By Chris Moore:
Of all the remastered Beatles discs, the Fab Four’s debut album might seem the least likely to be the first you’d want to hear. After all, it is their most raw effort, not only for the fact that it was their first experience in the studio but also because they were pursuing a “live” sound. It was essentially recorded in a day under the supervision of a profoundly talented producer (George Martin) and four boys with a tremendous deal of potential (John, Paul, George, and Ringo), all five of whom had yet to re-create — or, really, create — the genre in which they would spend much of their respective careers and earn much of their respective fame.
Perhaps for all those reasons, Please Please Me is an excellent place to start.
“Please Please Me” – the Beatles’ debut album, remastered for 2009!
Amidst all the controversies over mono versus stereo, should the remasters have been remixed?, etc., Please Please Me has been released in the awkward stereo format — instrumentation at the left, vocals panned right — that would have been available only to “a small number of hi-fi enthusiasts,” as the liner notes recall.
I had to chuckle to myself as I sat in the parking lot today, cellophane wrapper on the floor and new-CD smell filling my nostrils, as I imagined how exciting and fresh this format must have been at the time, a hint of what was to come in the not-so-distant future.
For the first time today, I too was excited to purchase a Beatles album. Each of my previous purchases of a Beatles record on CD left me feeling empty. Sure, the music was excellent — phenomenal and mind-altering, even — but the packaging has always been far too sparse, nothing more than the cheapest of cheap jewel cases and a one-fold booklet. The packaging of this 2009 remastered album makes it worth the purchase alone. There are reprinted liner notes, rare photos, and a mini-documentary that, although very brief (less than four minutes), includes entertaining footage and interesting narration from all four band members as well as George Martin.
The songs themselves sound as good as they ever have. The Beatles’ rapid ascent to pop music stardom becomes clear after hearing tracks like the energetic “I Saw Her Standing There,” the vocally superb “Please Please Me,” and George’s lead vocal debut “Do You Want to Know A Secret?”
As if these weren’t enough, the other Lennon/McCartney originals round out the set nicely — the classics “Love Me Do” and the lesser-known but equally catchy “Misery.”
Even the covers, like “Anna (Go To Him)” and “Twist and Shout,” shine almost as bright as Lennon/McCartney originals. Although I have always maintained that “A Taste of Honey” is disposable, it is interesting to hear the first instance of Paul’s double-tracked lead vocals on a recording.
Throughout this remastered album, as with the original release, the words that continually come to mind are “energetic” and “fun.” In all reality, the remastered tracks are merely cleaned up versions of the original mixes — the same as always with a sharper focus, so to speak.
If the past four decades are any indication, this may be the last overhaul of the Beatles catalog for a very long time. For those of us “hi-fi enthusiasts” in 2009, it seems a shame to go on for the foreseeable future without all the Beatles’ material — arguably the most essential albums and tracks of rock and pop music — in full, lush stereo sound, each vocal and instrument standing out.
And yet, even if you feel this way, the 2009 remaster of Please Please Me — with all its simplicity and raw energy — should provide nothing but pleasant listening and reading. And if you’re interested, make sure to check out all of our Beatles cover songs here on the Laptop Sessions acoustic cover songs music video blog!
