“Peacemaker” (Green Day Cover)

For Green Day chords, tabs, and lyrics, click HERE!

By Chris Moore:

Hello and welcome to your all-new Monday edition of the Laptop Sessions.  It’s been a while since I’ve featured a recently released song, so I’m going to put an end to that right now.

Tonight, I present to you “Peacemaker,” a track from Green Day’s 2009 album 21st Century Breakdown.  This is perhaps my quickest turnaround time from the release of a song to the recorded Laptop Session, as this album just hit the record store racks on Saturday.  I don’t know why Green Day opted for a “special Saturday release,” but it was kind of cool to have something brand new (and on sale!) on the shelves when I was browsing Newbury Comics this weekend.

What is my take on the album, you might ask?  Well, it DID knock Bob Dylan’s Together Through Life out of the number one spot in the UK, but I suppose I can overlook that…

Seriously, I don’t really know why I keep buying Green Day records.  One of my favorite lines from the movie Fracture is when a doctor asks the Ryan Gosling character, “Do you always keep asking the same question until you get a different answer?”  He responds, “I’m a lawyer.  That’s what I do.”  In this case, I’ve never been a fan of the band.  I liked early hits like “When I Come Around,” but I couldn’t get into their acclaimed album Dookie.  I’ve never really given it a fair shake, so it has ended up back in my “To Be Listened To” pile (currently housed in my Best Buy-exclusive Together Through Life crate — thank you, Mike!).

I finally picked up their 2004 album American Idiot after recommendations from several friends and critical acclaim from multiple music magazines, but I have yet to get into that album, as well.  I have consistently found it somehow too blunt.  Even the songs that I like — yes, mostly the overplayed radio hits — strike me as too formulated, too stamped out for the enjoyment of the average mainstream listener.  Who knows; perhaps someday I’ll be able to break the code of this concept album.

That is indeed why I picked up this latest installment in the Green Day catalog: it’s a concept album based loosely around the story of two characters named Christian and Gloria.  As with American Idiot, I much prefer to pay attention to the thematic threads.  Now, whereas in the 2004 album I have never been able to appreciate the lyrics, I have found several tracks on this new album that I like for several reasons — the lyrics, the overall instrumental sound, and Billie Joe Armstrong’s vocals.  Not to sound even more critical or anything, but Armstrong’s vocals on American Idiot have a tendency to get on my nerves.  That being said, he plays with his range and style in several different ways on this album.  Some songs are stripped down to basic piano or acoustic, and some songs are layered from top to bottom with spot-on vocal harmonies and distortion guitar blasts.  From start to finish, the album generally knows when to slow it down and when to kick it up a notch.

I have only heard the album three times in full, so I should reserve any final opinions for the future.  What I do know is that I like this concept album much more than American Idiot, from the sound all the way down to the album art.  Like their previous album, the cover artwork and liner notes are beautiful, carefully designed pages that feature the handwritten lyrics and various background designs.  If nothing else, this is a band that tries really hard to create an album that works as a whole.  And, after five years since their last album — more time between releases than ever before — they’ve certainly had enough time to perfect this one!

Without further ado, I’ll let you move on to my cover song music video of “Peacemaker.”  This is sure to be one of Jim’s favorite sessions of the year, so it may be difficult to outdo myself next week.  And yet, I suppose I’ll just have to try… 🙂

See you next session!

“Wishful Thinking” by Wilco – Chords, Tabs, and How to Play

“Wishful Thinking”
Wilco

D     F#m     Bm     E     G     D     G

Em                                 D
Fill up your mind with all it can know;
G                                      Em
Don’t forget that your body will let it all go.
Em                                    D                             G
Fill up your mind with all it can know…
D                         Bm              G                   D
What would we be without wishful thinking?

F#m     Bm     E     G     D     G

D                                          F#m
Chambers of chains with red plastic mouths,
Bm                             E
The inside of outside… No one has found
G                              D                        G
How to unring the bell, it’s just as well.

The turntable sizzles, the casting of spells,
The pressure devices… Hell in a nutshell.
Is any song worthy singing if it doesn’t help?

Fill up your mind with all it can know;
Don’t forget that your body will let it all go.
Fill up your mind with all it can know…
‘Cause what would love be without wishful thinking?

Open your arms as far as they will go.
Take off your dress; an embarrassing poem
Was written when I was alone in love with you.

I shook down these lines to shine up the streets,
I got up off my hands and knees to thank my luck stars
That you’re not me…

D                         Bm                G                D
What would we be without wishful thinking?
Am                      Em                G                D
What would we be without wishful thinking?
Am                      Em                G                D           Bm
What would we be without wishful thinking?

Am     Em     G     D     F#m     Bm     E

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“The Sound of Settling” by Death Cab for Cutie – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“The Sound of Settling”
by Death Cab for Cutie

C#m        B    E   F#m            A                         C#m
I’ve got a hunger twisting my stomach into knots
C#m     B                E     F#m     A
that my tongue has tied off.
My brain’s repeating, “If you’ve got an impulse, LET IT OUT!”
But they never make it past my mouth…

E    F#m   B              Asus2                    E    F#m      B       Asus2
Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…
Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…

Our youth is fleeting; old age is just around the bend,
and I can’t wait to go gray.
And I’ll sit and wonder of every love that could have been
If I’d only thought of something charming to say.

Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…
Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…

Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…
Ba, ba…   This is the sound of settling.  Ba, ba.  Ba, ba…

I’ve got a hunger twisting my stomach into knots.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Must Be Santa” (Bob Dylan / Christmas Cover)

For Christmas songs chords & lyrics, CLICK HERE!

By Chris Moore:

It’s official: the Christmas season is upon us yet again!  I, for one, found it difficult to concentrate on the work I brought home this weekend, choosing instead to listen to Christmas music — specifically that on Bob Dylan’s new 2009 holiday album Christmas in the Heart (see my review here!) — and playing some of my favorite seasonal songs on acoustic guitar.  One of my new favorites is a song written by Hal Moore and Bill Fredricks titled “Must Be Santa.”

Now, before you get too excited, I should begin by making it very clear that tonight I am covering Bob Dylan’s rendition of “Must Be Santa” and NOT the performance “popularized” by Mr. Music and the Cool Kids Chorus.

Please don’t be disappointed…

Seriously, though, if you would like to hear that rocking version, you’ll just have to download it for yourself.  Or the versions by Mitch Miller, Raffi, Point Sebago Resort, Glen Burtnik, Miss Lisa, Miss Molly, The Friel Brothers, The Angel Choir, The Holly Players Orchestra, The Hit Crew, Mary Lambert, Bob McGrath, Kids Sing’n, the Pokemon Christmas Bash band, or Lorne Greene with the Jimmy Joyce Children’s Choir — good luck finding that last one.

If you’re craving a good polka, then don’t miss out on the Brave Combo version (which, ironically, is the closest in style and arrangement to Dylan’s).

And who could forget the Kids Rap’n the Christmas Hits version?

These cover songs range from boring to funny to vomit-inducing and back again.  This brings me to the Bob Dylan version, which is a breath of fresh air when played beside these other covers.  Dylan’s “Must Be Santa” is a frantic, polka-inspired three minutes of Christmas spirit, accordions, and bright choral vocals built up around Dylan’s gruff lead.  Recorded nearly half a century after Mitch Miller first recorded the song in 1961, it is interesting to see how our image of Santa and the general sound and style of Christmas music (i.e. both sets of chord changes as the song progresses a la so many other seasonal favorites) really haven’t changed much in all this time.

Of course, it doesn’t hurt that Dylan’s album — and his recent work in general — is an homage to a simpler time in American popular music.

That is perhaps why Dylan’s new album, time-ravaged vocals and all, has slipped in so quickly among my favorite Christmas albums of all time.  Although it was recorded earlier this year, there is a sense of nostalgia and even timelessness in each of its tracks.  Somehow, he has managed to record the songs in a style that seems very natural from his current studio band.  Indeed, Dylan has seemingly reached further and further into the past for the styles of his past several albums.  In this sense, 2009 was the ideal year for him to record an album of traditional favorites and holiday songs from earlier in the century.

I don’t think any music will ever usurp the positions that The Beach Boys’ Christmas Album and the Moody Blues’ December currently hold in my heart.  The Barenaked Ladies’ Barenaked for the Holidays, Brian Wilson’s What I Really Want For Christmas, and America’s Harmony are certainly the next runners up.  Some of my attachment to this music is admittedly due to my own personal memories, such as listening to the Beach Boys each year as my family decorated the tree and attending a Moody Blues Christmas concert with two of my dearest friends several years ago.  That being said, there is also a universal element to the music on these records that I can’t imagine any fan of rock music being able to deny.  Somehow, these aforementioned bands have managed to incorporate religious hymns, classic rock Christmas songs, and originals into unified works that I look forward to dusting off each and every year.

For now, I’m wading into the music of season via this new Dylan album.  After all, this is the punchline of a joke I’ve been making for as many years as I’ve loved Bob Dylan — “Imagine if Dylan recorded a Christmas album!”  My friends and I would laugh, but I was always privately jealous that their favorite bands — the Beach Boys, the Moody Blues, etc. — had recorded Christmas albums or at least a Christmas song or two.

Now, I have my secret wish, and I couldn’t be happier!

Yes, Dylan’s voice is rugged, and truth be told, I was a bit hesitant to embrace this album when I gave it one listen upon its release a month ago.  However, it only took a second listen for me to get hooked.

Whatever music you may enjoy listening to at this time of the year, I hope you’re enjoying it, and I hope you’ll come back throughout the week for Jim’s music video tomorrow, a guest session(!) on Friday, and another installment of Weekend Review.

See you next session!