“Writing Thousand Kingdom Blues” (Original Acoustic Song)

By Chris Moore:

This, as you’ll probably be able to tell once you start listening to it, is a song that I wrote a long time ago.  In some ways, this would be a reason to choose a different song to record, as I think I have better songs to showcase that I’ve written more recently.  I do feel that I’ve progressed as a writer and that I’ve written more structurally complex and lyrically thoughtful songs.

And yet, in other ways, this is one of those songs that reminds me how I used to write and, in some ways, reminds me of a type of song that I don’t really write any more.  This song, “Writing Thousand Kingdom Blues,” was written just as I really started to get into Bob Dylan’s work.  Everything about him fascinated me — his lyrics, his music, his personality.  Everything about him had an other-worldly feel to it, particularly to a young high school student who had yet to experience many things.  At the time, I hadn’t even heard nearly as much music as I have now.

That being said, I wrote this song without filters.  That is, I didn’t think about literal meaning as I was writing; I focused more on the feeling and the overall image that the words conveyed.  Thus, terms like “chalkboard salesmen” or “unnecessary sports gaming powers-that-be” didn’t need to make immediate sense to everyone; it was more important that what was in my head flowed out and onto the page honestly and in as creative and unique a form as possible.  I’ll freely admit now that I don’t remember exactly what I meant by all these lyrics in the song.  I do remember the specific references for a lot of them, though, and it’s fun to think about the ones that I don’t.  That’s what I always hoped people would want to do with my music — with any music, really — to take it in and come up with a theory about what it means and, perhaps, how it could relate to their own lives.

The inspiration for the title came from a novel I read in my senior year of high school — Jane Smiley’s A Thousand Acres.  My English teacher, Mr. Rinaldi, had us read it alongside Shakespeare’s King Lear and draw comparisons between the characters and plot details.  It was an enjoyable book, and I remember its themes and ideas creeping into my own writing of the time.  That’s actually one of the things I miss most about being a student — the ability to take in a lot of new literature and information in general and tune out class when inspiration hits, putting the pen to paper and writing.  My most boring classes in college were often the ones that I got the most writing done during.  I can think of a couple for which the only interesting aspect was trying to complete a poem or decide on how to finish the chorus to a song.

Ah, well, there’s always my nine remaining master’s degree courses to look forward to…  🙂

Well, that’s it for me tonight.  But, before I conclude, I should point out that I have the honor of recording and posting the very first Original Wednesday of 2009!  For my next Original Wednesday, I’ll be debuting another new song that will be featured on my upcoming album (to be recorded in 2009!).  For now, I hope you enjoy this blast from my recording past.

See you next session!

Related posts

New Web Series: The Open Mic Sessions with Jim Fusco!

By Jim Fusco:

Hello everyone- It’s been quite a while since I’ve gotten to sit down and record more Laptop  Sessions cover song music videos for you.  I have a bunch of great ideas saved-up, but my focus lately has been more on my original music.  I have a newfound passion for guitar tone, so I’ve learned to rewire my collection of electric guitars and put new pickups in almost all of them.  I want to get as many great sounds as possible for the recording of my next batch of songs.

I also realized that I have more than 250 videos on YouTube- mostly cover songs from bands like the Beach Boys, the Beatles, the Moody Blues, the Monkees, and many, many more.  Instead of increasing that number even more, I’ll be promoting all of my older videos to give them new life!

While I’m doing that, I’ll be driving around Connecticut playing at various Open Mic Nights.  I have my great Seagull acoustic-electric Entourage Rustic guitar, and I’ll even bring my electric guitars (and future small tube-amps) around with me.  My goal is to record videos of a different original song each time I go out.  I’ve already done a few.

Sure, the quality is so-so (iPhone video), the crowds are small and/or non-existent, and some of the videos are only part of the song (for instance, when my phone ran out of storage space on “Halfway There” a couple weeks ago).  But, I think these videos will be a valuable addition to the work I’ve done here for the Laptop Sessions music blog.  After all, we recorded all of these cover song videos in an attempt to make people curious about our original music, too.  So, now it’s finally time to implement phase two!

The Open Mic Sessions debuted new videos as I recorded them.  I put them on the music blog on Wednesdays, like our old “Original Wednesday” posts from back in the cover-song-heyday.  I hoe you enjoy the videos and will share them with your friends!

Related posts

“Feel For Love” (An Acoustic Rock Song by Indie Music Songwriter Chris Moore)

By Chris Moore:

Hello and welcome to yet another all-new installment of the Laptop Sessions! Being that it’s Hump Day, I’m excited — for those of you who may be new to the blog, I’m excited because every Wednesday here is “Original Wednesday.” For just a moment, we songwriters who contribute to this acoustic rock cover song music blog just take a moment to put aside the covers and record a song that we have written. It comes but once every three weeks for us…

Tonight, I’ve recorded “Feel For Love,” a song from my most recent solo release, the EP entitled Love Out of Fashion. To be honest, I’ll never know why I didn’t just finish recording one more song during the recording sessions (and I actually did have one demo with basic tracks that never made the final cut).  If I had, then I would have accumulated nine songs and I could have called the EP a full album.  But, I guess nine is kind of a cop out after most of my earlier solo albums have an average of 12 songs or so.  Either way, I was satisfied that an 8-song EP was not a cop out, so…

I don’t know that I’ve ever told anyone, but “Feel For Love” was the first song recorded for the project.  I actually began recording with the idea of making a set of demos to present to Jim Fusco in order to convince him to produce an album for me the following summer.  Once I got into the process, I just devoted too much time and energy to let the songs sit as demos — I would lay down one acoustic, then add electric to give it the right sound.  After all, I wanted the songs to be presentable to him.  Then I would add background vocals.  And then some more background vocals.  I practiced again and again and again to perfect the solos I wanted for the songs, both harmonica and electric / acoustic guitar.

By the time I had finished eight songs, it was clear that I couldn’t simply burn the songs onto a blank disc for Jim to listen to; I had an EP on my hands.

To this day, I still haven’t recorded an album with Jim as producer, but to be honest, I probably won’t record another project until I’ve fully polished a set of songs and convinced him to let me hire him or at least bribe him with fast food and TNA cards to produce the next Chris Moore solo album.  The simple fact is — especially after hearing the new Masters of the Universe album — I can’t go back to self-producing without drums and without mastering.  Instead, I’m starting to save my pennies and save my dimes…

As a final note, the tracks for Love Out of Fashion became an obsession for me.  I listened to those songs in every way possible — on the computer speakers, on different pairs of headphones, on my stereo, and I even burned multiple copies at different phases to listen to in the car.  One early morning around one a.m. or so, I pulled over in the shopping plaza near my house to be able to listen to the tracks clearly and loudly.  I leaned over the console of my car to get myself as close to the middle as possible, closing my eyes and listening to every nuance of the mix to decide what needed to change and what aspects were finished.  Someone actually pulled into the lot next to me to ask if I was okay and was my car working?  I, of course, said I was fine.  What I should have said was that I was, for the first time, really becoming a confident producer of my own music.

Of course, the conspicuous absence of time-keeping drums will forever label Love Out of Fashion a second-class album, which I suppose I’ve come to terms with.  But I’m still proud of it!

Okay, that’s more than enough from me.  I hope you enjoy this and will take the time to comment on it here.  Don’t forget to tune in tomorrow for an all-new track from our very own Jeff Copperthite…

See you next session!



Related posts

“Piles of Love Letters” (Chris Moore Original Acoustic Song)

By Chris Moore:

Hi there.  This is Chris, bringing you my “Original Wednesday” contribution for this week.  And I’m really trying here, but you’re going to have to cut me a break on the post length.  But I have a reason for the brevity of tonight’s post, I swear!

Whether you think it’s a valid reason, well, that might be another issue altogether…

Anyway, this original song, “Piles of Love Letters,” is potentially slotted for track four of my soon-to-be-recorded album, a debut offering me and a producer officially overseeing things, namely Jim Fusco.  In fact, Jim just made a HUGE contribution to the album tonight by suggesting what I have decided is an excellent idea for an album title.  He thinks the title should be based on the line in this song that states, “At least it’s tried and true.”

I can see this — the new album as Tried and True.  Or Untried and True.  Or Tried and Untrue.  Great idea, Jim!  Now, all I have to do is think a bit about the album and decide which version fits the most strongly with the dominant themes, etc.

Unfortunately, while I was recording this, I missed a performance by the Foo Fighters on the Grammy Nominations Concert Show.  I initially scoffed at the idea of a nominations show, but the concert idea was pretty cool.  Taylor Swift is a modern pop country singer, and yet I must say that her voice is amazing and she is beautiful and seems very sweet.  I wonder, of course, how she is as a normal person, away from the cameras.  (I don’t know if she can quite top my love for Katie Lloyd on Boston Legal (see previous post), but still…

Well, one thing led to another and before I know it, Jim and I are locked in a contest for who can stop watching television and return to working first.  You see, the Victoria’s Secret show came on in HD.  To look away would be to deny both one’s heterosexuality and love of HD television, so you can see why this was an unproductive stretch for us…  Nevertheless, after being told neither the true identity of Victoria nor what her secret is, I returned to my work.

Now, all distractions have dispersed and I am in bed listening to the Uncle Tupelo track “Outdone,” a demo from 1989 that is on their 89/93: An Anthology disc.  This is a fitting end to the day, as it’s been a wild musical ride — the past few days, in fact.  I have heard everything from Brian Wilson to Leonard Cohen to lots of Ringo Starr to What About Today? recently.  On the way home from work, I popped in Wilco’s AM before giving Paul McCartney’s (The Fireman’s) Electrical Arguments another set of rotations.  That led me to this essentials disc — I’ll definitely be recording one from them in the future, though possibly not until the new year.

And with that, I’m off to sleep.  Thanks for checking in for your daily dose of acoustic rock music, today in original form!

See you next session!

Related posts