“Slip On Through” (Beach Boys Cover)

By Jim Fusco:

Welcome to day two of “Track 1” week here at the Laptop Sessions! This week, Chris, Jeff, and I (plus a possible new special guest) will be bringing you our favorite album-starters! This is the second in a series of specialty weeks to come. We’ll be doing “Title Track Week” soon, plus an album closer week, and another new bands week very soon!

This particular week is pretty big for me- but to find out why, you’ll have to visit the Blog at https://guitarbucketlist.com and read my entry that will appear in the next few days- trust me, it’s worth the click!

Today, I bring you the first of TWO Beach Boys songs because I haven’t done one for a couple weeks. Actually, this just kinda fell into place- I was going to do “Slip On Through” anyway (track 1 off of my favorite album, “Sunflower”), and it just fit into this week, so here it is!

I’m also happy to finally be doing a Dennis Wilson song here on the Sessions. We’re all anxiously awaiting Dennis’ “Pacific Ocean Blue” and “Bambu” collection to come out next month, and you better believe there will be Sessions done from those albums! We’ve had POB for years now and I’ve been itching to do a song from it.

Like I said, “Sunflower” is probably my favorite Beach Boys album (besides my guilty pleasure: the 1985 album), so ANY requests from this one will be fulfilled.

I’ll be back on Thursday with yet another amazing Beach Boys album starter: “Wouldn’t It Be Nice” from everyone’s favorite, “Pet Sounds”!! It’ll be my first Pet Sounds Session and I’m very proud of how it came out. See you then, but make sure to check out Chris’ first entry for “Track 1 Week” on https://guitarbucketlist.com!

“My Brave Face” (Paul McCartney Cover)

By Jim Fusco:

Welcome to your Friday edition of the Laptop Sessions with me, Jim Fusco!

Tonight, I bring you a cool tune from Paul McCartney, “My Brave Face”. I always knew of this song, hearing it on the radio and such, but for some reason, I fell in love with it a couple years ago. I guess I never really knew it was Paul.

It’s a TOUGH song to sing and I just can’t seem to shake this cold lately, but I prepped myself by eating and drinking a lot before I did the take. It always makes me feel better.

There’s also some really tough lines to sing, as they have this odd syncopation to them. The line, “Ever since you left I have been trying to compose a ‘baby will you please come home’ note meant for you”. Are you kidding me? It took a while to get that one down.

But, I really like the way the whole video came out and I think you’ll agree it’s one of my more passionate ones.

Enjoy tonight’s video and make sure to get yourself back to https://www.guitarbucketlist.com tomorrow for another new video from the one and only Chris Moore!

“The Way You Do The Things You Do” (The Temptations Cover)

By Jim Fusco:

Welcome to the Laptop Sessions for Tuesday! Today, I bring you yet another new band to the Sessions. Well, it’s not a “new” band by any means, but we’ve haven’t done them before: The Temptations!

This song is also in contention for the longest song title award. I’ve always liked this song, but for some reason it moved its way quickly up my list when I thought of it one night and learned how to play it.

Temptations songs are a bit harder to do, like the Beach Boys, because of their usual harmonies, but it’s fun to take a song that has so much more production and make it into a solo performance. That, in my opinion, is what makes the Laptop Sessions so unique.

Over the next few weeks, it’s going to be my focus to do as many new bands as possible. I still have a couple of songs in the reserves to get to first, but look for a wide array of new artists to come!

“The Girl With No Name” (Byrds cover)

By Jim Fusco:

Okay, really obscure territory here on the music blog.

When my family was getting into the music of the Byrds back in 2000, we really went head-first and listened to every album they made throughout the 60s. Some were better than others because you could tell they were doing a lot of growing up, musically. Plus, many of their later-60s songs were very drug-tinged.

After Gene Clark left the band in late ’65 or early ’66, the band came out with one of their worst efforts, “5D”. I still liked most of the songs, but the playing was sloppy and they were high as a kite.

When we got to the superb “Younger Than Yesterday” LP (on Jim Fusco’s list of “Albums You Should Listen To”), I instantly gravitated to the songs of young Chris Hillman, bassist for the band. He is an amazing bass player, mostly because he was an accomplished mandolin and guitar player, so he took his soloing skills over to the bass for the Byrds.

I love his voice- it’s just so natural. There’s no weird accent. He doesn’t say the words in an odd way. He just sounds good, you know?  His voice is nice and clear and I was happy that he was getting a chance to write more music for the Byrds.  And, like in most bands, the songwriter usually sings his own original songs, so I was happier the more we listened to Byrds songs.

He wrote some of my absolute favorites: “Thoughts and Words”, “Have You Seen Her Face”, and “Time Between”, just to name a few. I plan on doing all of them in the future.

But for now, I give you this song off of “Younger Than Yesterday”, “The Girl With No Name”. It was a lot of fun to play and is a very short song. It’s funny that such a sweet sounding song was probably still influenced by drugs.  I’m just guessing here, but “The girl who had no name” could mean a couple things: For starters, maybe this lady lived on one of those hippie communes where they said, “Hey man, why do I need to be labeled with a name?  Can’t I just BE?”  That’s a possibility.  The other possibility, to me, could be that Hillman just didn’t bother asking for a name.  Whether he was under the influence of something that impaired his judgement at the time is something only he can attest to.

I think the Byrds are a great band to do acoustic cover song versions of.  Their songs had an interesting style.  You could almost tell that they wrote their original songs on acoustic guitar and then found a way to translate them into the psychedelic sound of the time.  “The Girl With No Name” is pretty straight-forward, so my acoustic version here for the music blog stays true to the original.  That’s another reason why I love doing the Laptop Sessions video blog.  In addition to reimagining popular songs acoustically, I like taking obscure songs and playing them for the world.  They’re great songs and they deserve some fresh attention.

I’m gearing up for next week’s big “#1 Week”, in which (other than Original Wednesday) we’ll be playing only cover songs that hit Number One on the Billboard charts.  Stay tuned for other great specialty weeks of cover song music videos coming soon, too!