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The Other Half: A Look Back at Ten (Officially Released) Jim Fusco Rarities – PART TWO

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By Chris Moore:

Last week, I brought you the first five in a list of ten Jim Fusco rarities in preparation for the release of his new album Halfway There this “new music Tuesday,” April 7th, 2009.  After all, there’s no better way to anticipate an upcoming release than to go back and enjoy all previous releases in a series.

In the case of Fusco, there has been quite a variety of musical projects over the course of the past eight years.  There have been six solo studio albums, three band albums, four releases (of 20 tracks each) in the Laptop Sessions acoustic mp3 series, a single, a greatest hits disc (with accompanying music video DVD compilation), and assorted demos, covers, and other tracks.  Now that I’ve officially finished listening to all the Bob Dylan tracks in my collection (almost 700!), I’ve embarked on my “Jim Fusco Catalog” playlist.

Clocking in at “only” eleven hours or so, this should be much easier to tackle than my Bob Dylan playlist!

For those of you Jim Fusco faithfuls, I hope you’ll enjoy the final five tracks on this second installment of “A Look Back at Ten (Officially Released) Jim Fusco Rarities” worth remembering…

A Look Back at Five More (Officially Released) Jim Fusco Rarities…

6)  “The Red, White, and Blues” – This is yet another album starter that I love.  It is Fusco’s first foray into direct protest songwriting.  Indeed, his March 2008 Laptop Sessions version stirred up some controversy in the form of comments left on the site.  It was nice to see that at least some people listen to the lyrics, even if they misread and/or disagreed with their message.  As he wrote in the blog post, this was the first and last “protest” type song of its kind.

7)  “The Second Time” – All I have to say is: this better be at the wedding reception!  In 2003, Jim recorded and released Formula, an album whose material was clearly inspired by his now-fiance Becky Daly.  She joins him near the end of this track, offering up a preview of 2/3 of the Chris, Jim, and Becky trio that would go on to perform around the state and release a “live in the studio” album.  While this isn’t necessarily one of my favorite Jim Fusco songs, it’s always been one of my favorites from Formula and — if it’s not “best of” material, then — it’s “top ten rarities” material.

8)  “Sideshow” – There are so many different tracks that were up for inclusion on this list of rarities — there’s the simple, piano-based vulnerability of “My Angel” or the folky storytelling style of “Vision of Cobblestone Town,” to name just a couple.  “Sideshow” earns a spot in the top ten for its unique sound.  There’s something about this track that is controlled and yet sort of wild; it’s one of those songs whose sound truly meshes with and contributes to the meaning conveyed by the lyrics.  In addition, as the penultimate track on What About Today?, it’s truly the point at which the recurring instrumental section comes to a climax before the first chords of “Harmony” and the close of this concept album.

9)  “Never Taking Your Chances” – This is one of those songs that benefits from my memories surrounding its conception, recording, and release.  I vividly recall my conversations with Jim about the situation that resulted in the writing of this song, and I recall the then-groundbreaking recording methods that he was pioneering.  This is a clear example of early blending between vocals and distortion guitar.  With each album, Jim’s use of guitar effects has become more effective and more interesting, and I can’t wait to hear his latest leap forward on Halfway There.

10)  “Another Backwards Day” – Speaking of guitar effects, “Another Backwards Day” is a track that I always felt was left forgotten about, sandwiched between the live favorites “Can’t Count on Words” and “Sometimes.”  This song is every bit as upbeat and rocking as the other songs around it, and it boasts a Frampton-esque series of guitar solos and riffing.  If “She Waits” (another favorite and one that ALMOST made the list!) demonstrates Jim’s softer, piano-driven side, then “Another Backwards Day” pulls out the stops and allows him to flex his electric muscle.

Halfway There: A Look Back at Ten (Officially Released) Jim Fusco Rarities – PART ONE

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By Chris Moore:

It will be difficult for 2009 to compete with last year’s music output, both here and abroad (so to speak).  Not only did 2008 see the release of incredible albums from bigtime artists (REM, Counting Crows, Coldplay…), but also saw the release of FMP artist Jeff Copperthite’s solo debut.  There were so many new albums released last year that I could hardly keep the release dates straight, and it really was a great year for new music.  Not all of it was amazing, but much of it was extremely enjoyable.

So, here comes 2009…

Thus far, there have been only a few notable releases in the new rock music world.  Bruce Springsteen started the year off strong with Working On A Dream.  Dan Auerbach’s debut solo release Keep It Hid was solid.  Recently, U2’s No Line On The Horizon drew a five-star rating from Rolling Stone (and questions marks from me…).  On the horizon, we now have Bob Dylan’s Together Through Life to look forward to, leaving the question: what do we new music fans have to do in the meantime?

That’s simple: look forward to the April 7th release of Jim Fusco‘s Halfway There!

The press release promises, “Halfway There may just be the best piece of music you purchase this year,” citing Fusco’s “attention to detail,” “organic effects,” and “warm sound.”  As there haven’t yet been any tracks leaked onto the web — either on Fusco’s offical site or by, um, other means 😉 — there is only one thing to do in the next two weeks as we wait for the official release…

Listen back to his previous albums!  [EDITOR’S NOTE: The new songs are now streaming online – click here.]

He has been quite a prolific artist, self-producing and self-releasing all of his previous albums.  There have been enough to merit a “best of” release in 2004.  Still, there are a lot of great tracks that have been overlooked by The Best of Jim Fusco, Vol. 1.  Thus, I’d like to share my top ten favorite (officially released) Jim Fusco rarities.

In no particular order, here goes…

Ten (Officially Released) Jim Fusco Rarities

1)  “It Makes Life Interesting” – A great song with a slow start, just drums and lead vocals.  The heartbeat of the rolling bass line makes it an instantly likeable song.  In private interviews, Fusco has made mention of a mentality that shaped his early high school through college years — namely, his response to the things he chose to do or situations he found himself in was “it makes life interesting.”  In a way, this song is a personal statement, carved out in a catchy, vocal-drenched three-minute song, ending appropriately as he sings, “And that is all that I’m going to say about that.”  Enough said, I suppose.

2)  “Mold Me” – I never understood why this track didn’t make it to the “best of.”  Privately, Jim admitted a degree of embarrassment with this track, but I immediately fell in love with it.  Fast-paced, distortion guitars, simple two-part vocals — it’s the perfect little rock package!  The song starts out at a breakneck pace, sounding like it may fly apart at any moment, and ends perfectly with a sudden stop and a fade into distortion.  It gets me going every time…

3)  “This Side Up” – Another album starter that became an instant favorite of mine, yet failed to make it to the “best of.”  For a long time, the lyrics to this song were posted on my door, next to my mirror.  I would see them in the morning as I combed my hair, and there was always something about the words that I found simple and optimistic, but very real.  And, as if the lyrics were not enough, this song features one of my favorite Fusco electric guitar solos.  Whatever he had experimented with while working on My Other Half had become fully realized by the recording of That’s All Jim — that much is apparent on this song.

4)  “I’m Gonna Find Out (About You)” – It’s built on a steady, driving beat, decorated nicely with keyboards and lush vocals.  What really stands out about this track is its combination of early Jim Fusco sound and an extended drum solo.  It’s not all that often that you find a Fusco track laced with an extended instrumental solo of any kind, and I’ve always been a fan of this one.  The structure of the song works well with the lyrics, as the instrumental portion of the song is almost 1/3 of the total running time of the song, which is perfect for a song about what happens “when I’m not around you.”

5)  “Ode to K” – The two disc album My Other Half was all about experimenting with sound and structure, as well as the overall artistry of the album — this much is apparent in the wide range of effects and vocal arrangements, as well as the cover art and booklet design.  “Ode to K” is a gem, one of only two times (both on this album) that Fusco used spoken word as the centerpiece of a song.  In this song (as opposed to “Here I Go Again,” the spoken-word album opener), he incorporates spoken word over traditional singing and a great musical arrangement.  It’s pure, very sincere, and I love it.

To Be Continued…

Click here for an exclusive sneak-peak at the album, now streaming online!

Chris reaches the 80,000 YouTube views milestone!

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By Chris Moore:

Well, it’s been a slow climb uphill, especially considering that I’ve seen many individual cover songs (not unlike my own) that are individually at tens of thousands of views.  That being said, every notch in the belt towards 100,000 is reason for excitement.

So, I took a break from getting dressed and ready for work to report that I have officially reached 80,000 YouTube views!

Every time I hit one of these increments, I get even more determined to see six digits.  So, even though the session-a-day project is over, I’ll just have to find new and different ways to make fewer videos get more views.  Maybe I can start by posting fewer of my favorite songs that are completely unknown to the YouTube community as a whole.  I have to admit that I understand the balance that needs to be struck, but I just love the feeling of accomplishment I get when I record the songs that I truly love.  And I honestly thought that some of my long shots, such as Wilco’s “Wishful Thinking” or even Big Star’s “Thirteen” might pick up some attention from the indie music crowd on YouTube.

Some of the videos that I have recorded recently — covers of Bob Dylan, the Barenaked Ladies, and the Beatles, for instance — have become fairly popular videos, at least for me.  However, many of my other videos are getting fewer views than my average even, say, six months ago.  Some videos — like the Wilco ones — pick up steam after a while, but many others — like Leonard Cohen, the Fruit Bats, and, of course, Big Star — just stagnate.  I like what Jeff has done, cornering the Laptop Sessions market on recording songs that were popular in the 90s but that are not necessarily from popular bands.  As Jim pointed out the other day, Jeff and I seem to be the 90s and 2000s wonder boys.  I guess I’m more of the 90s and 2000s kid with a lot of obscure records in his collection… 🙂

Regardless, I hadn’t intended to write a “State of the Tube” address for myself, but there it is!  I hope you enjoy Jeff’s Thumpin’ Thursday post tonight, stop back for another all-new guest session on Friday, and then I’ll see you back here on Monday!

“Blue World” (Moody Blues cover)

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By Jim Fusco:

Welcome, welcome to another version of Jim Fusco Tuesdays here on the best music video blog ever created: the Laptop Sessions!

My special guest is coming, I promise, but we’ll have to wait at least another week.  But, it’ll be a great performance and I’m really looking forward to it.

So, I had to do an impromptu video tonight.  I have been practicing this song for many months now, but I always had other Moody Blues songs cued-up so I never got to it.  But, I had to do this video tonight up in my room because it’s just simply too cold in the studio now and I don’t wanna wait for the heat to kick in.

So, the video doesn’t look that great, but the sound is there, and that’s the most important thing, isn’t it? 🙂

Tonight, I bring you a great song by the Moody Blues from their album “The Present”.  This might be considered the last great Moody Blues album, because they were still popular, relevant, and had all four members contributing in a significant way.  I, of course, love the “Strange Times” album, but I definitely feel like I’m the only person in Connecticut (other than people I know personally) that knows of that album.

“Blue World” is a well-done song and has a classic Justin Hayward sound to it.  I love the chorus and I even love that over-the-top Pat Moraz keyboard/synth work.

The only problem with this song is the introspective lyrics that Hayward is so accustomed to writing.  He’s like the Mike Love of the band.  I mean, in this song, Hayward mentions his songs “The Voice” and “Fly Me High”.  He’s done this in other songs, as well.  But the thing is that “The Voice” was from the PREVIOUS album!  It’s not like he had a lot of time to reflect on the message of that song…

Well, I hope you enjoy tonight’s entry into the Laptop Sessions’ catalog.  Chris and I are going to have a battle to the death to find out who’s stuck with Original Wednesday tomorrow, but I may guilt him into it, seeing that I’ll be away on business for the first time!  I may be back in time and I’ll have stories to tell.  I’ve never been to New York City alone before, so tomorrow should be interesting!  Have a great one and I’ll be back sooner than you think!