

Until then…