“Beyond Here Lies Nothin’” (Bob Dylan Cover)

For Bob Dylan chords and lyrics, CLICK HERE!

By Chris Moore:

It was definitely one of those “clouds parting” kind of Chris Moore Mondays for me.

First of all, I should clarify that “Chris Moore Mondays” is the title we use around here to remind you all that it’s my job to post a great cover song music video for you each and every Monday evening.  Next, I should explain the “clouds parting” aspect.  Well, I woke up around 5:30 this morning and was having serious difficulty getting myself out of bed.  Then, I noticed I had an email from bobdylan.com.

Long story short, I had woken up to find the link to a free download of the new, unreleased Bob Dylan track “Beyond Here Lies Nothin.’”  It will be track one on his upcoming album, Together Through Life, to be released on Tuesday, April 28th.  Sorry, Jim — this means that your birthday the following day is going to be something of an anti-climax.  😉

In all seriousness, this is an exciting bit of New Music Tuesday news.  After all, there were five years of separation between 2001’s Love and Theft and 2006’s Modern Times.  Now, it’s been less than three years and there’s a new release.  Based on the first track alone, I couldn’t be more excited.  It’s a pretty simple song — only three chords and a basic verse, chorus, repeat structure with a few instrumental breaks thrown in and a classic Dylan chorus style in which the lines in each chorus are slightly different.  I wasn’t sure what to think of the lyrics at first, but they’ve really grown on me today as I’ve listened to the song repeatedly and learned to play it.  I’m still not sure what to think of lines like “The whole world is my throne” or “And every window’s made of glass.”

The conclusion I’ve come to is that this is a deceptively simple song.  In the beginning of the song, Dylan sings of a lover in terms that express fairly standard love-song mentalities.  Still, by the end of the track, he compares himself to a ship in harbor with the sails up.  This implies that the ship is about to leave harbor, or perhaps that he is ready to move on to something — or someone — new.  And yet he goes on to tell his lover that she should lay her hand upon his head.  In typical Dylan fashion, even a love song has darker overtones, as played out in the chorus lines.  The choral sections really are my favorite lines.  “Beyond here lies nothin,’” he sings, “But the mountains of the past” or “Nothin’ done and nothin’ said.”  There is simply nowhere else he would rather be than where he is, as he acknowledges that there is nothing “beyond here.”  The questions, of course, are 1) where is “here”? and 2) does he really want to be “here” or are there simply no better options?

As I mentioned, it’s a fairly simple song.  Even I was able to figure it out in short order.  It’s three chords — Am, Dm, and E — easily within my register with an uptempo beat.  It’s actually caused a bit of a debate among Dylan fans who have disagreed over the use of accordion in the song and the state of Dylan’s vocal abilities.  As far as I’m concerned, the instrumentation is excellent, raw and loose but very intentional and fitting, accordion or no accordion.  As for Dylan’s voice, I read one user’s take on the fansite expectingrain.com.  He essentially said that Dylan’s vocals have deteriorated even more than they had on Modern Times.  My reaction is simple:

Really?

I mean, if you’ve followed Dylan over the past decade and enjoyed Time Out of Mind or the aforementioned two albums, then you know that his gritty vocals are fitting.  He may not stand a chance on American Idol, but I’m not so sure that’s a bad thing!  Another post that I read made a great deal of sense.  This user basically argued that Dylan’s vocals on studio recordings and during live performances should be weighed separately.  I agree with this — while his vocals may be a bit difficult to understand and follow in concerts at times, his studio recordings haven’t failed to impress me — including vocals, instruments, etc.

Needless to say, I hope you enjoy my take on this brand new Dylan song.  If you’re a guitarist, you should check out my chords and lyrics (see the link above) and have fun playing it yourself.  And, without further ado, I wish you a good night and a great week…

See you next session!

More Laptop Sessions covers

“Beyond Here Lies Nothin'” by Bob Dylan – Chords, Tabs, and How to Play (Lyrics from “Together Through Life”)

For the cover song music video, CLICK HERE!

” Beyond Here Lies Nothin’ ”
Bob Dylan

Am – Am – Dm – Am – E – Am

Am
Oh, well, I love you pretty baby;
You’re the only love I’ve ever known.
Am                                  Dm
Just as long as you stay with me,
Dm                               Am
The whole world is my throne.

Am                      E
Beyond here lies nothin’…
E                                      Am
Nothin’ we can call our own.

Well I’m moving after midnight
Down boulevards of broken cars.
Don’t know what I’d do without her,
Without this love that we call ours.

Beyond here lies nothin’…
Nothing but the moon and stars.

(SOLO)

Down every street there’s a window,
And every window’s made of glass.
We’ll keep on lovin’ pretty baby,
For as long as love will last.

Beyond here lies nothin’…
But the mountains of the past.

(SOLO) x2

Well my ship is in harbor,
And the sails are spread.
Listen to me, pretty baby:
Lay your hand upon my head.

Beyond here lies nothin’…
Nothin’ done and nothin’ said.

Am

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

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The Other Half: A Look Back at Ten (Officially Released) Jim Fusco Rarities – PART TWO

By Chris Moore:

Last week, I brought you the first five in a list of ten Jim Fusco rarities marking the release of his Halfway There album on April 7th, 2009.  After all, there’s no better way to celebrate a new release than to go back and enjoy all previous releases in a series.

In the case of Fusco, there has been quite a variety of musical projects over the course of the past eight years.  There have been six solo studio albums, three band albums, four releases (of 20 tracks each) in the Laptop Sessions acoustic mp3 series, a single, a greatest hits disc (with accompanying music video DVD compilation), and assorted demos, covers, and other tracks.  Now that I’ve officially finished listening to all the Bob Dylan tracks in my collection (almost 700!), I’ve embarked on my “Jim Fusco Catalog” playlist.

Clocking in at “only” eleven hours or so, this should be much easier to tackle than my Bob Dylan playlist!

For those of you Jim Fusco faithfuls, I hope you’ll enjoy the final five tracks on this second installment of “A Look Back at Ten (Officially Released) Jim Fusco Rarities” worth remembering…

A Look Back at Five More (Officially Released) Jim Fusco Rarities…

6)  “The Red, White, and Blues” – This is yet another album starter that I love.  It is Fusco’s first foray into direct protest songwriting.  Indeed, his March 2008 Laptop Sessions version stirred up some controversy in the form of comments left on the site.  It was nice to see that at least some people listen to the lyrics, even if they misread and/or disagreed with their message.  As he wrote in the blog post, this was the first and last “protest” type song of its kind.

7)  “The Second Time” – All I have to say is: this better be at the wedding reception!  In 2003, Jim recorded and released Formula, an album whose material was clearly inspired by his now-fiance Becky Daly.  She joins him near the end of this track, offering up a preview of 2/3 of the Chris, Jim, and Becky trio that would go on to perform around the state and release a “live in the studio” album.  While this isn’t necessarily one of my favorite Jim Fusco songs, it’s always been one of my favorites from Formula and — if it’s not “best of” material, then — it’s “top ten rarities” material.

8)  “Sideshow” – There are so many different tracks that were up for inclusion on this list of rarities — there’s the simple, piano-based vulnerability of “My Angel” or the folky storytelling style of “Vision of Cobblestone Town,” to name just a couple.  “Sideshow” earns a spot in the top ten for its unique sound.  There’s something about this track that is controlled and yet sort of wild; it’s one of those songs whose sound truly meshes with and contributes to the meaning conveyed by the lyrics.  In addition, as the penultimate track on What About Today?, it’s truly the point at which the recurring instrumental section comes to a climax before the first chords of “Harmony” and the close of this concept album.

9)  “Never Taking Your Chances” – This is one of those songs that benefits from my memories surrounding its conception, recording, and release.  I vividly recall my conversations with Jim about the situation that resulted in the writing of this song, and I recall the then-groundbreaking recording methods that he was pioneering.  This is a clear example of early blending between vocals and distortion guitar.  With each album, Jim’s use of guitar effects has become more effective and more interesting, and I can’t wait to hear his latest leap forward on Halfway There.

10)  “Another Backwards Day” – Speaking of guitar effects, “Another Backwards Day” is a track that I always felt was left forgotten about, sandwiched between the live favorites “Can’t Count on Words” and “Sometimes.”  This song is every bit as upbeat and rocking as the other songs around it, and it boasts a Frampton-esque series of guitar solos and riffing.  If “She Waits” (another favorite and one that ALMOST made the list!) demonstrates Jim’s softer, piano-driven side, then “Another Backwards Day” pulls out the stops and allows him to flex his electric muscle.

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“On For Miles” (Jim Fusco Original Song)

By Jim Fusco:

Why doesn’t anyone post Original Wednesdays anymore?  Well, I’ll just chalk it up to the fact that my album “Halfway There” came out in April 2009!  If you’ve been to the music video blog before, you’ve probably seen advertisements for it.  You may have even heard a bit.  I hope you’re liking it so far- it’s a loooooong time in the making!  If you’ve been here before, you’ve probably also noticed that we cover almost 200 bands- a new video three times a week.  You may not know that on a weekly basis, we post original songs, as well!

Here is track 3 from the “Halfway There” LP.  On the album, you’ll notice that this song is much punchier and has a more modern sound to it.  Okay, so maybe it doesn’t have a modern sound, but it’s as modern as you’re gonna get from me! 🙂  The song has some cool effects and features a very intricate five part harmony on the chorus- it’s so cool to listen to it in the car because the chorus seems to “widen” the speakers as soon as it kicks in.  It does that on the first chorus of the song “Halfway There”, as well- I’d love to hear your reactions to the album!  I got this effect because of the new mastering techniques I learned.  No longer does it sound like a wet burlap sack is draped over the speakers when listening to a recording of mine.  I’ve actually even remastered my last album, “What About Today?”, in the same way- you should HEAR how much better it sounds!  One of these days, I’ll get a digital copy up on the FMP Store.

Anyway, “On For Miles” is supposed to be “single-worthy” in the sense that it’s the third song on the album, but it does follow two superb ones (if I do say so myself) in “Go Back To Him” and “Our Love Doesn’t Translate”.  I knew I needed to follow-up those songs with something really catchy, as well, but that also got you into the feel of the whole album, rather than listening to a collection of singles.  It’s tough to describe.

So, this version, which is only me and an acoustic guitar, has a much different vibe- but that’s when a cover song on acoustic guitar is really interesting.  It’s never interesting to take a song that was done acoustically in the first place and just do it live in front of the camera.  It’s fun to take a fully-produced song and pare it down to the bare bones and play it just as a “song” and not a production.

I hope you enjoy this original song from “Halfway There”. 🙂

Have a great rest of the week!

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