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“(What’s So Funny ‘Bout) Peace, Love, and Understanding” (Elvis Costello Cover)

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By Chris Moore:

Hello and welcome to another all-new Laptop Session, brought to you by the music blog devoted to great new rock music. My acoustic cover song tonight is not a new rock song, but it is a classic by an artist that did release an excellent album this year. That artist is Elvis Costello and the song is “(What’s So Funny ‘Bout) Peace, Love, and Understanding.” I had actually planned on recording (and did, in fact) record a different song for my session tonight, but after I finished that one, I went on to this Elvis Costello tune and liked how it came out so much that I had to post it tonight. For whatever reason (the amount of time that I had been singing previously, the air conditioning taking all the moisture out of the air in the house, or my allergies), my voice was somewhat rough for this recording. Normally, that would be enough for me to put down the guitar and wait for another day. However, I think it worked for the emotion that is supposed to be conveyed by this track. Aside from the very end of this take when my voice is simply too shot to hit the notes I wanted to hit (please feel free to laugh at the ridiculous look on my face), I’m happy with how it came out.

This is one my favorite Elvis Costello songs of all time, and it’s a perfect track to bring to this music blog, as it has been recorded as a cover song previously by such bands as the Wallflowers. It’s a fairly simple song with simple chords, simple but great lyrics, and a simple message that I know Ringo Starr would love, and it translates very well to acoustic guitar. That being said, Jim and I did some research tonight and were shocked to find that although he is listed as #80 on the list of best rock artists ever, he has had very few songs chart well, especially on the Billboard Hot 100. It’s amazing that his most popular songs really aren’t as successful as you might expect for an artist of his standing. That either says something about him or, more likely, the system. (Especially considering that this is a system that barely recognizes the existence of such talented and influential acts as the Moody Blues…)

If you’re a regular viewer of the Laptop Sessions, you’ll get another dose of Elvis Costello very soon — his new rock music on this year’s Momofuku is some of my favorite from him and is easily in my personal top four or five albums of the year (and this is saying alot, as I’ve heard somewhere approaching fifteen new albums this year already!).

Whatever you do, don’t go too far; Jeff will be back tomorrow with an all-new acoustic cover song music video for your listening and viewing pleasure…

See you next session!



“Automatic” (Weezer Cover)

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By Chris Moore:

Welcome to a fresh new Tuesday installment of the best acoustic cover song music blog series in the universe! That’s right — not just the country or the world, but the universe! Of course, I said the series is good, so that doesn’t guarantee that I’ll be any good, so you’ll just have to take your chances tonight…

Tonight’s music video is an acoustic cover from the new Weezer (Red Album). “Automatic” is track nine of ten — a powerhouse of an electric number with a great distortion guitar riff — and written by drummer Pat Wilson. I read that Wilson actually played the guitar for this one and frontman Rivers Cuomo sat at the drums. If you search YouTube videos like I did, you’ll find that there are some live versions of the songs from the Red Album already available and the one for “Automatic” is definitely worth checking out, if only for the alternative arrangement of the band.

I love to see when the bands I love switch it up a bit and allow other members to take the center stage, if only briefly. Some great bands that have done this on a regular basis are the Band, the Beatles, the Beach Boys, the Barenaked Ladies, the Moody Blues, and — now — Weezer! Still, many of my favorite musicians and bands are really one-man shows with a band to support them. Take Jakob Dylan (Wallflowers) and Adam Duritz (Counting Crows) just for a couple examples. Dylan and Duritz are two of my favorite songwriters, and although I like their bands, it is really their songwriting and lead singing that makes me love the bands and continue to buy their albums.

Even as I’m writing this, I can only think of one real exception to this songwriter-over-band preference of mine. Namely, Matchbox Twenty. I love Matchbox Twenty, and I have since their first album. I have bought every album and even loved their recent EP. But I just didn’t understand why Rob Thomas had to go off separately and try a solo career. For all intents and purposes, he really IS Matchbox Twenty. I mean, up until the EP, he wrote literally every song on each of their releases!

Exception aside, I have thoroughly enjoyed the new Weezer album, and I hope you have too. If you haven’t, you should really check it out. I found that the first couple tracks threw me a bit at first, but I quickly fell in love with a number of the songs — such as “Though I Knew” (a previous Laptop Session I recorded) and “Miss Sweeney” (a bonus track on the special edition).

Well, I’m off to do some work to promote all the great things happening here at the music blog. If you haven’t already, you should really check out the past couple days’ worth of posts — there is some great stuff, and much of it is FREE! There are live concert tracks, TNA pictures, and of course, great acoustic cover songs!

And, guess what?… Jeff Copperthite will be back tomorrow to post yet another all-new awesome acoustic cover, so don’t miss it…

See you next session!



“Screen Door” (Uncle Tupelo Acoustic Alt-Country Cover)

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By Chris Moore:

Well, there’s a first time for everything.  And I feel pretty confident as I write this that I am, indeed, the first of the Laptop Sessioneers to record a song from the alternative country genre.  This is “Screen Door,” a song from band Uncle Tupelo, which is credited with being one of the pioneers of the alt-country genre.

Even as I write this, I have to chuckle a bit.  I mean, truly, how many different genres can the music industry possibly conceive?  How many categories do we really need?  It’s not quite alternative.  It’s not quite country.  Let’s call it “Alternative Country”!

What’s next, Alternative Pop?

Classical Ska?

But, seriously, I find this all very interesting.  I first heard Uncle Tupelo a couple months ago when I bought their essential tracks compilation 89/93: An Anthology.  How does one find oneself motivated to buy an alt country album?  Well, you may be aware that I’ve recently discovered and really gotten into the band Wilco.  And, if you know me, you know that I need to know the broad history and backstories of bands that I get into.

So, let’s step back for a moment.  Uncle Tupelo was active between 1987 and 1994, originally comprised of lead songwriter and singer Jay Farrar, his brothers Wade and Dade, and Jeff Tweedy.  Tweedy quickly progressed into a second songwriter and lead singer of the band.  His influence was two-fold — he was responsible for booking a lot of early gigs and, through several name changes before arriving at this one and multiple band member additions and replacements, he advocated for the punk rock sound that he had been impressed with when he initially heard Farrar and his brothers play.  Dade disagreed and left the band shortly after Tweedy’s arrival.

Eventually, as the tale goes, tensions developed between Farrar and Tweedy over which direction the music should go until, finally, Farrar announced that he would be leaving the band.  They played their final gig in 1994, and Farrar went off to form a new band, Son Volt.  Meanwhile, Tweedy and all the other members of Uncle Tupelo reformed under the name Wilco.

So, after a lengthy explanation, there you have it — my interest in Wilco’s roots found me in the checkout line at Borders New Britain, Uncle Tupelo CD in hand.  Ironically, one of my favorite songs on the album is merely a demo — a rough, but fully arranged track titled “Outdone.”  Another song that got my interest is the first track on the compilation.  “No Depression,” also the title of their debut album, is a song written and originally performed by the Carter Family (then referred to as “No Depression in Heaven”).  Now, in 1936, “the Depression” had an entirely different meaning than it did for Uncle Tupelo in 1990.  I love how this song was able to survive and take on a new meaning.

I still haven’t taken the time to check out Son Volt, but I wouldn’t say that I’m a huge fan of Uncle Tupelo, really.  I am rapidly becoming an avid Jeff Tweedy and Wilco fan.  Even Wilco’s debut album (A.M. in 1995), which Tweedy himself referred to as their attempt to “tread some water with a perceived audience,” is head and shoulders above the Uncle Tupelo CD, in my humble opinion.  I can’t believe I’ve only heard three of the six Wilco studio albums…

Lots more to look forward to!

Without further ado, I’ll let you get to the actual video.  I chose “Screen Door” because it’s deceptively simple.  It could be taken as a Southern anthem about people sitting on their front porches, singing songs, and dealing with the heat.  However, the chorus adds an interesting angle — “We don’t care what happens outside the screen door,” Tweedy sings.  It’s an interesting social statement that I think applies in all parts of the country.  In New England, for instance, it may not be the screen door, but we certainly have developed a sense of apathy for those who pass by us, outside our circle of friends, family, and colleagues.

And now I’ll actually let the song speak for itself.  Don’t forget to rush back tomorrow for another all-new session with Jeff…

See you next session!

“Good Night Now” (Original Music from Indie Music Songwriter Chris Moore)

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By Chris Moore:

Hello and welcome to this week’s edition of “Original Wednesday,” our absolute favorite day of the week here at the music blog that brings you a new music video EACH and EVERY day! Original Wednesday is our favorite day because it gives us an opportunity to show off our own songwriting. The whole reason why we do these acoustic cover songs in the first place is to hopefully interest people who like to listen to new music to come and listen to our original music. Jim, Jeff, and I have been producing music for Fusco-Moore Productions for almost a decade now, and we couldn’t be more thrilled when Wednesday rolls around and we can record our own original music!

That being said, I dug into my catalog this week for an original song that I haven’t recorded yet. Over the past several months, I have recorded every original song that I have contributed to my band’s past two releases (the self-titled Masters of the Universe in 2006 and Homestead’s Revenge in 2008). I figured that these are the songs of mine that have seen the most circulation. Well, now that I have finished those, I am beginning to look back at my solo releases. Some of the MoU songs were previously recorded on solo releases, so those are out. However, my 2006 EP, Love Out of Fashion, is a work unto itself — none of the tracks on that album have been recorded or released in any other form.

For tonight’s session, I chose “Good Night Now,” the second track on the album. I hope you’ll take the time to listen to the studio version as well (CLICK HERE to listen!) because it has some of the most experimental guitar effects I had used up to that point. I wrote this song about two female co-workers who I felt very strongly about; these were relationships I established in high school and which lasted up until they left the Staples (where I worked at the time) several years later. I think that the realization that people you think you know in one environment (work, for instance) are really quite different elsewhere is a common one, and it hit me hard when I finally realized. Thus, this song…

So, without further ado, I bring you the free music video for tonight. Don’t miss a brand-new music blog entry from Jeff tomorrow — same Laptop-time, same Laptop-channel…

See you next session!