And, welcome back! Today is Wednesday, and here on the best acoustic music blog ever conceived, that means it’s time for an original song! Today, I bring you a cut off of my new album, “Halfway There”, available now at http://jimfusco.com.
This song is the most personal one on the album and is really the most blunt song I’ve written in a long time. It’s not meant to be angry or anything- it’s meant to ask questions of both myself and someone else.
Basically, I’m saying: “Hey, I’ve been trustworthy for over six years and still I feel that I’m not being fully trusted.” The song pretty much speaks for itself after that.
This was the last song I wrote for the album, save for the bonus track. To me, I can definitely tell that this was written after the bulk of the other songs. Songs for an album always have a “feel” to them and it took me quite a while to record this track and make it “fit”. But, I love the tune and the chord progression. Fans of Stone Temple Pilots will hear the similarity between the riff of this song and the one in “Plush”, which I was listening to a lot at the time. I didn’t realize it until afterward. But, the similarity is just like an, “Oh, yeah, I see what you mean,” more than anything.
So, I hope you enjoy this original song. It’s really one of my favorites off of the new album and the chord progression to the chorus is one of my favorites to play, too. Have a great day!
And welcome one, welcome all to my Laptop Session for this very special Original Wednesday here at your source for the best acoustic cover and original song music videos available on the internet today! (That’s a mouthful…)
You may be wondering, why is this day so special?
Well, for one, this is the birthday of Laptop Sessions series creator Jim Fusco. On behalf of the other contributors and the loyal viewers of this blog, I’d like to wish him a very happy 25th birthday! Only a quarter century in, and he’s accumulated quite a back catalog of music, writing, and side projects. If you haven’t already, you should head on over to jimfusco.com.
Take it from me: the best gift you can get Jim this year is to spend a measely $10 on his brand new album Halfway There. Go ahead, check out the album in streaming audio at his official website, or use the search function at the top of this page to listen to Laptop Sessions of many of the Halfway There tracks, read a full review, and see the beautiful, custom artwork he used for the cover.
Okay, that’s enough plugging for one post.
Tonight’s session is based on a song that I never recorded for an album. “Keep On Going” is an early track, as you will most likely be able to tell! Although the words are straightforward and the chord progression is simple, I’ve always liked this little tune. I originally wrote this song as a direct statement to my best friend (Jim, if you haven’t made the connection yet), assuring him after a rough week that things really will turn out all right, even though people — particularly high school aged people — can be cruel. I hope he’s seen that to be true, as he’s moved on to college, made many lifelong friends, and become engaged to Becky Daly. For all you former Pine Loft faithfuls: yes, this is indeed the same Becky Daly of Chris, Jim, and Becky fame!
I still sing “Keep On Going” when I feel stressed out or begin to think something — a relationship, a professional endeavor, etc. — won’t work out. I hope you like it.
As a final note, stepping back into the present, I just started listening to the new Bob Dylan album, Together Through Life. In case you’re questioning my devotion, there’s only one reason why I didn’t start listening yesterday: I pre-ordered the album on Amazon.com and didn’t spring for any more than Free Super Saver Shipping. So, I’m cheap. What do you want??? 🙂
Did I mention I’m loving the album? As I type, it’s blaring through my room and probably throughout the condo complex. I may even get a letter in the mail from the condo association condemning me for noise pollution or disturbing the peace or some other such nonsense, but it will be worth it! I spent the day at school today wearing the Best Buy exclusive Together Through Life t-shirt that Mike so graciously passed along to me from his purchase of the album (thanks again, Fusc!!). I made certain to wear a white button down shirt today and a narrow tie, so as to have the Dylan t-shirt show through. Thanks to at least one inquisitive student in each class I taught, I got to talk about the new album at least once every 82 minutes today!
I’ll save my commentary on Together Through Life for the review that will most certainly come, but allow me to share a couple comments. First, this is not what I was expecting after Love & Theft and Modern Times. Then again, that’s pretty much what Dylan himself suggested, so I’m not really surprised. My favorite line thus far is the chorus to track three: “Hell is my wife’s home town.” As if there’s any question as to whether Dylan’s dry sense of humor is still intact, just listen for his chuckling — yes, his chuckling — in the outro of that song. Finally, although it’s a slow album to start, just wait for “Jolene” and “Shake Shake Mama” to really get your foot tapping.
And, with that taste of this new Dylan album, I’ll emphatically suggest you need to buy both Halfway There and Together Through Life and be on my merry way.
It was definitely one of those “clouds parting” kind of Chris Moore Mondays for me.
First of all, I should clarify that “Chris Moore Mondays” is the title we use around here to remind you all that it’s my job to post a great cover song music video for you each and every Monday evening. Next, I should explain the “clouds parting” aspect. Well, I woke up around 5:30 this morning and was having serious difficulty getting myself out of bed. Then, I noticed I had an email from bobdylan.com.
Long story short, I had woken up to find the link to a free download of the new, unreleased Bob Dylan track “Beyond Here Lies Nothin.’” It will be track one on his upcoming album, Together Through Life, to be released on Tuesday, April 28th. Sorry, Jim — this means that your birthday the following day is going to be something of an anti-climax. 😉
In all seriousness, this is an exciting bit of New Music Tuesday news. After all, there were five years of separation between 2001’s Love and Theft and 2006’s Modern Times. Now, it’s been less than three years and there’s a new release. Based on the first track alone, I couldn’t be more excited. It’s a pretty simple song — only three chords and a basic verse, chorus, repeat structure with a few instrumental breaks thrown in and a classic Dylan chorus style in which the lines in each chorus are slightly different. I wasn’t sure what to think of the lyrics at first, but they’ve really grown on me today as I’ve listened to the song repeatedly and learned to play it. I’m still not sure what to think of lines like “The whole world is my throne” or “And every window’s made of glass.”
The conclusion I’ve come to is that this is a deceptively simple song. In the beginning of the song, Dylan sings of a lover in terms that express fairly standard love-song mentalities. Still, by the end of the track, he compares himself to a ship in harbor with the sails up. This implies that the ship is about to leave harbor, or perhaps that he is ready to move on to something — or someone — new. And yet he goes on to tell his lover that she should lay her hand upon his head. In typical Dylan fashion, even a love song has darker overtones, as played out in the chorus lines. The choral sections really are my favorite lines. “Beyond here lies nothin,’” he sings, “But the mountains of the past” or “Nothin’ done and nothin’ said.” There is simply nowhere else he would rather be than where he is, as he acknowledges that there is nothing “beyond here.” The questions, of course, are 1) where is “here”? and 2) does he really want to be “here” or are there simply no better options?
As I mentioned, it’s a fairly simple song. Even I was able to figure it out in short order. It’s three chords — Am, Dm, and E — easily within my register with an uptempo beat. It’s actually caused a bit of a debate among Dylan fans who have disagreed over the use of accordion in the song and the state of Dylan’s vocal abilities. As far as I’m concerned, the instrumentation is excellent, raw and loose but very intentional and fitting, accordion or no accordion. As for Dylan’s voice, I read one user’s take on the fansite expectingrain.com. He essentially said that Dylan’s vocals have deteriorated even more than they had on Modern Times. My reaction is simple:
Really?
I mean, if you’ve followed Dylan over the past decade and enjoyed Time Out of Mind or the aforementioned two albums, then you know that his gritty vocals are fitting. He may not stand a chance on American Idol, but I’m not so sure that’s a bad thing! Another post that I read made a great deal of sense. This user basically argued that Dylan’s vocals on studio recordings and during live performances should be weighed separately. I agree with this — while his vocals may be a bit difficult to understand and follow in concerts at times, his studio recordings haven’t failed to impress me — including vocals, instruments, etc.
Needless to say, I hope you enjoy my take on this brand new Dylan song. If you’re a guitarist, you should check out my chords and lyrics (see the link above) and have fun playing it yourself. And, without further ado, I wish you a good night and a great week…
Hello and welcome to my first Original Wednesday since Christmas Eve! This is an exciting week for me, as I’m off from work. There have been plenty of things to keep me busy — really, too many to list — but I woke up this morning and, despite the work I should be doing, I decided to work out this song and record it for tonight’s session.
The song is called “Transitions” and this is a Laptop Sessions world premiere. It may make it to my next album, it may not… Only time will tell! I hope you like it. This is the first fully recorded version of it, so it’s a demo of sorts. It’s not perfectly arranged yet, to be sure, but I’m pretty happy with the overall structure of it. Some of the words may change, some of the rough edges will be smoothed out, but this is your sneak peak at the first complete version of it. I messed around with the harmonica even after I finished recording this video, and I have to say that this song has (and/or will have) one of my favorite harmonica parts that I’ve written in a very long time. It’s a very deliberate aspect, but not so note-for-note that it sounds scripted.
Outside of writing and recording this song, I’ve been busy during my February break with some grading for my classes, jury duty yesterday (I was released after “a day’s service”), preparing logs for my BEST portfolio, reading three things (Agatha Christie’s Murder on the Orient Express, The Complete Idiot’s Guide to Pro Wrestling, and the 40-page booklet to the Sam Jones film I Am Trying to Break Your Heart), and listening to several albums, including MoU’s Homestead’s Revenge (I think “Worlds Apart” is my favorite song we’ve ever done!), Pearl Jam’s Binaural, and Dan Auerbach’s Keep It Hid. Oh, and I can’t forget to mention my favorite playlist that I referred to in Monday’s post — the “Albums of 2008” iTunes playlist. Good stuff all around…
We’ve gotten a decent number of views to the blog for the chords and cover video of Dan Auerbach’s “My Last Mistake.” That’s exciting because I wasn’t sure what to expect with this fairly obscure song choice. It’s all the more incentive for me to keep on top of new rock music, bringing whatever I can to the blog as my contribution to this, the best acoustic cover song blog in the universe! No kidding!
Okay, that’s it for me for this week. But, even as I write that, I’ll be back to choose and post a Guest Session for Friday. We’re accepting submissions every day, so don’t wait — record a video on YouTube and send the link to us today with an interesting description.
