“Church on Sunday” (Green Day Acoustic Rock Cover)

We’re looking for more Guest Sessions submissions! So, sit down, pull up your acoustic guitar and camera, post the video on YouTube, and CLICK HERE!

It’s finally Friday and it’s time to add yet another guest to this, the Guest Sessions project, hosted at the best cover song and new music video blog on the web — the Laptop Sessions!

For tonight’s video, we are happy to bring you only the second Green Day cover that’s been released on the blog.  Tonight’s guest comes to you from Bournemouth, UK.  Isn’t that the beauty of the Internet?  Mike White, our “Guest” performer, can record a video in the UK and I can post it on this music video blog while sitting in bed in Connecticut, United States.  We’ve become so used to this web that it’s not all that amazing to most of us, particularly the younger generation (myself included).  I take it for granted sometimes, but every so often I step back and consider how amazing this really is…

Tonight’s selection is “Church on Sunday,” the third track on Green Day’s Warning: album.  Warning: was released in 2000 and rose to both gold status and number 4 on the Billboard charts.  Even still, this was the least impressive showing the band had ever had, since their debut album Dookie. What makes material from Warning: ideal for the Laptop Sessions, though, is the fact that this album incorporates acoustic elements more than any previous Green Day release.

And you may be seeing another Green Day cover song soon, as the band is planning to release their new album, 21st Century Breakdown, in May 2009.  Supposedly, it has been strongly influenced by the work of Bob Dylan, Bruce Springsteen, and the Beatles, and is “more power pop than punk.”  Interesting… (I hope…)

So, without further ado, you should click on the video below and let Mike White’s energetic performance speak for itself!

Music Reviews – One Heart, Professional Vocalist

By Chris Moore:

One of the key criteria in judging a solo act is in the singer’s range and catalog of material. From the sounds of his seven track sampler, professional vocalist Andi Dawson, also known as One Heart, has managed to not only select a wide range of rock and pop numbers for his repertoire, but also to master the subtleties of each of his diverse tracks.

From the first vocal notes of “Smooth,” the singer’s attention to detail is clearly evidenced by the vocal effect that is strikingly similar to the one used famously by Rob Thomas, who helped score a number one hit on the Billboard Hot 100 for Santana at the turn of the millennium. And yet, a few tracks later, One Heart has slowed down and, going back to the seventies, taken on the smooth tones of Eric Clapton’s “Wonderful Tonight.” Gone is the bravado necessary for a rocker like “Smooth.” Instead, he delivers a vocal true to Clapton’s original, complete with subtleties in inflection and overall delivery.

Suitably, his voice drops an octave for the early sixties Del Shannon hit “Runaway.” His timing is impeccable on One Heart’s version of “Brown-Eyed Girl.” And One Heart has left no decade of rock music unexplored, faithfully translating Queen’s early nineties hit “The Show Must Go On,” Bryan Adams’ eighties hit “The Summer of ’69,” and a mix of fifties tracks in “The One Heart Rock & Roll Medley.”

The medley, the seventh and final track, fades with a take on “Rock Around the Clock,” originally by Bill Haley & His Comets. It is quite fitting for the set to end with the oldest songs presented, and yet with a number that is every bit as upbeat as their opening track.

Based out of Portsmouth in the United Kingdom, One Heart is the perfect solution for anyone planning the music for an event such as a wedding. Judging from his tracks — available online at www.one-heart.co.uk — this solo vocalist will bring a wide range of popular music sensibilities to his performances. This seven track sampler alone draws from mostly top ten and top five hits from artists as diverse as Elvis Presley to Queen, from eras as early as the 1950s to as recently as the new millennium. This supports the promise on the official website that “One Heart is an act that has been carefully designed to supply entertainment to all present.”

Having contributed regularly to the “session-a-day” Laptop Sessions acoustic cover songs project, I have quickly become an expert of sorts and indeed quite particular when it comes to judging the quality of covers. One Heart consistently demonstrates a mastery and a faithfulness to the original studio recordings of the songs he performs.

His music is solid, his vocal range is more than adequate for the range of artists he has chosen to cover, and his selection is vast — what more could you desire in one singer?