Ask The Musician: “How To Record All Instruments of a Multi-track Song Separately (and still have it come out right in the end)”

By Jim Fusco:

Welcome to another edition of “Ask the Musician” with me, Jim Fusco!

In lieu of recording another video, I decided to finally respond to an inquiry I got on YouTube about how to record a multi-track song separately and still have it come out right in the end.  The YouTube user writes:

I have one big problem.  When we record, we obviously record them in different parts (by that, I mean we record the instruments separately).  But, we can’t record them at the same time and we have problems recording them apart.  When we try to mix them, something gets messed-up and we have to record over again and again.  Have any tips?

Why yes, I do!

People like Brian Wilson (of the Beach Boys) had many musicians at their fingertips.  So, it was easy to get all these professional musicians in the same room to record a track.  And these studio musicians never mess up.  They are the cream of the crop, so it was easy to say, “Play this,” and watch it get done.

For us that record alone, sometimes it’s hard to keep a beat constant through an entire song.  Actually George Harrison was known for having a great built-in timeclock when recording.  He could play a song in-time with no percussion behind him.  That’s one of the reasons why it was easy to finish his last album, “Brainwashed’ posthumously.

And that brings me to my first tip: the most important thing about a recording is to stay on-time and on-beat.  So, if you’re by yourself, make sure you lay down the drums first!  Of course, you have to have a drummer that won’t speed up or slow down on you, so that’s an important step, too.

Now, knowing that everyone’s human, you should also consider keeping even your drummer in-time by using a metronome.  Just lay down a track of a metronome in the right tempo first (you can always delete it or silence it later) and then have your drummer go to work.  Actually, at that point, you can lay down any instrument you want.  The only time this gets tricky is when the song changes tempo.  One thing you can do is program a very simple beat as a MIDI track (I used to use a program called Noteworthy Composer way back in the day- wonder if it’s still around?).  Then, you can map the song out, put in your tempo changes, and then just play it into your recorder as a track.

Another thing to keep in mind is software and hardware latency.  If you’re recording on a computer, you’ll run into this.  Even the fastest computers fall victim to it.  Have you ever recorded a video on a webcam and seen the audio/video sync go off?  Well, your computer is having trouble recording everything at the same time and it’s not making up for the latency (time lag) in either the software or the hardware you’re using.  And, like I said, even on the best computers, you can run into this.  I have a top of the line Mac Pro here and I get hiccups in my videos sometimes because my backup machine will kick in or a popup box will interrupt.  It’s that little blip in the continuous stream of processing power that can really screw things up.

Now, you may have good luck for one or two tracks, but consider this- each time you record another track on the computer, you’re playing back each additional track.  So, you can be playing back 24 tracks and recording another one at the same time- a recipe for audio latency.

That’s one of the reasons why I’m still recording on a DAW (digital audio workstation).  I never run into those problems because recording 24 tracks is the machine’s sole purpose.  There’s no internet, no downloads, no popups- just pure recording power.  I’ve never had a problem with it, unless it’s my own bad timing that screwed it up.

So, I hope that gives you something to think about.  It’s so difficult to record a whole song alone- only the best can really be great at it (Paul McCartney comes to mind).  If anyone else has any suggestions, I’d love to hear them- leave a comment below!  I’ll see you all next week- hopefully in full high definition- for another Laptop Sessions acoustic cover song music video.

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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Ask the Musician: “Do You Record Video & Audio Together on Your Acoustic Music Videos?”

By Jim Fusco:

Well, back earlier than expected for another edition of “Ask the Musician” with me, Jim Fusco! If you’ve never seen this column before, let me give you a brief introduction. I’m Jim Fusco of the Laptop Sessions acoustic cover songs and original music video series on YouTube and on our blog here at guitarbucketlist.com. Every day, I get thousands of views on my cover songs and original music videos on YouTube. With that popularity comes some great questions from people all around the world. They want to know technical questions, music theory, and other great general music tidbits. I’ve completely submerged myself into making music these past few years and I’m happy to share what I’ve learned- hundreds and hundreds of hours reading, researching, playing, writing, singing, and recording. I’m glad to answer these questions here on “Ask the Musician”!

Tonight, we have an email from christianamagic on YouTube. She writes:

Hi. Just wanna ask. So when you record song, do you only record the audio? or record both audio and video??
and what did you use to edit it all together? Thanks

Well, that’s a good question. She’s asking about the acoustic music videos I perform on YouTube. You know, sometimes I’ve considered going back and recording the audio over the video to make a better take, but I can never bring myself to do it. To answer your question: I record the audio and video at the same time!

That’s not to say that I don’t have to tinker with it sometimes. I remember on a Ben Folds song, “Time”, I recorded the video with the microphone facing backwards! So, you could hear a LOT of piano and a little of my voice. Well, I had recorded this in a remote location, so I couldn’t go back and re-record the video. My solution was to work some EQ magic. I brought out the vocals in the mix. It’s not perfect, but it made due for the video. I guess I could’ve gone back and re-did the audio, but believe me, that would be much more of a burden than it seems. Imagine syncing the vocals up perfectly to a live performance like that?

For hardware, I use a ZOOM H2 microphone that plugs into USB. This thing is great. I used to use the built-in microphone on my Macbook laptop. It’s actually a pretty decent condenser microphone, but my computer’s fan would run so much (and SO loudly), that I had to think of a better solution. Sometimes, you’d hear more fan than song! So now, I keep the microphone close to me (and only turn the front mics on as to not hear the fan noise behind it) and record on the laptop. For ease of production, I use iMovie to edit the video and audio. If I didn’t do so many videos, I might use Final Cut Pro, but even still, it’s nice to have a simple solution to get the song out there in a nice neat package.

I hope this helps and answers your question. Just like Peter Griffin’s advice on Family Guy is “To grow a beard,” my advice to you here is, “To get a Mac!” It’ll make your life a lot easier when putting music videos on YouTube.

Submit your question to admin@guitarbucketlist.com and comment below to tell us how you record your videos!


Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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Ask the Musician: Recording with limited tracks

By Jim Fusco:

Welcome to a new series here on the Laptop Sessions that I like to call “Ask the Musician”.  On a daily basis, I get questions from young (and old) YouTube viewers that saw my tutorial and informational videos about recording and writing songs.  They ask me questions about my process and the equipment I’ve chosen.  Well, I decided I should share my advice with the world in this new series here on the best music blog on the planet!  The questions are first, followed by my responses in italics.

Our first question comes from TheBeatlesFan1991 on YouTube:

The way i record my songs is through an mp3 because I still am in high school so I’m kinda limited to an extent, and so the way I record is I take a track with just the guitars the rhythm and the lead and then I go and record another track with the guitar parts in the background playing while we record.

I haven’t done this yet its more of an experiment and since I’m guessing you’ve probably have gone through something similar to this and I was wandering if you could tell me if it’ll work or not.

You know, it’s not a bad way to record.  When I was recording with my band, though, we had four of us playing music parts.  So, we recorded the instruments live, then went back and over-dubbed the vocals.  We’re very vocal-based, as I’m sure you can tell.

I’d say the best way to go is to keep the recordings of the music and vocals separate whenever you can, because you want to make sure the vocals don’t get buried or stand out too much.  But, you know, I’ve been through a lot of ways of recording and I think I’ve changed my definition of the “best” way to record about five times.  So, hopefully you try this for a bit and make some changes accordingly.  I hope you’ll keep me posted!

If you have a question, please feel free to write to me on YouTube or leave a comment here on the blog- I’ll be happy to answer it and continue the conversation.

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“San Francisco” (Scott McKenzie) – Chords/Lyrics/How To Play : Ask the Musician

By Jim Fusco:

On tonight’s edition of “Ask the Musician”, I have a YouTube email from Todd:

Hi, Could you please send me the tabs of “San Francisco”?  Thanks a lot, you are a great musician.

Thanks, Todd- with me, flattery gets you everywhere!  I don’t have the tabs (don’t really need them for this song), but here are the chords and lyrics:

Start on G

Em        C        G       D
If you're going to San Francisco,
Em         C         G               D
be sure to wear some flowers in your hair.
Em        G        C       G
If you're going to San Francisco,
G            Bm     Em               D
you're gonna meet some gentle people there.

Em            C       G       D
For those who come to San Francisco
Em     C         G             D
Summer-time will be a love-in there.
Em     G          C       G
In the streets of San Francisco,
G         Bm       Em               D
gentle people with flowers in their hair.

F
All across the nation,
F                         G
such a strange vibration, People in motion...
F
There's a whole generation,
F                       G                 D
with a new explanation, People in motion, people in motion.

Em            Am C    G        D
For those who come to San Francisco,
Em          C        G               D
be sure to wear some flowers in your hair.
Em      G       C       G
If you come to San Francisco,
G         Bm     Em           G
Summer-time will be a love-in there.

Em     F#m     A     D     A
       If you come to San Francisco
A      C#m     F#m        A        F#m     A
Summertime will be a love-in there

______________________________________

Thanks again for the comment, Todd, and happy playing!

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