“Transitions” (Original Wednesday Acoustic Song by Chris Moore)

By Chris Moore:

Hello and welcome to my first Original Wednesday since Christmas Eve!  This is an exciting week for me, as I’m off from work.  There have been plenty of things to keep me busy — really, too many to list — but I woke up this morning and, despite the work I should be doing, I decided to work out this song and record it for tonight’s session.

The song is called “Transitions” and this is a Laptop Sessions world premiere.  It may make it to my next album, it may not…  Only time will tell!  I hope you like it.  This is the first fully recorded version of it, so it’s a demo of sorts.  It’s not perfectly arranged yet, to be sure, but I’m pretty happy with the overall structure of it.  Some of the words may change, some of the rough edges will be smoothed out, but this is your sneak peak at the first complete version of it.  I messed around with the harmonica even after I finished recording this video, and I have to say that this song has (and/or will have) one of my favorite harmonica parts that I’ve written in a very long time.  It’s a very deliberate aspect, but not so note-for-note that it sounds scripted.

Outside of writing and recording this song, I’ve been busy during my February break with some grading for my classes, jury duty yesterday (I was released after “a day’s service”), preparing logs for my BEST portfolio, reading three things (Agatha Christie’s Murder on the Orient Express, The Complete Idiot’s Guide to Pro Wrestling, and the 40-page booklet to the Sam Jones film I Am Trying to Break Your Heart), and listening to several albums, including MoU’s Homestead’s Revenge (I think “Worlds Apart” is my favorite song we’ve ever done!), Pearl Jam’s Binaural, and Dan Auerbach’s Keep It Hid.  Oh, and I can’t forget to mention my favorite playlist that I referred to in Monday’s post — the “Albums of 2008” iTunes playlist.  Good stuff all around…

We’ve gotten a decent number of views to the blog for the chords and cover video of Dan Auerbach’s “My Last Mistake.”  That’s exciting because I wasn’t sure what to expect with this fairly obscure song choice.  It’s all the more incentive for me to keep on top of new rock music, bringing whatever I can to the blog as my contribution to this, the best acoustic cover song blog in the universe!  No kidding!

Okay, that’s it for me for this week.  But, even as I write that, I’ll be back to choose and post a Guest Session for Friday.  We’re accepting submissions every day, so don’t wait — record a video on YouTube and send the link to us today with an interesting description.

See you next session!

The Weekend Review New Music Report: 2010 Edition

By Chris Moore:

In the past, before the Weekend Review was officially a segment on the Laptop Sessions blog and my articles had the oh-so-clever title of “Music Review” — and I know, I know, “the Weekend Review” isn’t all that much more clever — I have been accused of writing reviews that were positive to a fault.

This may well be true, as I have found it challenging these past couple years to define and refine my voice as a music critic who is also a singer/songwriter.  After all, it has been difficult to find a comfortable middle ground between praising music simply because someone labored over it and pointing out flaws to bring others down a notch.

Being an “amateur” has allowed me the opportunity and relative privacy to hone my craft.

I’ve come a long way from the every-so-often, knee-jerk nature of my early “CD Reviews,” articles that I typed and saved on my computer long before the Fusco-Moore Productions blog — now known as the Laptop Sessions blog — was launched.  I’ve also come a significant way since the aforementioned “Music Reviews.”  And, I’d like to think that I’ve progressed as a writer over the past year of “Weekend Reviews.”

So, this being my fifty-second and final Weekend Review of 2010, I decided to dedicate it to laying out a table of contents of sorts for the fifty-four reviews I’ve written this year (including “Yes, No, Maybe So?” one-sentence reviews).  They’re arranged below in descending order from my one five-star rating down to my handful of one-star reviews.

What it all amounts to is a lot of music from a diverse range of artists that run the genre gamut.  The one common denominator here, the one solid link between all subjects of the Weekend Review, is the presence of the singer/songwriter.  With the exception of a couple of cover song albums, these are albums of original music released in 2010.

The best I can offer as an overall statement for the year’s music is that this was, overall, an excellent year for new music.  The range tended to follow the bell curve (1 five star, 14 four stars, 23 three stars, 13 two stars, and 3 one stars), but this should not undercut the fact that there were fourteen very strong, interesting, entertaining albums released this year.

In all fairness, what the year was lacking was any albums that really blew everything else out of the water.  Although several have argued this point with me, I do not hesitate a moment to give All in Good Time (BnL) the full five-star nod.  That being said, I do not consider it their best album, not by a long shot.

So, where does that leave us?

In my opinion, it leaves 2010 as a very strong year with at least fifteen strong reasons to buy new albums, but it also leaves a gap for those attuned to and awaiting the next, best classic albums for the ages.

I hope you’ll check back for my final post (at least for a while) on the blog tomorrow and that you’ll consider checking some of these albums out while they’re still available on the ever-increasingly trend- and contempo-centric CD shelves.

54 New Albums, 2010: Arranged in descending order of star ranking (out of 5).

All in Good Time (Barenaked Ladies) – 5 stars
Bad Books (Bad Books) – 4.5 stars
Be in Love (Locksley) – 4 stars
Broken Bells (Broken Bells) – 4 stars
Heaven is Whenever (The Hold Steady) – 4 stars
Kaleidoscope Heart (Sara Bareilles) – 4 stars
Lonely Avenue (Ben Folds & Nick Hornby) – 4 stars
Mines (Menomena) – 4 stars
Mojo (Tom Petty & the Heartbreakers) – 4 stars (4.5 w/o “Candy” & “Takin’ My Time”)
Night Work – (Scissor Sisters) – 4 stars
Sea of Cowards (The Dead Weather) – 4 stars
Suburba – House of Heroes – 4 stars
The Grand Theatre Volume One (Old 97’s) – 4 stars
The Suburbs (Arcade Fire) – 4 stars
Volume Two (She & Him) – 4 stars
A Postcard from California (Al Jardine) – 3.5 stars
A Singer Must Die (Steven Page with the Art of Time Ensemble) – 3.5 stars
American Slang (The Gaslight Anthem) – 3 stars
American VI: Ain’t No Grave (Johnny Cash) – 3 stars
As I Call You Down (Fistful of Mercy) – 3.5 stars
Brian Wilson Reimagines Gershwin (Brian Wilson) – 3.5 stars
Brothers (The Black Keys) – 3.5 stars
Dark Night of the Soul (Danger Mouse & Sparklehorse) – 3.5 stars
Death to False Metal (Weezer) – 3 stars
Destroyer of the Void – (Blitzen Trapper) – 3.5 stars
Easy Wonderful (Guster) – 3 stars
Everything Under the Sun (Jukebox the Ghost) – 3.5 stars
High Violet (The National) – 3.5 stars
How to Destroy Angels (How to Destroy Angels) – 3 stars
Hurley (Weezer) – 3.5 stars
Light You Up (Shawn Mullins) – 3 stars
Lo-Fi for the Dividing Nights (Broken Social Scene) – 3 stars
Page One (Steven Page) – 3.5 stars
Sigh No More (Mumford & Sons) – 3.5 stars
Something for the Rest of Us (Goo Goo Dolls) – 3.5 stars
Stone Temple Pilots (Stone Temple Pilots) – 3.5 stars
To The Sea (Jack Johnson) – 3 stars
Transference (Spoon) – 3.5 stars
Court Yard Hounds (Court Yard Hounds) – 2.5 stars
Crazy for You (Best Coast) – 2.5 stars
Eureka (Rooney) – 2 stars
Everything Comes and Goes (Michelle Branch) – 2 stars
Familial (Philip Selway) – 2.5 stars
Forgiveness Rock Record (Broken Social Scene) – 2 stars
Heligoland (Massive Attack) – 2 stars
Infinite Arms (Band of Horses) – 2 stars
National Ransom (Elvis Costello) – 2 stars
Realism (Magnetic Fields) – 2.5 stars
Women & Country (Jakob Dylan) – 2.5 stars
Write About Love (Belle & Sebastian) – 2.5 stars
Y Not (Ringo Starr) – 2.5 stars
100 Miles from Memphis (Sheryl Crow) – 1.5 stars
Clapton (Eric Clapton) – 1 star
Interpol (Interpol) – 1 star

“Last Night” (Traveling Wilburys Cover)

By Chris Moore:

I recorded this one “last night”!

Okay, too cheesy?

Seriously, this is a simple but fun one from the Traveling Wilburys. A little Tom Petty-esque lead and a special guest tribute to Roy Orbison…

“The One For Me” (Chris Moore original) – Original Wednesday

By Chris Moore:

Welcome to September, a truly promising month for new music from the likes of Steven Page, Ben Folds, and Weezer!

Today, I’m taking a break from our regularly scheduled Original Wednesday program of previews from The 2010 Project to bring you a song I just wrote last week.

Specifically, a song I wrote on Monday of last week.

You may be wondering, why Monday?  Well, August 23rd — aside from being my friend and sometimes-collaborator Alberto Distefano’s birthday — marked the fifth anniversary of my first date with my girlfriend Nicole.  Because we broke up for three months in late 2008, we’ve decided to officially celebrate our anniversary on the day we got back together for the first time, January 2nd.  (I’m personally a fan of this date for all its implications of the new year, fresh beginnings, resolutions to be made, and all the promise this invokes.  And, although it’s only a week after Christmas, the original date was only a week before her birthday, so proximity to other occasions is not a factor.)

Thus, August 23rd has become the anniversary that we’ve promised to honor, but without monetary expense in the name of gifts.

We never said anything about not spending time to make something like, say, a song!

I spent the better part of my morning last Monday writing, playing, and perfecting “The One For Me.”  It is one of the — if not the — best love songs I’ve written, in my opinion.  And, for those that don’t know, my opinion is that my love songs are generally sub-par.  The version which you will hear in the video below is the first full performance I committed to tape last week.  I’ve been playing it numerous times each day since and it has progressed considerably from the form it is in on this session.

Why post an out-of-date version?

For one, I like the idea of showing off a fresh song, without having practiced it or worked on it.  What is Original Wednesday, after all, if it is not a place to celebrate the writing process?  In addition, I’m trying to imagine a spot for this song on The 2010 Project, so it may show up there.  If it does, you will hopefully be able to tell how much it has progressed since this video.  (And, it will have turned out that today is indeed another installment of the preview series.)

So, without further ado, I give you “The One For Me.”  I hope you enjoy it, and I hope you’ll tune back in for more exciting new material here at the Laptop Sessions as we move into the fall season.

See you next session!