“New Pony” (Bob Dylan / Dead Weather Cover)

For Bob Dylan / Dead Weather chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to yet another delay for the “double header” I promised last week or (technically) two weeks ago.  But I have a good reason for holding off!  Tonight, I’ve recorded “New Pony,” one of my least favorite Bob Dylan songs, because a brand new cover version was released on last week’s Dead Weather debut album.

First, I’ll give a little background on the original version of the song.  “New Pony” was first released on Bob Dylan’s 1978 album Street Legal.  To give you a little context here, Dylan had recently released Blood on the Tracks and Desire, arguably two of his best albums.  The year 1975 found him fully engaged in the Rolling Thunder Revue along with such artists as Joan Baez, Roger McGuinn of the Byrds, poet Allen Ginsberg, and others.  Although he temporarily revived a different incarnation of the Revue in 1976, this phase of Dylan’s musical career was pretty much over by 1977.

This is not to say that life wasn’t busy for him.  This was right around the time that his marriage to Sara Dylan was breaking down and the divorce proceedings began.  A lot — perhaps too much — has been written about these personal aspects. 

Street Legal was the product of a few weeks of sessions involving a select group of musicians that Dylan had recently worked with.  Although his past two albums had met with critical success and his subsequent album, 1979’s Slow Train Coming, would earn him his first Grammy award, Street Legal has generally been lost in the valley between these two peaks.

Personally, I have always liked this album.  Sure, the female background singers come across as a bit cheesy at times (have you heard “Baby, Stop Crying”?) and the instrumentation can be a bit much at times, but there are some great songs.  “Changing of the Guards” is one of my favorite album openers and boasts a rare fade-in.  “Is Your Love in Vain?” and “True Love Tends to Forget” are fantastic Dylan deep cuts.  And “Senor (Tales of Yankee Power)” is a narrative wrapped in the best, darkest mood you’ve ever felt.  (Jerry Garcia recorded a great version of the latter.)

As for “New Pony”?  Well, it generally ranks as one of my least favorite Dylan recordings of all time, and certainly on this record.  In fact, it’s the very rare track that I may occasionally skip when listening to the album.  Why it was placed in the number 2 slot, I’ll never know.

That being said, let’s flash forward to 2009.  Last week, the Dead Weather released their debut album, Horehound.  For those of you who aren’t familiar with this group, this is a side project band composed of the White Stripes’ Jack White (drums, some vocals, acoustic guitar on one track), the Kills’ Alison Mosshart (lead vocals), Queens of the Stone Age’s Dead Fertita (guitar, etc.), and Jack Lawrence (bass, etc.).  I really liked last year’s Raconteurs album (Jack White and Jack Lawrence’s other side project band), so I figured I would give this one a shot as well.

Long review short, I was not as impressed as I had hoped to be.  (My one-sentence review is coming shortly!)  That being said, the album certainly has its moments, and for me, one of the best moments is track seven when they cover Dylan’s “New Pony.”

This is an excellent example of a band you wouldn’t necessarily think of as being heavily influenced by Bob Dylan turning around and pulling off a stand-up interpretation of one of his songs.  After hearing it, I thought that this song fit better on this album than it did on Street Legal.  In that sense, I was happy to assign “New Pony” to a better place in my estimation of Dylan’s catalog of songs.

So, without further ado, I submit to you my acoustic rendition of the song as a send-up to the 1978 Dylan version and a tip of the hat to the brand-new 2009 version by the Dead Weather.  I found that I was psyched to learn this ridiculously easy (at least chord-wise) song.  Anyone who visits the Laptop Sessions on any regular basis knows that I’m no stranger to a Bob Dylan cover song, but I never thought I’d be recording this one.

Well, at least not until I ran out of all the other ones in 2045 or so…

I hope you enjoy this!  (I’ve got so much to say about other music and non-music related topics, but I think this is quite enough for one post!)

See you next session!

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“Passing Friend” by the Beach Boys – Chords, Tabs, & How to Play

To see how this cover song is played, CLICK HERE!

“Passing Friend”
Beach Boys – Written by Culture Club’s George O’Dowd & Roy Hay

Intro: Gm – F  (x4)

F                    Eb                             Bb
Well, there’s nothing worse than a passing friend
Bb          Eb                        Bb
Who will die on you till the bitter end.
Bb          Eb                            Bb
There’s nothing worse than a burning heart
Bb    Eb                          Bb                                             Gm – F (x2)
Or a past that tears the world apart.

F              Gm                             F
I’ve been thinking about my situation,
Nothing ventured, nothing left to lose.
When it’s easier to just say nothing,
I had thought about what I might lose.

F                        Cm7
But through the child’s eyes,
Cm7
There were feelings
Dm7
Touching my violet skin.
Dm7         Cm7
When the love games start appealing,
Dm7
You better get out and move on in…

‘Cause there’s nothing worse than a passing friend
Or a pioneer of a dying trend,
Nothing worse than a silent ghost
Or to lose your head at the starting post.

Ain’t it always just a short vacation?
When it’s love it always has to end.
Under the sheets of life it’s just frustration,
While the body goes in search again.

But through the child’s eyes,
There were feelings
Touching my violet skin.
When the love games start appealing,
You better get out and move on in…

‘Cause there’s nothing worse than a passing friend
Who will die on you till the bitter end.
There’s nothing worse than a burning heart
Or a past that tears the world apart.

Eb                Dm7                Cm7                               Bb
Why do you love someone who wants to break your heart?
Why do you need someone who wants to tear your world apart?
No; no, not again…

SOLO

I was packing up my life in cases
For a hundred years or maybe more.
I’ve been talking to a million people,
Don’t you think I should have known the score?

But in the child’s eyes,
There were feelings
Touching my violet skin.
When the love games start appealing,
You better get out and move on in…

‘Cause there’s nothing worse than a passing friend
Who will die on you till the bitter end.
There’s nothing worse than a burning heart
Or a past that tears the world apart.

‘Cause there’s nothing worse than a passing friend
Or a pioneer of a dying trend,
Nothing worse than a silent ghost
Or to lose your head at the starting post.

No; no, not again…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

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“1 Corinthians 15:55” (Johnny Cash Cover)

For Johnny Cash chords & lyrics, CLICK HERE!

By Chris Moore:

And, introducing a new performer to the Laptop Sessions…

Mr. Elijah Bartholomeow Wilco (the cat)!

We usually call him Eli for short, and yes, he’s my cat.  And, yes, if you listen closely enough, that’s him in the background providing some harmony vocals.  To be honest, he’s not much worse than I am, although I’m not sure what that says about his abilities.  I tried explaining that Johnny Cash’s American series doesn’t really lend itself to multiple vocals, but he just wouldn’t listen.

In all seriousness, welcome to the start of a new week for us here at the best cover song music video blog in the world!  After I wrote my review of Mudcrutch for last night’s Weekend Review (written while sitting in my car in the Panera parking lot after they had closed but hadn’t turned off the wireless), I considered recording another Mudcrutch cover (in addition to my take on “Scare Easy”) to atone for my lukewarm review.  I really do love Tom Petty and want to love Mudcrutch, but —

Well, you should go back and read the actual review.

Instead, I decided to dig into the recent posthumous Johnny Cash album.  American VI: Ain’t No Grave is an excellent final chapter in Cash’s legendary catalog.  The songs are nothing surprising and are certainly in keeping with the tone of the other five, but the selections and the performances are all just right.  This track, “1 Corinthians 15:55,” is one of Cash’s final original compositions and, as you may have guessed, is based on the scripture referenced in the title.  I found chords and lyrics rather easily on the web, but – not surprisingly – I found that they were a bit off.  For one thing, the chords were more complicated than they needed to be for the average acoustic guitar player.  I speak from experience here.  Also, the lyrics were a few words off here and there.  So, I did what I love to do – I sat in front of the speakers, typed out the lyrics, replayed it to transcribe the chords and mark the changes in the proper places, and posted it all for your non-profit enjoyment.

My post will be somewhat abbreviated tonight, as I’m only minutes away from beginning an exciting evening of friends, fast food, and TNA wrestling fun.  Tonight is the first TNA Impact! scheduled for a regular weekly live Monday night slot.  This is big news for this show and is hopefully a sign of great, exciting things to come in the future.  Best of all, wrestling is an evening of entertainment and relaxation with one of my dearest friends and one of my favorite restaurant locales!

So, that’s it for tonight.  I hope you enjoy my take on this contemporary Cash song, and be sure to hurry back for more new acoustic cover song music videos to come – a Laptop Session tomorrow and a Guest Session on Friday.  Also, since I feel bad about cutting this short, you never know what I’ll whip up for your post-reading pleasure as the week goes on…

See you next session!

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“Peacemaker” (Green Day Cover)

For Green Day chords, tabs, and lyrics, click HERE!

By Chris Moore:

Hello and welcome to your all-new Monday edition of the Laptop Sessions.  It’s been a while since I’ve featured a recently released song, so I’m going to put an end to that right now.

Tonight, I present to you “Peacemaker,” a track from Green Day’s 2009 album 21st Century Breakdown.  This is perhaps my quickest turnaround time from the release of a song to the recorded Laptop Session, as this album just hit the record store racks on Saturday.  I don’t know why Green Day opted for a “special Saturday release,” but it was kind of cool to have something brand new (and on sale!) on the shelves when I was browsing Newbury Comics this weekend.

What is my take on the album, you might ask?  Well, it DID knock Bob Dylan’s Together Through Life out of the number one spot in the UK, but I suppose I can overlook that…

Seriously, I don’t really know why I keep buying Green Day records.  One of my favorite lines from the movie Fracture is when a doctor asks the Ryan Gosling character, “Do you always keep asking the same question until you get a different answer?”  He responds, “I’m a lawyer.  That’s what I do.”  In this case, I’ve never been a fan of the band.  I liked early hits like “When I Come Around,” but I couldn’t get into their acclaimed album Dookie.  I’ve never really given it a fair shake, so it has ended up back in my “To Be Listened To” pile (currently housed in my Best Buy-exclusive Together Through Life crate — thank you, Mike!).

I finally picked up their 2004 album American Idiot after recommendations from several friends and critical acclaim from multiple music magazines, but I have yet to get into that album, as well.  I have consistently found it somehow too blunt.  Even the songs that I like — yes, mostly the overplayed radio hits — strike me as too formulated, too stamped out for the enjoyment of the average mainstream listener.  Who knows; perhaps someday I’ll be able to break the code of this concept album.

That is indeed why I picked up this latest installment in the Green Day catalog: it’s a concept album based loosely around the story of two characters named Christian and Gloria.  As with American Idiot, I much prefer to pay attention to the thematic threads.  Now, whereas in the 2004 album I have never been able to appreciate the lyrics, I have found several tracks on this new album that I like for several reasons — the lyrics, the overall instrumental sound, and Billie Joe Armstrong’s vocals.  Not to sound even more critical or anything, but Armstrong’s vocals on American Idiot have a tendency to get on my nerves.  That being said, he plays with his range and style in several different ways on this album.  Some songs are stripped down to basic piano or acoustic, and some songs are layered from top to bottom with spot-on vocal harmonies and distortion guitar blasts.  From start to finish, the album generally knows when to slow it down and when to kick it up a notch.

I have only heard the album three times in full, so I should reserve any final opinions for the future.  What I do know is that I like this concept album much more than American Idiot, from the sound all the way down to the album art.  Like their previous album, the cover artwork and liner notes are beautiful, carefully designed pages that feature the handwritten lyrics and various background designs.  If nothing else, this is a band that tries really hard to create an album that works as a whole.  And, after five years since their last album — more time between releases than ever before — they’ve certainly had enough time to perfect this one!

Without further ado, I’ll let you move on to my cover song music video of “Peacemaker.”  This is sure to be one of Jim’s favorite sessions of the year, so it may be difficult to outdo myself next week.  And yet, I suppose I’ll just have to try… 🙂

See you next session!

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