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“Please, Mrs. Henry” by Bob Dylan – Chords, Tabs, & How to Play

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“Please, Mrs. Henry”
Bob Dylan

C#                                                               F#
Well, I’ve already had two beers, and I’m ready for the broom.
C#                                              F#
Please, Mrs. Henry, won’t you take me to my room?
C#                                                G#
I’m a good ol’ boy, but I’ve been sniffin’ too many eggs,
F#                                               C#
Talkin’ to too many people, drinkin’ too many kegs.

C#
Please, Missus Henry, Missus Henry, please!
F#
Please, Missus Henry, Missus Henry, please!
C#
I’m down on my knees, and I ain’t got a dime…

Well, I’m groanin’ in a hallway, pretty soon I’ll be mad.
Please, Mrs. Henry, won’t you take me to your dad?
I can drink like a fish; I can crawl like a snake.
I can bite like a turkey; I can slam like a drake.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, don’t crowd me, lady, or I’ll fill up your shoe.
I’m a sweet bourbon daddy, and tonight I am blue.
I’m a thousand years old, and I’m a gorgeous bomb.
I’m T-boned and punctured, but I’m known to be calm.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, I’m startin’ to drain; my stool’s gonna squeak.
If I walk too much farther, my crane’s gonna leak.
Look, Mrs. Henry, there’s only so much I can do.
Why don’t you look my way and pump me a few?

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

In Search of the Perfect Acoutic Guitar…

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By Jim Fusco:

A little over two weeks ago, I got the urge.  On a chance visit to Guitar Center in Manchester, CT (while my wife shopped at the Christmas Tree Shop), I began getting that familiar, “I really wanna buy a guitar” feeling.  I started to think about my fellow “Traveling Acai Berries” member, Steve, who has a beautiful (and beautiful-sounding) Martin D16-RGT acoustic guitar.  I remember playing it and noticing how well it sounded.  Every fret was in tune.  I didn’t have to try so hard to make it sound great.  Plus, it had some nice volume without having to strum very hard.

So, I thought about the idea of actually purchasing a Martin guitar.  I mean, I was always a nay-sayer.  I remember countless conversations with my brother, saying, “Oh, Martins are overpriced- there’s no way they can sound THAT good to justify being over a thousand dollars!”

Then, I played Steve’s guitar.  It was magical.  I knew I had to have one someday.  Little did I know that day would be now!

So, the bug was in my mind.  I began doing some research and honed-in on a few models.  I decided right off the bat that I wanted an all solid wood guitar.  To me, there’s no other way.  I actually didn’t even want Steve’s same model because of its Micarta (synthetic) fretboard.  Not to say that it’s a bad thing- I mean, it’ll NEVER wear down- but, to me, I really wanted an instrument I could hand down for generations.

You see, Martin guitars have been around since 1833 and have been produced (the all-wood ones, at least) in Nazareth, PA for over 175 years.  That’s pretty incredible, especially considering that, after all this time, it’s STILL a family-run business!  When you buy a high-quality Martin, you keep it for life (it has a lifetime warranty, too) and it only gets better (and even more valuable) with age.

So, my search brought up a few potential models, including the DSR, the D-15 Mahogany, and the DSM.  These guitars are all “custom” because they were made for major guitar retailer Guitar Center.  So, they’re not the standard Martin models, but they do offer a significant savings.

Which brings me to my next point: Yes, I gave myself a budget on this, but I really didn’t want to limit myself budget-wise.  I mean, I set out to buy the best acoustic guitar I could possibly purchase- one that sounded great.  I wanted the best acoustic money could buy.  But, I ended up saving a lot of money only because “the best” to me didn’t include a ton of pearl inlays and fancy appointments.  I think it’s true that, with Martins, they stop sounding better at a certain point…and then just start looking better.  Sure, I could’ve gotten one with the perfect cut of wood on the top (no “bear claws”, as they say), but that doesn’t make the sound any better now, does it?

So, I went to a couple stores to try things out.  I played the highest of the high end Martins, including the famed HD-28 and the Eric Clapton signature edition, which actually contained his signature inside the guitar!  But, I didn’t love the sound.  They sounded too muted to me.  They certainly didn’t have the booming, yet sparklingly clear, tones that Steve’s model had.

So, I had to do more research.  I learned that I was looking for a guitar with a spruce top and rosewood back and sides for the tone I liked.  But, I wanted to get a mahogany neck, because I simply can’t resist that intoxicating mahogany smell.  I also decided that I wanted a guitar with an ebony fretboard, because it was the kind of fretboard they used on the highest-end Martins.

I ended up finding the Martin DSR, which had everything I wanted except for the fretboard.  I could’ve lived with that.  But, the guitar had a satin finish to it.  It looked okay (other than the tacky white binding) and was LOUD- a big plus.  I came to the conclusion that the glossy coat was what was holding the other guitars back from being as loud as they could be.  Then, I started thinking about the fact that I want this instrument to be the be-all end-all acoustic guitar.  Am I really going to hand-down a guitar that didn’t have full-body gloss and that had a lower-end fretboard?  I mean, the guitar was about $1000, but I still felt that I would be taking the low road.

So, I got pretty disheartened and kept searching.  I spoke to my brother Mike, who then told me to expand my horizons.  Martin isn’t the only high-end acoustic guitar company, you know.  So, I seriously considered Taylor (so many famous people play them) and Larivee (a Canadian company that Ed Robertson of Barenaked Ladies uses).  But, stores around here don’t sell Larivee and I’ve never heard or played one in person.  And, I tried a couple of Taylors that were around $1,000 and they didn’t trill me.  To me, they played like every other guitar I’ve tried.

And then, in my search through literally hundreds of pages of online forums and articles, I came across one post that mentioned the Martin MMV.  It’s a model, originally made in 2005 (thus “MMV”) for Guitar Center.  It featured EVERYTHING I wanted in the guitar: glossy, Sitka spruce top, East Indian Rosewood back and sides, and the elusive ebony wood fretboard!  It had that same white binding, but I felt a lot better when I realize that the famed HD-28 had the same binding and looked very nice when glossy.  I was so excited, but realized that I would have to buy this sight-unseen.

So, I did as much research on the guitar as I could.  I literally read every webpage I could find about it.  I wanted to buy it on eBay, but really wanted that Martin Lifetime (yes, LIFETIME) warranty, so I decided to buy it new.  I finally found a 15% off coupon from a reputable site, which was good because this model (at Guitar Center, at least) was a full $500 more than the other models I was looking at.

Let me just say how much I love and appreciate my supportive wife, Becky, for understanding that I need such comfort items as these after working all day and night for the past year and a half!

Back to the story: I even got the guy to throw in six sets of Martin strings!

The guitar came in on Tuesday and I couldn’t be happier with it.  It’s LOUD and sounds amazing.  It also smells wonderful.  It came with a hard shell case, too.  I realize that even higher-end Martins use “choice woods” and other classy appointments, but I truly believe that this model sounded better in my ears.  It’s not the flashiest guitar, but I think it’s the highest quality and best sounding Martin before you just start paying for visual upgrades.  I will be proud of this guitar for the rest of my life and will be proud to hand it down someday.  But, they may have to pry it out of my cold, dead hands. 🙂

I hope this guitar will further excite me to play music and inspire me to continue writing new songs.  I look forward to playing it all the time now and feel like I finally have an acoustic guitar that brings me to the next level.  I’m glad to be a Martin owner, too.  I join some pretty good company there.

So, again, this may not be the perfect overall guitar, but to me, it certainly is.  The sound, the look, the prestige- they all fit me like a glove.  I hope it will be the last acoustic guitar I’ll ever need to buy.  Of course, that just leaves me more room for my growing electric guitar collection!

Stay tuned- next week I bust-out the Martin MMV for my first Laptop Session acoustic cover song music video!  See you then.

“The Sound of Settling” (Death Cab for Cutie Cover)

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For Death Cab for Cutie chords & lyrics, CLICK HERE!

By Chris Moore:

This one gave me blisters on me fingers and numbness in me thumb (thanks to all the sliding up and down the guitar neck, the barre chords in the progression, and the fact that I didn’t really know the lyrics to the verses before playing it tonight), but it was all worth it, for all two minutes of it.

And, quite a number of takes of this simple little song later, I know the lyrics by heart!

“The Sound of Settling” is the second single from Death Cab for Cutie’s fourth album, Transatlanticism.  This is the album that my sister, Jaime, strongly recommended I hear if I hear nothing else from the band.  Seeing as how this is one of those “I’ve heard of them, but I haven’t heard any of their songs” bands for me, I picked it up on sale and enjoyed it.  Apparently, it was the first album that frontman Ben Gibbard felt was a truly serious, well put together record.

While I like several of the songs on this album very much, I haven’t found myself very interested in picking up their other material, as they seem to have a penchant for EPs and other non-album releases.  Those sorts of releases seem nice if you’re a fan and have new material to look forward to, but they’re really quite expensive over the long run.  Consider Ben Folds’ EPs  Speed Graphic, Sunny 16, and Super D; those added up to a combined total of about $24.00 for 15 songs, about 7 or maybe 8 of which were any good.  This is not a slight to the good songs on these EPs; some were tremendous and among his best ever released.

Then there were the covers and outtakes from previous albums that he re-recorded.  And, as any music fan knows, some songs were never meant to see official release outside of designated bonus track status on another album or collection.

Anyway, I hope you enjoy this cover song music video, as it is the first Death Cab for Cutie song to be debuted at the Laptop Sessions blog.  There was so little new music of interest this week as well as last week that even I don’t feel a need to visit Newbury Comics today.  And THAT’S saying something!  So, instead, I went back to my iPod to find a band that we had missed along the way.  There are still a lot of bands that have gone uncovered, as well as classic and/or great songs from artists that we have, so don’t even think about taking us out of your “Favorites” menu.

Instead, be sure to stop by later tonight when our founder makes his triumphant return to the second day of the week as it should be:  Jim Fusco Tuesday!

See you next session!

(The text of my original Monday night post follows below the video…)

Originally titled and posted as:

The Laptop Sessions: “_ _ _   _ _ _ _ _   _ _   _ _ _ _ _ _ _ _” (???? Acoustic Rock Cover Song)

By Chris Moore:

Well, my cover song music video for tonight is recorded, rendered, and ready to go…

…and if I actually had Internet (thanks for nothing, Cox!) or even a wireless signal from an unsuspecting, password-phobic neighbor, you’d be reading my post and watching my video. Instead, I’ll be posting both my session and the accompanying chords tomorrow after I get a visit from the cable guy (lower case for any of you Jim Carrey fans thinking the worst!) some time between 10:30 and 12:30.

Until then, I’ll leave you with the following clues about the song I’m playing:

1) The song is from one of my favorite albums to listen to at night in a dark room, sometimes to fall asleep to.

2) The aforementioned album is NOT “Pet Sounds.”

3) My sister recommended this band and album.

4) The band is named for the song performed by the Bonzo Dog Doo-Dah Band in the 1967 Beatles movie, “Magical Mystery Tour.”

5) The band’s name is comprised of four words – an adjective, a noun, a preposition, and an object of the prep. -in that order.

Okay, that’s all I’ll give you. Check back Tuesday afternoon for the startling conclusion to this post!

“Please, Mrs. Henry” (Bob Dylan Cover)

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For Bob Dylan chords / tabs / lyrics, CLICK HERE!

By Chris Moore:

And, just like that, I’m back with my second session of the night!

As a follow-up to my previous music video, this is “Please, Mrs. Henry,” also from Bob Dylan’s 1975 release The Basement Tapes.  Generally, I am most impressed with complete, clean studio recordings of songs from my favorite bands, yet there are many instances of great music being created when an artist has stripped away at all the usual standards and practices of studio recording.  A most recent — and admittedly weird — instance of this is the re-release of Beck’s early nineties indie rock release One Foot in the Grave.  While this album really isn’t the kind of music I’ll be showing off to my friends, there is this really raw and unique sound to it.  One of the benefits to these types of recordings is the quantity of music usually available — i.e. 24 Basement Tapes tracks and 32 tracks on the aforementioned Beck album.  In the first 16 album tracks, songs like “Cyanide Breath Mint,” “Asshole” (later covered by Tom Petty for the She’s the One soundtrack!), and “Painted Eyelids” would never make it anywhere near the radio.  I love the lyrics and sound to some of the bonus tracks, as well — “Favorite Nerve,” “Burning Boyfriend,” and, “Feather in Your Cap” to name a few.

Of course, with these types of recordings, there are always going to be throwaway tracks and songs that will make you want to say, “What was he thinking?!”  But that’s to be expected…

Getting back to the Laptop Session at hand, “Please, Mrs. Henry” is one of the songs I initially disliked from this album.  More specifically, I found it kind of plain.  Now that I’ve gone back to it — specifically during my Bob Dylan mp3 marathon earlier this month — I have a newfound appreciation for the lyrics as well as the music.  Where else can you get the perspective of a singer/narrator who is not only telling you he is drunk, but actuallly sounds drunk while he’s doing it?  Dylan’s inflection aside, how else can you read lyrics like “I’ve been sniffin’ too many eggs…Drinkin’ too many kegs” or “I’m groanin’ in a hallway; pretty soon, I’ll be mad” or, who could forget, “Why don’t you look my way and pump me a few?”

Great stuff.

With that, I’ll leave you to watch my interpretation of one of the many songs on The Basement Tapes that have been capturing the attention of fans since it was recorded in 1968.  Even before the album was officially released, these tracks became some of the most bootlegged songs in rock music history.  (Think: Great White Wonder.)  And now you have my version to add to the mix.  It certainly doesn’t approach the level that Dylan’s on, but it was a lot of fun to try!  (Check out the chords, linked at the top of this post, so you can play, too…)

See you next session!