“I Adore You” Mike Fusco Original Acoustic Song!

This tune I wrote two February’s ago while sitting on a bench in West Haven, CT (Savin Rock).  My favorite restaurant Jimmies is there, and I went between classes alone to just look at the water and see the sun shine out on it.  I wondered why just seeing the sea could make me think and feel so strongly of one person in particular, especially since I never went there with them (or anywhere, for that matter)… Yet love has a way of touching the entire outside world, and every subject is another shell that was never left unturned.

I remember the cool air, but occasional warm breeze- and girls from a high school track team jogging by as I stared at a blank spot on the bench in which I sat… which I found remarkable, because every square inch besides this one void was covered in “Tom love Erica” and “Joe-hearts-Sandy”, etc… And i was so excited that if I wanted to, I could join the immortal bench carvers, haha… and lo and behold?..

a tropical song was born… and it inspired me to buy my ocean blue Dean Key Largo acoustic/electric because it feels like Im holding that water in my hands…  hope you enjoy this interesting, complex song as much as my mother does when she hears me practice it!

Just a note… my favorite lines – “But who will save me?..When Im all alone, and my heart could choke…I got a tunnel of love, but my swan-boat’s broke….Maybe it just needs a song, a new piece of oak- to get me to you…And I dont know if it’s the cold or the fact I miss you so- that is makin’ my lips turn blue… But there’s still strength enough for I adore you”… =)



Ask The Musician: “How To Record All Instruments of a Multi-track Song Separately (and still have it come out right in the end)”

By Jim Fusco:

Welcome to another edition of “Ask the Musician” with me, Jim Fusco!

In lieu of recording another video tonight (I’m anxiously awaiting to record my first HD video, hopefully next week), I decided to finally respond to an inquiry I got on YouTube about how to record a multi-track song separately and still have it come out right in the end.  The YouTube user writes:

I have one big problem.  When we record, we obviously record them in different parts (by that, I mean we record the instruments separately).  But, we can’t record them at the same time and we have problems recording them apart.  When we try to mix them, something gets messed-up and we have to record over again and again.  Have any tips?

Why yes, I do!

People like Brian Wilson (of the Beach Boys) had many musicians at their fingertips.  So, it was easy to get all these professional musicians in the same room to record a track.  And these studio musicians never mess up.  They are the cream of the crop, so it was easy to say, “Play this,” and watch it get done.

For us that record alone, sometimes it’s hard to keep a beat constant through an entire song.  Actually George Harrison was known for having a great built-in timeclock when recording.  He could play a song in-time with no percussion behind him.  That’s one of the reasons why it was easy to finish his last album, “Brainwashed’ posthumously.

And that brings me to my first tip: the most important thing about a recording is to stay on-time and on-beat.  So, if you’re by yourself, make sure you lay down the drums first!  Of course, you have to have a drummer that won’t speed up or slow down on you, so that’s an important step, too.

Now, knowing that everyone’s human, you should also consider keeping even your drummer in-time by using a metronome.  Just lay down a track of a metronome in the right tempo first (you can always delete it or silence it later) and then have your drummer go to work.  Actually, at that point, you can lay down any instrument you want.  The only time this gets tricky is when the song changes tempo.  One thing you can do is program a very simple beat as a MIDI track (I used to use a program called Noteworthy Composer way back in the day- wonder if it’s still around?).  Then, you can map the song out, put in your tempo changes, and then just play it into your recorder as a track.

Another thing to keep in mind is software and hardware latency.  If you’re recording on a computer, you’ll run into this.  Even the fastest computers fall victim to it.  Have you ever recorded a video on a webcam and seen the audio/video sync go off?  Well, your computer is having trouble recording everything at the same time and it’s not making up for the latency (time lag) in either the software or the hardware you’re using.  And, like I said, even on the best computers, you can run into this.  I have a top of the line Mac Pro here and I get hiccups in my videos sometimes because my backup machine will kick in or a popup box will interrupt.  It’s that little blip in the continuous stream of processing power that can really screw things up.

Now, you may have good luck for one or two tracks, but consider this- each time you record another track on the computer, you’re playing back each additional track.  So, you can be playing back 24 tracks and recording another one at the same time- a recipe for audio latency.

That’s one of the reasons why I’m still recording on a DAW (digital audio workstation).  I never run into those problems because recording 24 tracks is the machine’s sole purpose.  There’s no internet, no downloads, no popups- just pure recording power.  I’ve never had a problem with it, unless it’s my own bad timing that screwed it up.

So, I hope that gives you something to think about.  It’s so difficult to record a whole song alone- only the best can really be great at it (Paul McCartney comes to mind).  If anyone else has any suggestions, I’d love to hear them- leave a comment below!  I’ll see you all next week- hopefully in full high definition- for another Laptop Sessions acoustic cover song music video.

“Looking For You” (New Music – Independent Music Songwriter Chris Moore)

By Chris Moore:

Hello and welcome to the “Title Tracks Week” edition of the Laptop Sessions! Today, I’m proud to pull one out of the archives, dust it off, and present it to you in all its laptop camera – recorded glory… This is the title track from my 2005 album Looking For You – click here to listen!. “Looking For You” is one of only three songs (all included on that album) that I’ve released with drums included in the mix. At the time, Jim officially produced three tracks off the album for me and they are, by far, the standout tracks! With his help and musicianship, I was able to include percussion and background vocals like no other song I had previously released. To this day, I still remember the hours I spent teaching him the songs and learning what I could from his recording style.

“Looking For You” quickly became one of the staples of our band at the time, the trio “Chris, Jim, and Becky.” We played coffee houses and open mic nights, and this song seemed to fit amongst our rather acoustic fare. For whatever reason, I had a hell of a time remembering the words though, so there are some embarrassing live tracks floating around out there. But there is a really great recording of it on our only release as a trio, appropriately titled Live in the Studioclick here to listen!.

Then, in 2006, MoU began recording their debut album – click here to listen!, again with a “live in the studio” sound. Looking for standards that we were comfortable playing, “Looking For You” made the final cut. This, I think, is the definitive version. Years of playing this song finally gelled on this recording, as the three of us were joined by Mike Fusco on drums and Cliff Huizenga on bass.

As a final note, I must admit that I have purposely pushed this song out of our set lists as of late. The reason is certainly not that I don’t like the song; the length of this post should refute that suggestion! (In fact, I’m not sure I’ve ever told anyone before, but this was the first harmonica solo I ever played on my own and it really marked the beginning of that instrument in my music.) I’ve felt that the words of the song get buried in a live, electric rock setting, and that’s the real reason it’s been passed over recently. Playing it again tonight was a blast!

I hope you enjoy it, and I hope you’ll come back to https://guitarbucketlist.com tomorrow for an all-new “Title Track” Laptop Session from Jeff Copperthite… it’s sure to be a great one!

See you next session!



Ranking every Beach Boys song/album: The Beach Boys Christmas Album (by Songwriter Jim Fusco)

By Jim Fusco:

BEACH BOYS CHRISTMAS ALBUM:

We Three Kings of Orient Are – 9.5
*Little Saint Nick (single) – 10
Little Saint Nick (album) – 9.5
*Our Father – 5
*Auld Lang Syne (alternate) – 5
Santa’s Beard – 7 (LOVE the chord progression and the combination of Mike’s low part and Brian’s high part on “He wants to meet old Santa Claus”)
Christmas Day – 6
I’ll Be Home for Christmas – 7 (I consider this the standard for this song)
The Man with All the Toys – 7.5 (The same reason why I like this song is the reason why it gets docked some points. It has this “dark” sound to it that kinda doesn’t sound very Christmas-song like. However, I like the darker sound because I love those dark Christmastime nights)
Blue Christmas – 6.5
White Christmas – 6
*Little Saint Nick (alternate) – 6.5
Merry Christmas, Baby – 7
Santa Claus is Coming to Town – 5
Frosty the Snowman – 5
Auld Lang Syne – 4 (They couldn’t have done ONE more take to let Dennis have another chance?)

** This is one of my favorite albums. That doesn’t mean it’s the best by any means, but this always makes me SO happy. I have 200 Christmas songs and know how to play most of them. I love Christmas and everything that goes with it. This album contains songs that make me SO happy every time I listen to them, that it automatically brings back memories. I love Elvis’ first Christmas album because of that, too. Something about that innocence and that late ’50s, early ’60s Christmas time vibe… I’ll never live in that kind of world. I’ll never get to experience that, seeing as I grew up in the ’90s (and still growing, in fact, at 23). I hope to give my future children Christmases like that, and that’s why every note on this album is like gold to me. I listen to it about 50 times a year- more than any other album. I know the songs aren’t perfect and the recording sounds a bit rushed, at best. But, they’re voices are at top-notch form here. Classic. **