Tag Archives: cover

“It Ain’t Over ‘Til It’s Over” (Lenny Kravitz Cover)

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By Jim Fusco:

I’m sure a couple of people are picking their jaws up off the ground for this one…

If you know me, you know I would never say, “Wow, you know who I should do a song from?  Lenny Kravitz.”

It’s not that I have anything against him- his popularity just came at a time that I wasn’t listening to any music on the radio, i.e. the past 25 years…  But, somehow this song worked its way into my head.

It literally took me over a half hour to finally figure out that this song was done by Lenny Kravitz.  I would have bet good money that this was written and sung by Smokey Robinson with the Miracles.  Have you heard the studio version?  The strings, the beat, the high vocals, the great bass line- it HAD to be Smokey!  Plus, it has that classic Motown sound to it and I truly believed this song was recorded in 1964.

So, all I knew was the tune and the words, “Baby, it ain’t over ’til it’s over…”  How does one search for that?  I wish I could just hum into my iPhone’s Shazam program and have it tell me what I was thinking of.  I finally found a different version by some woman and realized it was the song I was thinking of.  I kept coming across Lenny Kravitz’s name, but said, “Nah, it can’t be him” and kept looking.  Finally, I clicked on his version and sure enough, it was the exact one I heard in my head!  Who knew?

I was very happy to finally perform this song and I’m even happier that I’ve brought a very popular artist to the music blog for the first time.  Gotta respect a man that plays a great guitar, has a high range of vocals, and writes his own songs- that’s pretty much my criteria!

This song is easy to play- same for verse and chorus: A, Amaj7, Asus4, D, Dm on a 4th fret capo.  This comes out to C# and F#, but it’s much easier to play it with the capo.  I’m glad it was easy to play because it’s not the easiest song to sing.  I find I sing better with my eyes closed- you’ll see I do it a lot in songs with a high range to them.  I do it a lot here, but I hit all the notes and am very happy with this performance.

It’s been a busy week- Chris said it all about the Moody Blues concert.  It was a fun time and I was happy to have gone both with family and friends from work.  The baseball card show I went to in the morning with another colleague from work was a blast- meeting the likes of Orlando Cepeda, Steve Carlton, and even Ric Flair!  I got baseballs signed by Ralph Kiner and Ken Griffey Jr. and a ton of cool new cards, including printing plates and signed jersey letters.

This weekend looks to be slower, but I have a lot of wedding video to edit and, as of tonight, I still haven’t started.  Becky moving in has proven quite stressful and involved, as I had to setup her computer (and the one back at her parents’ house because the move screwed-up their internet situation) and still cook, etc.  The house is coming along great, as well.  I spent a lot of time there today, just looking around and imagining where things would be.  The back yard is especially exciting, as I truly believe we’ll have room for whiffle ball, which is very important to me.

Finally, did you get a chance to check out the Twitter widgets up at the top of the Laptop Sessions homepage?  It shows the updates for Chris, Jeff, and myself.  I update all the time and it allows me to keep in touch with the Laptop Sessions viewers on a much more consistent basis than I previously could.  Well, have a great night and I’ll be back next week with another great acoustic cover song.  As Dana would say, “Until then”!!

“Lahaina Aloha” (The Beach Boys Cover)

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By Jim Fusco:

Hello everyone!!  I’m back from obscurity to bring you another obscure Beach Boys song!

I’ve been on my honeymoon for the past two weeks.  You’ll notice a certain new accessory on my left hand in the video- I actually notice the difference when playing.  To sum up the trip and the wedding- everything went great.  Great weather, had a good time at the reception, wasn’t nervous at all, heard good music, went great places, hotels were nice, and just got to live the Hawaiian experience for two weeks!

Back to reality now, but there’s a lot to look forward to- a new house on the way and a new life as a married man.  It’s both exciting and tiring and I think I need a couple more days to decompress after my vacation!  You see, my wife (weird to say that) is the type that needs to see and do anything and everything while on a trip.  So, there really wasn’t much relaxation.  I need another vacation! 🙂

Anyway, Hawaii is an amazing place- from the weather to the people (who are very jolly, as the Beach Boys have said) to the scenery.  One of our favorite places was Lahaina, which is a nice town along the coast that boasts many art galleries and the second largest banyan tree in the world!  So, of course, this Beach Boys song was stuck in my head the entire time.  Becky and I walked around the town that day and even though it was only in the mid 80s, that “near the equator” sun made it feel like it was 100 or more.  But, the day was nice and I will remember Lahaina fondly.

I hope to have some time in the near future to post some photos, etc.- things I’ve been wanting to do, but haven’t gotten a chance to.  I hope you all followed me on Twitter (http://twitter.com/jimfusco), as I chronicled all the great (and hilarious) things we saw and did on the honeymoon.

I know Jeff is a fan of tonight’s song, as I played it on one of our BSYNHO shows we did for our significant others.  I hope my acoustic cover version does it justice.  “Lahaina Aloha” comes from an album that didn’t sell well and is officially the last ever Beach Boys album, as I truly don’t think there will ever be another.  “Summer in Paradise” isn’t all bad- just half.  I actually really enjoy the other half of the album- Bruce’s “One Summer Night”, with great vocals from Al, and Mike’s “Strange Things Happen”, which is one of Becky’s favorites, as well.

But, “Lahaina Aloha” is the perfect song for the acoustic cover song music blog tonight, as the islands of Hawaii are still very fresh in my mind.

Just as a last funny note- while on the ship, we saw The Second City, which is a comedy troupe not unlike the cast of “Whose Line is it Anyway?”.  They were very good and did a hilarious skit where they pointed out that the word “aloha” in Hawaiian can mean either, “Hello”, “Goodbye”, or even “I love you”!  So, they would sing songs that fit with that.  For instance, they did the Doors hit: “Aloha, aloha won’t you tell your name…”  And, they ended the skit with the best one- the Beatles “Hello, Goodbye”, or in Hawaiian: “Aloha, aloha!  I don’t know why you say Aloha, I say Aloha.”

Anyway, with that, I bid you the same- ALOHA!  It’s great to be back to the best blog ever created!

“It’s Too Late” (Carole King Cover)

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By Jim Fusco:

Could it be Jim Fusco covering a woman’s song…in the original key??  Then you KNOW it’s the Laptop Sessions acoustic cover songs music video blog- the BEST music video blog ever created!

This is a great song, isn’t it?  It’s off of Carole (not to be confused with “Carol”) King’s classic hit album, “Tapestry”.  I’ll admit that I don’t have the album and just know the single from hearing it many times on the radio.  But, after hearing what a great tune it is (you know, actually just sitting and listening to it), I think I may give the album a try.  It’s a fairly simple song and reminds me (especially the ending, which ends on the same chord and with the same pattern) of a song my brother Mike and I wrote a long time ago called “Stuck In A Dream”.  You can listen to that song, which is off of the “Meaningless: Echoes of Dreams” sessions, by clicking HERE!  We wrote that song about six or seven years ago, so you know that this song, even though it uses some great Major 7th chords, is still pretty simple.  On the piano, it’s much easier than it is on the guitar.

But, it’s got some great guitar parts in the original recording- a very cool solo.  Plus, it’s got that nifty little piano riff thrown in there, which again, for some reason, strikes me as something only a rudimentary songwriter would put in.  You know, someone that’s just tinkering around with the piano and came up with it.

So, I finally do a song from a female artist and here I am picking it apart, calling it amateurish.  No, I don’t mean that at all.  That’s one of the reasons why I want to hear the rest of the “Tapestry” album- if some of the other songs strike me as “professional”, I’ll know she came up with this song on purpose, and I do believe that’s the case.

This is a pretty powerful song, especially the part about “not trying”.  Too many relationships fail not because the people weren’t compatible, but because they just stopped trying.  Effort is truly the number one factor in a relationship, in my opinion.  I mean, this song isn’t saying what I’m really thinking right now- I’m getting married in less than two weeks and, contrary to what everyone insists on telling me, I’m full of hope and happiness for this.  I’ve promised time and time again that I will always put as much effort as possible into my relationship, as it’s the single most important thing to me.  Not music, not anything else- my relationship with my family (which will include my new wife) and my closest friends.

The way this song relates to me right now is that I kind of feel I’m not getting the same effort back from some of the people I consider close.  And some, like the song says, are irreparable.  That’s not to say that myself and the other person won’t be happy again- we certainly will.  It just won’t be as a result of one another.  The only thing I can hang my hat on at the moment that makes me feel any better is the “fact” (at least from my point of view) that the decisions that got it to this point were not mine at all- if it were up to me, everything would’ve stayed the same.  But, alas, just as Carole King sings, it’s just too late, baby.

I hope you enjoy my acoustic rendition of this classic song tonight.  I had a b***** of a time getting it right, as I must’ve done about twenty takes and even after I got the perfect one, I realized it had all kinds of inexplicable pops and clicks in the audio, which I’m trying to fix now.  I hope you can listen past the imperfections and hear one of my better performances underneath.  Have a great week and stay tuned for Chris’ post from the Dylan concert tomorrow and Jeff and Chris later on!

“Forgetful Heart” (Bob Dylan Cover)

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You know, usually, I just throw in that “rock” word in my post titles because it’s a good keyword for search engines.  But, tonight, I’m proud to say that it rings true.  And, on a new Bob Dylan song no-less!

Tonight, I bring you a cool tune from Bob Dylan’s new album, “Together Through Life”.  Tonight’s post will be partially about this song and partially my review of the album.

“Forgetful Heart” is the first real “rock” song I’ve heard Dylan do for a long, long time.  Not since “Love and Theft” have we heard Dylan rock out.  Yes, he’s had some “rompin’ type” of tunes, but most of them are blues and are very, very long.  This song is on the shorter side and doesn’t really have that “old standard” sound that we’re so used to hearing from Dylan lately.  This is a pure rock song and for this tune at least, his gritty voice serves us well.  The electric guitar, although subdued, is a great addition.  I hope we get to hear a live version of this song someday with a little more kick and a lot more speed.  I play my version about double the speed of Dylan’s original.

Of course, my bad luck continues tonight.  You can see the microphone very clearly in the shot.  I even recorded an original song for tomorrow.  I made sure to get the microphone even closer to my mouth so I could sing these lower-register songs over the acoustic guitar.  Turns out, I forgot to select the external microphone input and it recorded off of the built-in mic.  Ugh.

Now, onto the album.  Let me start off by saying that I’ve heard the album about 20 times so far.  I’m really enjoying it.  But, it certainly isn’t as good as “Modern Times”.   That album is simply great.  And, I’ve discovered the reasons why “Together Through Life” doesn’t match up.

The first time I heard “Together Through Life”, I felt like I knew the words and could even sorta sing along to the tunes.  The tunes are very predictable and always follow the patterns you think they’re going to follow- especially Dylan’s middle-eights.  But, then again, this ablum does have things like choruses (except for a couple songs) and middle-eights, which are pretty much non-existant on “Modern Times”.  In fact, the song structure on “Together…” is very similar to “Nashville Skyline” in that the songs sound, well, normal.

But, that’s one of the problems!  On “Modern Times”, I still can’t remember all the words and I must’ve heard it forty times.  Chris knows I’m a whiz when it comes to lyrics.  Dylan has such a way with words- in fact, it really is very poetic.  But, you just can’t predict what he’s going to say next.  He always switches it up and comes up with great ways of expressing simple sentiments, “When you’re near, I’m a thousand times happier than I could ever say.”  What a great way to say, “I love you.”

But, on this album, and it may be because of his writing partner for the project, the lyrics are much simpler and there are only a few hints of Dylan word-greatness.

Dylan’s voice on the album has continued to deteriorate from previous efforts.  Honestly- he almost sounds GOOD on “Modern Times”!  But, I figured this one out, too- check the songs he sings softly.  Those, he sounds fine.  It’s the songs he sings louder (even if just in volume and not angrier or screaming) in that he sounds terrible.   I don’t care if a gruff voice would contribute to some angry songs.  That’s the argument I always hear.  You want that?  Get frickin’ John Stamos.  There comes a point when it’s too much.  “This Dream of You” is a classic song.  It can become a standard of American songwriting.  But, this song is just ruined by his faling voice.  Listen to the way his voice just dies on the word “moment” and you’ll hear what I hear.  That song would sound amazing coming from a 30 year old Dylan.

Anyway, again, I really like the album, but I did find myself going back and listening to great tracks on “Modern Times” like “Spirit on the Water”, “Workingman’s Blues”, and “Someday Baby”.

I can still do without all those blues songs, though.  Talk about a cop-out!

Hopefully, someday, we’ll hear a real rock album from Bob Dylan again.  But, until then, I’ll hold onto “Forgetful Heart” and dream of days past.