Famous Fans of the Laptop Sessions with Jim Fusco

Okay, so they might not be household names, but Jim Fusco’s acoustic cover song music videos have gotten some pretty interesting comments over the years.  Here’s an ever-growing list of notable people that have become fans of Jim’s videos:

Geoffrey Cushing-Murray: This late-70’s Beach Boys lyricist wrote “Goin’ South” with Carl Wilson and even “Love Surrounds Me” with Dennis Wilson, which appeared on “L.A. (Light Album)”.

I enjoyed seeing this very much. It’s gratifying to know this song still has a life. Carl and I were very proud of it and hoped it would find an audience over time. Thanks again and good job. Geoffrey Cushing-Murray

Greg Douglass: He wrote the music to the #26 hit “Jungle Love”, made famous by Steve Miller in the late 70’s.

Wow. I co-wrote this tune, and this is impressive. Works well unplugged! Good work, dude…Wrote the music & played guitar on the track, as well as touring with Steve for a few years. Again, cool job. Always fun to see something I’m involved with re-interpreted.

More to follow!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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For all those around us…a review of Those Around Us

By Jeff Copperthite:

Wait a minute…who is this?

Why yes it’s Jeff!  I hope you missed me.  I for one have missed my contributions to the web site, but I am back to post a review – a review of Jim Fusco’s incredible album Those Around Us.

As one of many eager fans of Jim Fusco (and as a good friend), I was thrilled as always to hear that he was releasing a new album.  I have been among the people that are privileged enough to have heard the evolution of Jim’s work – from Walkin’ in the Dark to Halfway There.  He went from using a MIDI program to track his music to dedicating space in his own home strictly for the incredible collection of instruments, microphones, recorders, drum sets, and of course his guitars.

So naturally when his CD release party came about for Those Around Us, I was the fifth person to purchase the CD.  I was hoping for a limited edition numbering on it, but that’s ok.  I’ll just get it from his next album Three Quarters There.

I don’t write reviews often, but I’m required to use a set up.  Now for the album review.

Those Around Us is an album that continues to make me say “How does Jim top himself?”  Every time Jim comes out with another collection of his work and recording, he manages to raise his own level in such a stunning way.  Jim has really pulled off an incredible collection of songs that showcase his songwriting ability, sound engineering, and instrumentation.  I always joke with Jim when I listen to a new album “How did you get all those guys to sound like you?”

The starting track is called “Run My Way” and starts off with a soft opening acoustic guitar.  Then in kicks the lead guitar riff, followed by a drum fill.  The album kicks off with this great song with a super catchy chorus.  Jim manages to work in the right effect at all parts of the song – whether it be the phased electric during the verse, or the stereo panned vocal track.  The song even tosses in a whammy bar.  The outro to the song is like the intro – gradually reducing the instrumentation until it’s just the acoustic guitar.  It is a great opening track – something Jim has a knack for.

The next song “Choose Your Words (carefully)” is another equally strong track.  Jim is putting more effort into making his guitar sound stand out, yet work perfectly in the background of his songs.  In this song, everything blends so well.  The chorus of the song stands out a bit more than the rest of the song – not a flaw by any means.  Just like the previous track, very catchy.  I like how the pre-chorus lead guitar changes ever so slightly to lead perfectly into the “You say those words…” line.

“Don’t Give Up” is an interesting track because Jim has made the song sound full, but there are some typical elements missing – again, not a flaw.  Jim uses only one vocal track for this song, and throws in some delayed vocals during the verse.  The chorus is once again quite catchy.  One minor blip is during the instrument break – the song seems to lose its drive.  The chorus in the song is another catchy one as well.  The line “Don’t stop don’t ever give up on me girl” is complemented nicely by the instrumentation.  The 12-string guitar also stands out in this song.

Jim’s first fast track is “Opportunities”.  This song reminds me of another song from Masters of the Universe called “Only a Dream” during the chorus.  The bass in this song really pops to me (as a bassist).  Jim effectively displays his vocal prowess superbly in this song.  He mixes oohs in during the chorus, and double tracks his vocals during most of the song.  The instrument break is absolutely incredible in this song.  It really should be considered a vocal break as it gradually builds to the end.  A really terrific song in the clean-up spot.

“Good Enough” is the next song.  Jim succeeds in having the music blend perfectly with his vocals.  The builds leading into the chorus are spot on.  He lets his voice do most of the work in this song.  The guitar solo is very strong in this song.

Jim typically does not do very many down tempo songs in his albums.  “Chameleon” is very unique in Jim’s repertoire.  The song works so well that it makes me wonder why he hasn’t written other songs in a similar vein.  The xylophone and electric piano make a very solid chorus riff and build into the nice backing vocals.  I love the electric guitar work in this song as well – the offbeat strumming that Jim does make the song work quite well.  The fade out seems a bit quick on the song, however.  I think it would’ve benefited from a good 15-20 seconds in that department.

I think my 2nd favorite song in the album is the next track “Look Around”.  I almost don’t want to write too much about this song.  The vocals work so superbly at all points, the bass punches, the guitar work is incredible, and the percussion pushes the song forward.  Jim manages to work in a guitar slide to a few tracks, and a lap steel guitar to boot – including the guitar solo.  This song is so impressive – a clear standout.

“Anything for Love” is another “fast” song.  I am a big fan of the bass line of this song.  Jim’s vocal work stands out in this song.  The pitch range in the chorus may sound a bit odd at first, but it catches on really quick.  This one you’ll find yourself singing in the car.  The guitars work solidly in the background, but given the vocals, they seem like they’re there simply to let Jim know what notes belong to the backing vocals.  They work very well in the song.  Again, the bass line makes a great hook.

“Helpless” is my favorite song lyric-wise.  As a fellow married man, I share the feeling of the song.  Jim’s vocal work is at it again making beautiful harmonies during the chorus and echoes.  The guitar tracks are wonderfully played – even though at times there’s a lot going on, it works very well.

“In Your Head” is the third “fast” song on the album.  The chorus is catchy and the instrumentation drives the song very well.  In the interlude after the 2nd chorus, there is something about the vocals that seems out of place to me.  I can’t quite put my finger on it, but it is after the line “up front with me”.  The song’s ending is great, but the way it ends makes it seem like there should be more.  It’s probably the music theorist in me.  It actually works as a great way to lead in the next song, however.

“Follow You Home” is the next song on the album.  This song reminds me most of “classic” Jim – a driven quarter note piano track that is constant in the entire song.  His vocal work is great.  I absolutely love the chorus and the interlude he places in the chorus.  The guitar in the background complements the song quite well.

My favorite song on the album – as has been the case for the last four albums – is again the last track.  Again, everything just works together so well.  Jim’s multitracked lyrics are perfect, as is the electric keyboard that reminds me so much of The Doobie Brothers.  The distorted guitar lead is another great compliment.  I think the catchy outro is what makes the song for me.  Having everything come together and lead the album out just ends the album on such a high note.  This you’ll find yourself singing along to even on the first listen.

To summarize, Those Around Us is an incredible work by Jim Fusco.  How he continues to top himself is an attestation to his ability to improve his own standards and methods.  What amazes me continually is how I say “Wow this album is the best I’ve heard” and then the next one is even better.  Jim has succeeded in what he does best – creating a great rock album that sounds great at any volume with enough hooks and catches to keep you listening to the entire album over and over again.  Jim has really outperformed himself.   You will not be disappointed in this album.

 

—–

If you are curious, my life has treated me well since my last session despite the loss of my Youtube channel.  Due to a variety of copyright flags I was forced to close my account.  Jim can attest to the annoyance that was.  What I will do in the meantime is re-upload some of my old videos and re-publish the pages when I do so.  Hopefully in the future I will begin to post new videos – if my daughter will actually let me do so!

Until then, buy Those Around Us and enjoy it!  My daughter loves it and can sing along to 4 of the songs already.  Maybe Jim will let me cover a song from the album…

Click to go to the Those Around Us page and buy the album for $10 with Free Shipping!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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In Search of the Perfect Acoutic Guitar…

By Jim Fusco:

A little over two weeks ago, I got the urge.  On a chance visit to Guitar Center in Manchester, CT (while my wife shopped at the Christmas Tree Shop), I began getting that familiar, “I really wanna buy a guitar” feeling.  I started to think about my fellow “Traveling Acai Berries” member, Steve, who has a beautiful (and beautiful-sounding) Martin D16-RGT acoustic guitar.  I remember playing it and noticing how well it sounded.  Every fret was in tune.  I didn’t have to try so hard to make it sound great.  Plus, it had some nice volume without having to strum very hard.

So, I thought about the idea of actually purchasing a Martin guitar.  I mean, I was always a nay-sayer.  I remember countless conversations with my brother, saying, “Oh, Martins are overpriced- there’s no way they can sound THAT good to justify being over a thousand dollars!”

Then, I played Steve’s guitar.  It was magical.  I knew I had to have one someday.  Little did I know that day would be now!

So, the bug was in my mind.  I began doing some research and honed-in on a few models.  I decided right off the bat that I wanted an all solid wood guitar.  To me, there’s no other way.  I actually didn’t even want Steve’s same model because of its Micarta (synthetic) fretboard.  Not to say that it’s a bad thing- I mean, it’ll NEVER wear down- but, to me, I really wanted an instrument I could hand down for generations.

You see, Martin guitars have been around since 1833 and have been produced (the all-wood ones, at least) in Nazareth, PA for over 175 years.  That’s pretty incredible, especially considering that, after all this time, it’s STILL a family-run business!  When you buy a high-quality Martin, you keep it for life (it has a lifetime warranty, too) and it only gets better (and even more valuable) with age.

So, my search brought up a few potential models, including the DSR, the D-15 Mahogany, and the DSM.  These guitars are all “custom” because they were made for major guitar retailer Guitar Center.  So, they’re not the standard Martin models, but they do offer a significant savings.

Which brings me to my next point: Yes, I gave myself a budget on this, but I really didn’t want to limit myself budget-wise.  I mean, I set out to buy the best acoustic guitar I could possibly purchase- one that sounded great.  I wanted the best acoustic money could buy.  But, I ended up saving a lot of money only because “the best” to me didn’t include a ton of pearl inlays and fancy appointments.  I think it’s true that, with Martins, they stop sounding better at a certain point…and then just start looking better.  Sure, I could’ve gotten one with the perfect cut of wood on the top (no “bear claws”, as they say), but that doesn’t make the sound any better now, does it?

So, I went to a couple stores to try things out.  I played the highest of the high end Martins, including the famed HD-28 and the Eric Clapton signature edition, which actually contained his signature inside the guitar!  But, I didn’t love the sound.  They sounded too muted to me.  They certainly didn’t have the booming, yet sparklingly clear, tones that Steve’s model had.

So, I had to do more research.  I learned that I was looking for a guitar with a spruce top and rosewood back and sides for the tone I liked.  But, I wanted to get a mahogany neck, because I simply can’t resist that intoxicating mahogany smell.  I also decided that I wanted a guitar with an ebony fretboard, because it was the kind of fretboard they used on the highest-end Martins.

I ended up finding the Martin DSR, which had everything I wanted except for the fretboard.  I could’ve lived with that.  But, the guitar had a satin finish to it.  It looked okay (other than the tacky white binding) and was LOUD- a big plus.  I came to the conclusion that the glossy coat was what was holding the other guitars back from being as loud as they could be.  Then, I started thinking about the fact that I want this instrument to be the be-all end-all acoustic guitar.  Am I really going to hand-down a guitar that didn’t have full-body gloss and that had a lower-end fretboard?  I mean, the guitar was about $1000, but I still felt that I would be taking the low road.

So, I got pretty disheartened and kept searching.  I spoke to my brother Mike, who then told me to expand my horizons.  Martin isn’t the only high-end acoustic guitar company, you know.  So, I seriously considered Taylor (so many famous people play them) and Larivee (a Canadian company that Ed Robertson of Barenaked Ladies uses).  But, stores around here don’t sell Larivee and I’ve never heard or played one in person.  And, I tried a couple of Taylors that were around $1,000 and they didn’t trill me.  To me, they played like every other guitar I’ve tried.

And then, in my search through literally hundreds of pages of online forums and articles, I came across one post that mentioned the Martin MMV.  It’s a model, originally made in 2005 (thus “MMV”) for Guitar Center.  It featured EVERYTHING I wanted in the guitar: glossy, Sitka spruce top, East Indian Rosewood back and sides, and the elusive ebony wood fretboard!  It had that same white binding, but I felt a lot better when I realize that the famed HD-28 had the same binding and looked very nice when glossy.  I was so excited, but realized that I would have to buy this sight-unseen.

So, I did as much research on the guitar as I could.  I literally read every webpage I could find about it.  I wanted to buy it on eBay, but really wanted that Martin Lifetime (yes, LIFETIME) warranty, so I decided to buy it new.  I finally found a 15% off coupon from a reputable site, which was good because this model (at Guitar Center, at least) was a full $500 more than the other models I was looking at.

Let me just say how much I love and appreciate my supportive wife, Becky, for understanding that I need such comfort items as these after working all day and night for the past year and a half!

Back to the story: I even got the guy to throw in six sets of Martin strings!

The guitar came in on Tuesday and I couldn’t be happier with it.  It’s LOUD and sounds amazing.  It also smells wonderful.  It came with a hard shell case, too.  I realize that even higher-end Martins use “choice woods” and other classy appointments, but I truly believe that this model sounded better in my ears.  It’s not the flashiest guitar, but I think it’s the highest quality and best sounding Martin before you just start paying for visual upgrades.  I will be proud of this guitar for the rest of my life and will be proud to hand it down someday.  But, they may have to pry it out of my cold, dead hands. 🙂

I hope this guitar will further excite me to play music and inspire me to continue writing new songs.  I look forward to playing it all the time now and feel like I finally have an acoustic guitar that brings me to the next level.  I’m glad to be a Martin owner, too.  I join some pretty good company there.

So, again, this may not be the perfect overall guitar, but to me, it certainly is.  The sound, the look, the prestige- they all fit me like a glove.  I hope it will be the last acoustic guitar I’ll ever need to buy.  Of course, that just leaves me more room for my growing electric guitar collection!

Stay tuned- next week I bust-out the Martin MMV for my first Laptop Session acoustic cover song music video!  See you then.

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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Epiphone Les Paul Standard Electric Guitar – Jim Fusco’s Guitar Collection

By Jim Fusco:

On this edition of “Jim Fusco’s Guitar Collection”, I bring you one of my newer guitars in the Epiphone Les Paul Standard Electric Guitar.  I got this as an amazing birthday gift- one I picked out, but had never actually seen in person.  So, it was a surprise on a couple of counts!

IMG_2778

I decided on the Epiphone for a couple of reasons.  First, I found the Gibson Les Paul Traditional Pro 50s tribute guitar online for a massive $2,000.  The price has come down a bit since then, but man, I fell in love with that guitar.  And why did I fall in love with it?  Well, because of my brother Mike, of course!  He’s always searching for new and exciting things that he will eventually convince me to buy. 🙂  And when he got his incredible Gibson Les Paul Supreme electric guitar (which I hope he’ll write a blog post about someday, too), I knew I had to have one.

But, I also knew I didn’t want to drop that kind of money on just one guitar.  When your “wish list” of guitars is as long as mine was (is?), sometimes you have to make some compromises.  So, I looked around and found this- the Epiphone Les Paul Standard.  It’s the cheapest model they make, but that didn’t matter to me- it was in Pelham Blue, the same color as the Gibson Traditional Pro!  It’s this kind of metallic blue color that was an old car color.  Match that with some cream-colored binding and you’ve got a winning combination.  Plus, it was “only” $399!

So, what makes the Epiphone different from the Gibson?  They’re both owned by the same company.  Well, the Gibson is made in the US.  So, that doubles the price alone.  Does that mean it’s made better?  Personally, I think not, especially after inspecting every square millimeter of my Epi- the thing is made incredibly well.  The Gibson did have a few better features- it has a Plex setup, which is a computerized way of making sure every fret is perfectly in tune.  Ain’t gonna get that on a $399 guitar.

The Gibson also has better pickups- I think they were Burstbucker Pros or something like that.  The Gibson has a full maple cap while the Epiphone only has a maple veneer top.  But honestly, if the guitar is painted an opaque color like my Epiphone is, why pay extra for a higher grade of wood?  Some may say that the tone is altered.  That may be true, but just because a certain tone is slightly “different” doesn’t automatically make it slightly “better”!

So, when I finally got the Epiphone, I knew that I wanted to do some upgrades, both sonically and cosmetically.  It looked great to begin with, but I didn’t like the amber volume knobs.  So, I replaced them with cream colored ones to match the binding.  I then added a great nameplate that my brother got me- see the photo below!

Epiphone Les Paul Standard Pelham Blue with Sheptone PAF Pickups

And finally, I did the biggest upgrade of all- I did a ton of research and bought Sheptone PAF clone pickups that are made to exacting “Patent Applied For” Gibson pickups that were used on the original Les Paul model guitars of the late 1950s.  The output is so much higher on these pickups and the sound is airy and bright.  It’s a whole different league from the stock pickups.  I’m sure those weren’t bad, but I wanted to make this “Jim Fusco Custom” Epiphone as good as a Gibson.  I honestly think these Sheptone pickups are better than the stock pickups on the Gibson LP Traditional Pro!

Oh, and I swapped-out all of the wiring (the wiring harness), volume, and tone pots (potentiometers).  I did all the wiring myself and had a ton of fun doing it.  Now everything in this guitar is in tip-top shape and sounds amazing.  I’m so happy I chose this one, as it was a fun project.  I now have something truly unique.  You’ll be hearing me play my Epiphone Les Paul on many future songs- this is my first LP guitar, so it should offer some vastly different tones than I’ve ever had before!

More Guitar Reviews from the Jim Fusco Guitar Collection are in the archive.

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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