How to Destroy Angels’ “How to Destroy Angels” EP (2010) – YES, NO, or MAYBE SO

How to Destroy Angels’ How to Destroy Angels EP (2010) – MAYBE

"How To Destroy Angels" (How To Destroy Angels, 2010)

"How To Destroy Angels" (How To Destroy Angels, 2010)

(June 1, 2010)

Review:

I don’t know that I’ll ever “get” the finer points of such experimental/industrial rock as How to Destroy Angels creates, yet even I can register the passive-aggressive patterns laid out across these six tracks, accented by volleys of bass, carefully constructed drum tracks, and — not to be overlooked — (Trent Reznor’s wife and bandmate) Mariqueen Maandig’s deep, rich vocals.

Top Two Tracks:

“Fur Lined” & “Parasite”

Goo Goo Dolls’ “Hold Me Up” (1990) – Yes, No, or Maybe So

Goo Goo Dolls’ Hold Me Up (1990) – MAYBE

Hold Me Up (Goo Goo Dolls, 1990)

Hold Me Up (Goo Goo Dolls, 1990)

(October 16, 1990)

Review:

The epitome of a three star album: not a masterpiece, but a solid collection of raw yet concise, grungy rock tracks that are energetic and enjoyable — Takac and Rzeznik splitting lead vocal duties and even sharing a duet is a dynamic arrangement.

Top Two Tracks:

“Two Days in February” & “Laughing”

Uncle Tupelo’s “March 16-20, 1992” (1992) – Yes, No, or Maybe So

Uncle Tupelo’s March 16-20, 1992 (1992) – MAYBE SO

Uncle Tupelo's "March 16-20, 1992"

Uncle Tupelo's "March 16-20, 1992"

(August 3, 1992)

Review:

A direct title and no frills production detract not at all from this at-times beautiful (“Sandusky”), at-times haunting (“Fatal Wound”) set of recordings with lyrics that resonate as relevant despite sounding — or, in some cases, being — decades out of time.

Top Two Tracks:

“Black Eye” & “Criminals”

Band of Horses’ “Infinite Arms” (2010) – Yes, No, or Maybe So

Band of Horses’ Infinite Arms (2010) – MAYBE NOT

Band of Horses' "Infinite Arms" (2010)

Band of Horses' "Infinite Arms" (2010)

(May 18, 2010)

Review:

This is my choice thus far for 2010’s best “background music that you don’t notice but sounds nice” album, so take my advice: download the first two — and the best two — tracks of the album, and understand that the remainder of the songs are pretty but forgettable, several (think: “Blue Beard” and “For Annabelle”) sounding like boring takes on the Thorns’ characteristic sound.

Top Two Tracks:

“Factory” & “Compliments”