“If You Could Read My Mind” (Gordon Lightfoot Cover)

By Chris Moore:

Hello and welcome to yet another all-new edition of everyone’s favorite acoustic cover song music blog! Today, I’m bringing you a song taken from Jim’s list of songs to record. He’s noticed that I’ve been having a hard time recently finding songs from new artists to cover — most of the songs I want (and I have quite the list) are either from artists I’ve recently covered or have difficult singing parts that I need more practice with. So, he suggested I do Gordon Lightfoot’s “If You Could Read My Mind.” I have always loved this song, and my passion for it was renewed when I picked up a copy of Gene Clark’s album Firebyrd. The album includes a cover song version of this song that I love every bit as much as the original. So, in a way, this is the perfect track to choose for a Laptop Session — a song by a new artist that was once covered by an artist whose material we have often covered on this video blog. If that made sense to you, then you deserve extra points!…

Regular fans of the Sessions may notice that I’m standing up tonight instead of sitting, as I have been for many of my recent video blog entries. Well, the reason is simple — even though this is not an upbeat song, I felt that I just wasn’t doing well with it while sitting. I’m kind of like Robert Redford’s character in Butch Cassidy and the Sundance Kid in that way. In the film, Sundance (played by Redford) is asked to shoot a target in order to prove how good a shot he is. The man insists that he not draw from his holster; rather, he should simply take aim and shoot. He does so and misses. The man grins disappointedly and starts to walk away. Then, Sundance puts the gun back in his holster, draws, and rapidly shoots the rather small target repeatedly.

When the man looks at him, awe-struck, Sundance’s response is something like, “I’m better when I’m moving.”

While recording acoustic cover songs is obviously not anything like firing a weapon, I do often think about this comparison when I’m playing. When I’m on my feet, I tend to take what I’m playing more seriously and I truly feel more comfortable than if I were to sit and play.

Well, now that you have more information about my style of playing acoustic guitar music than you could ever have hoped for or desired to know, I’ll leave you with the actual session. I kind of wore myself down on this one, playing so many takes that, although it is technically solid, I feel that it lost some of the urgency of the earlier takes. Of course, it didn’t help that my computer lost battery power and shut down in the middle of my most perfect take. If only it had held out for two more minutes, I would have been done a half hour earlier than I was!

Okay, without further ado, here’s my version of Gordon Lightfoot’s “If You Could Read My Mind.” Don’t forget to hurry back tomorrow for an all-new and excellent session from Jeff!

See you next session!



“Odds and Ends” (Bob Dylan Cover)

For Bob Dylan chords / tabs / lyrics, CLICK HERE!

By Chris Moore:

Well, it may not have been recorded in my basement with an as-yet-unknown Canadian rock band, but this is the best version of “Odds and Ends” you’re going to get out of me!  I’ve always loved this song.  It sets the tone nicely for the 23 songs that follow.  Indeed, “Odds and Ends” encapsulates the spirit of The Basement Tapes: often absurd lyrics sung over raw yet warm instrumental tracks.  For Dylan, this set of songs signified his retreat from the “wild, mercury sound” of Blonde on Blonde and the wild world tour of 1966.  At the same time, you can listen as the Band begins to really gel and find their collective voice.

The primary reason I chose this song tonight — one of two that I will post tonight — is in honor of Dylan’s brand-new album being released tomorrow.  It is titled Together Through Life, and I’ve already recorded a Laptop Session of the lead track, “Beyond Here Lies Nothin.'”  There is at least one other song that’s been leaked online, but I’d rather save the other nine tracks for my first listen to the album as a whole.

Instead, I’ve gone back to this 1975 release of these 1968 recordings.

Why choose The Basement Tapes to cover now?

The answer, quite simply, is that I was too busy with other videos and writing to be able to record these songs a couple weeks ago when several Dylan albums — The Basement Tapes, New Morning, Dylan and the Dead — were reissued in digipack format.  I saw them in the stores, and although I really don’t see why anyone who already owns these albums would want to buy the updated versions (aside from sound quality, of course), I can’t help but feel it necessary to celebrate any and all attention that Dylan’s back catalog is given.

It hasn’t been all that long since I would scan the CD racks at stores like Sam Goody, FYE, Best Buy, Borders, and a host of others, looking for Dylan albums to complete my collection.  For a while, I would buy two at a time in an attempt to satiate my thirst for new Dylan material.  Although I don’t feel that same urgency for Dylan’s releases when I walk into a CD store, I have lost none of my passion and respect for his music.

As Jim knows and is probably already thinking (and he’s right), I’ll jump at any excuse to record a Dylan song!!

Okay, that’s it for the first post.  I need to save something to write about in my second post of the night, coming very shortly…

See you next session!

“Soulful Old Man Sunshine” by the Beach Boys – Chords & Lyrics : Ask the Musician

By Jim Fusco:

I received an email today from Mike H., who just watched my cover song music video of the Beach Boys’ semi-unreleased song, “Soulful Old Man Sunshine”.  What a great song it is- it’s hard to believe they put so much effort into a song and then canned it for years.  Anyway, Mike was wondering what the chords to the song were.  So, I decided to post them here on the music blog for all to see!  Also make sure to check out my cover song video of “Soulful Old Man Sunshine” below the chords and lyrics.  Thanks for writing, Mike, and I hope this helps!

..........Am7..Gm7......F
In that soulful ol’ man sunshine

F................Bb6................F...............Bb6
She looks so fresh and sweet, keeps herself soft and tender
Am7.............Dm7...........Gm7............Gm7/C..C7
No wonder that I can sing a song about my baby
F................Bb6.....F..........Bb6
She looks so healthy, I feel so doggone wealthy
Am7.............Dm7...........Gm7............Gm7/C..C7
No wonder that I can sing a song about my baby

Dm.........G7........Bb......Bb/C..........Am7..Gm7......F
So happy, together love is better in that soulful ol’ man sunshine
F..Cm7..Bb..F
Do-do-do

F.................Bb6.............F..........Bb6
She wakes up singing songs, of happy everafters
Am7..............Dm7.................Gm7........Gm7/C..C7
Well let me just tell you ‘bout my ever-lovin’ lady
F.................Bb6.....F..........Bb6
One bright September, I can remember
Am7................Dm7..............Gm7.............Gm7/C..C7
The morning we walked together laughin’ in the sunshine

F.............................Cm7
Hey old man shine your love on me
F.............................Cm7
Hey old man shine your love on me
F............................................Cm7
Soulful old man sunshine shine your light divine on me
F.............................Cm7
Hey ol’ man shine your love on me
........Gm7..........Am7...........................Bb6................C6
Then suddenly the light shines through and I see you there standing before me
Gm7........Am7.............Bb6...................Gm7/C........C7..C/D
Today the world is new I feel so high and so far within you, yeah

G................C6........G.............C6
Morning and evening, my love is weaving
Bm7.............Em7...........Am7............Am7/D..D7
A magical thread of joy that joins our hearts together
Em.........A7........C.......C/D...........Bm7..Am7......G
So happy, together love is better in that soulful old man sunshine