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WCJM Free Internet Radio Station: “The That Was Then, This Is Now Show” – 2007

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By WCJM Free Internet Radio:

The show’s theme had been thought-up many years ago, and the ninth anniversary of WCJM free Internet radio would be a memorable one. Songs were chosen as a “then” and “now” from each band, for instance, a Beach Boys song from the 60s and one from the last couple years.

The skits would follow the same format. Before each skit or appearance by such standards as Dr K., Ben Case, the Food Critic, Traffic, News, and Weather, and others, a clip of some great lines from past shows would play. That would be our “then” before the guys busted out with their material from “now”!

As you listen to this show, you can hear how each of the cast members just loves being there. Being around old friends that you see maybe once or twice a year is special enough, but when you add comedy and creativity, it just ups the excitement. Matt was on, as usual, with his comedy routines and Celebrity Jeopardy. Chris had the cast rolling with his “Lightsaber Accidents” skit. Jim wrote more material than ever. Mike and Alb cracked about whatever they found funny. Jeff provided his usual hilarious segments, plus a Top Ten list.

For this show, there was an eighth member. Cliff Huizenga, a college friend of Jim’s, fit right in to the WCJM cast. Let’s just say that he can dish the insults right along with the usual cast. Cliff was invited as a special guest for this show because of his tireless (okay, maybe he was tired) efforts on the WCJM website. His knowledge and skill helped put this site together and the entire cast is very grateful.

The show was recorded differently this time. Two condenser microphones were used back-to-back in the center of the room. This allowed the cast to sit in an on-obscured circle, plus the microphones picked everyone’s voice up perfectly! If you listen to this show on headphones, note the great stereo effect. It really sounds like you’re in the room with them!

This is clearly the longest WCJM show to date- about four hours! But, there’s over 20 segments and skits combined with great music to make that time just fly by. Well, there’s one thing about WCJM- the funny radio shows are great- both then and now!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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WCJM Free Internet Radio Station: “The Best Song EVER! Show” – 2000

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By WCJM Free Internet Radio:

Jim Fusco’s constant quest for perfection reached its final destiny.  He had obtained perfection due to hours of careful planning and tedious work to make The Best Song EVER! Show a free Internet radio masterpiece.  First, Jim asked everyone in the cast, which now included Dave Perrelli as a permanent member, to pick the top three songs of all time (in their opinion).  He also threw in a suggestion for everyone to pick the worst song of all time, just to add a little comedy to the show.  After all the times were given to Jim, he wrote up an elaborate, down to the second, 3 page, typed outline of the proceedings of The Best Song EVER! Show.  But the show was going to be a little different from all the others.  There was too much music to put the whole show on one 90 minute tape.  Therefore, he was forced to choose two 60 minute tapes, making it an interesting double album.  Each of the 30-minute sides had a total time allowed for the essentials: 29 minutes 30 seconds for side one, 26 minutes 30 seconds for side two, 27 minutes 30 seconds for side three, and 22 minutes 35 seconds for side four.  Although Jim knew he was very liberal on the allotted time for each side, Mike made complaints that Jim’s down-to-the-second planning would be too strict, just as it was during the Millennium “Mayhem” Celebration tape.  But he was proven wrong, because there was plenty of time for all that was needed, even giving leeway for free time and debate.

The tape went off without a hitch, the first side having traffic, news, weather, sports, and technology coupled with the third picks of all time.  Side two then continued with the second picks of all time and another information report.  The beginning of tape number two, or side three overall, followed the same pattern of the first two sides: an information report, and the first picks of all time.  Side four, however, started with a three minute heated debate.  The side then moved on to the elimination of the first ten songs, would whittle the list down to number 5.  The songs were eliminated from worst to best going around the table using the “seniority rule”.  A person could pick one song to eliminate at a time, or could pass their turn.  After getting down to No. 5, the group kept the audience waiting by then playing thirty seconds each of the worst songs ever (or as long as they could take it).  After that came an information report, then finally eliminating all the songs down to No. 1.  As it turned out, Alberto had the final choice between numbers one and two, finally selecting the number one song of all time.  The number one song was played over again, and then a promo for the “Party!” tape was played, and finishing off the tape with a debate.

There were some problems, though, that the cast faced during the recording of this tape.  Jim stereo does not stop recording once the side of the tape has ended, so when the cast lost track of time on the second side, the tape flipped over and started recording over the first side!  So, the first five minutes of the beginning had to be recorded over again, but the cast learned their lesson, and checked periodically for the end of every side.

Even though that incident left the first couple of minutes of the tape a little choppy, listening to the tape again, the sound quality is great, everyone’s microphone levels are perfect, there is no feedback, the content is perfect, and everything seems to blend together.  Jim had finally received what he had worked so hard to do.

This is merely the first step on the road to free Internet radio (and funny radio!) perfection…

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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“New Pony” (Bob Dylan / Dead Weather Cover)

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For Bob Dylan / Dead Weather chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to yet another delay for the “double header” I promised last week or (technically) two weeks ago.  But I have a good reason for holding off!  Tonight, I’ve recorded “New Pony,” one of my least favorite Bob Dylan songs, because a brand new cover version was released on last week’s Dead Weather debut album.

First, I’ll give a little background on the original version of the song.  “New Pony” was first released on Bob Dylan’s 1978 album Street Legal.  To give you a little context here, Dylan had recently released Blood on the Tracks and Desire, arguably two of his best albums.  The year 1975 found him fully engaged in the Rolling Thunder Revue along with such artists as Joan Baez, Roger McGuinn of the Byrds, poet Allen Ginsberg, and others.  Although he temporarily revived a different incarnation of the Revue in 1976, this phase of Dylan’s musical career was pretty much over by 1977.

This is not to say that life wasn’t busy for him.  This was right around the time that his marriage to Sara Dylan was breaking down and the divorce proceedings began.  A lot — perhaps too much — has been written about these personal aspects. 

Street Legal was the product of a few weeks of sessions involving a select group of musicians that Dylan had recently worked with.  Although his past two albums had met with critical success and his subsequent album, 1979’s Slow Train Coming, would earn him his first Grammy award, Street Legal has generally been lost in the valley between these two peaks.

Personally, I have always liked this album.  Sure, the female background singers come across as a bit cheesy at times (have you heard “Baby, Stop Crying”?) and the instrumentation can be a bit much at times, but there are some great songs.  “Changing of the Guards” is one of my favorite album openers and boasts a rare fade-in.  “Is Your Love in Vain?” and “True Love Tends to Forget” are fantastic Dylan deep cuts.  And “Senor (Tales of Yankee Power)” is a narrative wrapped in the best, darkest mood you’ve ever felt.  (Jerry Garcia recorded a great version of the latter.)

As for “New Pony”?  Well, it generally ranks as one of my least favorite Dylan recordings of all time, and certainly on this record.  In fact, it’s the very rare track that I may occasionally skip when listening to the album.  Why it was placed in the number 2 slot, I’ll never know.

That being said, let’s flash forward to 2009.  Last week, the Dead Weather released their debut album, Horehound.  For those of you who aren’t familiar with this group, this is a side project band composed of the White Stripes’ Jack White (drums, some vocals, acoustic guitar on one track), the Kills’ Alison Mosshart (lead vocals), Queens of the Stone Age’s Dead Fertita (guitar, etc.), and Jack Lawrence (bass, etc.).  I really liked last year’s Raconteurs album (Jack White and Jack Lawrence’s other side project band), so I figured I would give this one a shot as well.

Long review short, I was not as impressed as I had hoped to be.  (My one-sentence review is coming shortly!)  That being said, the album certainly has its moments, and for me, one of the best moments is track seven when they cover Dylan’s “New Pony.”

This is an excellent example of a band you wouldn’t necessarily think of as being heavily influenced by Bob Dylan turning around and pulling off a stand-up interpretation of one of his songs.  After hearing it, I thought that this song fit better on this album than it did on Street Legal.  In that sense, I was happy to assign “New Pony” to a better place in my estimation of Dylan’s catalog of songs.

So, without further ado, I submit to you my acoustic rendition of the song as a send-up to the 1978 Dylan version and a tip of the hat to the brand-new 2009 version by the Dead Weather.  I found that I was psyched to learn this ridiculously easy (at least chord-wise) song.  Anyone who visits the Laptop Sessions on any regular basis knows that I’m no stranger to a Bob Dylan cover song, but I never thought I’d be recording this one.

Well, at least not until I ran out of all the other ones in 2045 or so…

I hope you enjoy this!  (I’ve got so much to say about other music and non-music related topics, but I think this is quite enough for one post!)

See you next session!

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“Peacemaker” (Green Day Cover)

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For Green Day chords, tabs, and lyrics, click HERE!

By Chris Moore:

Hello and welcome to your all-new Monday edition of the Laptop Sessions.  It’s been a while since I’ve featured a recently released song, so I’m going to put an end to that right now.

Tonight, I present to you “Peacemaker,” a track from Green Day’s 2009 album 21st Century Breakdown.  This is perhaps my quickest turnaround time from the release of a song to the recorded Laptop Session, as this album just hit the record store racks on Saturday.  I don’t know why Green Day opted for a “special Saturday release,” but it was kind of cool to have something brand new (and on sale!) on the shelves when I was browsing Newbury Comics this weekend.

What is my take on the album, you might ask?  Well, it DID knock Bob Dylan’s Together Through Life out of the number one spot in the UK, but I suppose I can overlook that…

Seriously, I don’t really know why I keep buying Green Day records.  One of my favorite lines from the movie Fracture is when a doctor asks the Ryan Gosling character, “Do you always keep asking the same question until you get a different answer?”  He responds, “I’m a lawyer.  That’s what I do.”  In this case, I’ve never been a fan of the band.  I liked early hits like “When I Come Around,” but I couldn’t get into their acclaimed album Dookie.  I’ve never really given it a fair shake, so it has ended up back in my “To Be Listened To” pile (currently housed in my Best Buy-exclusive Together Through Life crate — thank you, Mike!).

I finally picked up their 2004 album American Idiot after recommendations from several friends and critical acclaim from multiple music magazines, but I have yet to get into that album, as well.  I have consistently found it somehow too blunt.  Even the songs that I like — yes, mostly the overplayed radio hits — strike me as too formulated, too stamped out for the enjoyment of the average mainstream listener.  Who knows; perhaps someday I’ll be able to break the code of this concept album.

That is indeed why I picked up this latest installment in the Green Day catalog: it’s a concept album based loosely around the story of two characters named Christian and Gloria.  As with American Idiot, I much prefer to pay attention to the thematic threads.  Now, whereas in the 2004 album I have never been able to appreciate the lyrics, I have found several tracks on this new album that I like for several reasons — the lyrics, the overall instrumental sound, and Billie Joe Armstrong’s vocals.  Not to sound even more critical or anything, but Armstrong’s vocals on American Idiot have a tendency to get on my nerves.  That being said, he plays with his range and style in several different ways on this album.  Some songs are stripped down to basic piano or acoustic, and some songs are layered from top to bottom with spot-on vocal harmonies and distortion guitar blasts.  From start to finish, the album generally knows when to slow it down and when to kick it up a notch.

I have only heard the album three times in full, so I should reserve any final opinions for the future.  What I do know is that I like this concept album much more than American Idiot, from the sound all the way down to the album art.  Like their previous album, the cover artwork and liner notes are beautiful, carefully designed pages that feature the handwritten lyrics and various background designs.  If nothing else, this is a band that tries really hard to create an album that works as a whole.  And, after five years since their last album — more time between releases than ever before — they’ve certainly had enough time to perfect this one!

Without further ado, I’ll let you move on to my cover song music video of “Peacemaker.”  This is sure to be one of Jim’s favorite sessions of the year, so it may be difficult to outdo myself next week.  And yet, I suppose I’ll just have to try… 🙂

See you next session!

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