By Chris Moore:
Crazy For You cover (Best Coast, 2010)
(July 27, 2010)
Review:
Best Coast sounds like the product of Zooey Deschanel and Tegan & Sara meeting on a drizzly day in sunny Californ-i-a, deciding to form a band; unfortunately, though, not much is surprising after the first couple tracks, but the band oozes potential and hints at what they may be capable of in the future.
Top Two Tracks:
“Crazy for You” & “Boyfriend”
By Maurice Davis:
Maurice Davis singing Jeff Buckley’s version of “Hallelujah,” a song originally composed by Leonard Cohen.
[Editors Note: Recorded with a professional studio, Maurice’s sound quality on this acoustic cover song music video is top notch. His voice and finger-picking skills clearly make this song a perfect fit for him, and we hope you enjoy these six minutes of peaceful, if somber, music.]
To see how it’s played in the cover song music video, CLICK HERE!
“A Winter’s Tale”
The Moody Blues
Intro: F Bb F Bb F C F
F Bb
The nights are colder now
Am Bb
Maybe I should close the door
F C Dm
And anyway the snow has covered all your footsteps
Gm C
And I can follow you no more
The fire still burns at night
My memories are warm and clear
F
But everybody knows
C Bb C F
It’s hard to be alone at this time of year
F Bb
It was only a winter’s tale
Just another winter’s tale
And why should the world take notice
F C
Of one more love that’s failed?
F Bb
A love that can never be
Though it meant a lot to you and me
F
On a world-wide scale
C F
We’re just another winter’s tale
Instrumental: F C Dm Dm/C/Bb C F
While I stand alone
A bell is ringing far away
I wonder if you’re here
I wonder if you’re listening
I wonder where you are today
Good luck, I wish you well
For all that wishes may be worth
I hope that love and strength
Are with you for the length
Of your time on earth
CHORUS
Instrumental
CHORUS
Instrumental (x2)
Sing the following over the end of the instrumental:
Bb C F C – F
We’re just another winter’s tale.
** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **
By Chris Moore:
Hello and welcome to another edition of Original Wednesday here at the Laptop Sessions!
Tonight, I’m happy to present the second installment of my summer preview series of my forthcoming album The 2010 Project. I began recording demos a few months ago, as I mentioned in a previous post, and now I’ve officially hacked out a track listing. There will be thirteen tracks, all of which are fully composed now and have been recorded in demo form — a few of the demos are more fully produced, but minimally.
Now, I’m at the phase where I’m putting together the tools I need to record. With the help of a friend, I’ve recently picked up a set of seriously great headphones, which will be a necessary component of the mixing process. He also helped me pick out a USB microphone that I’ve been experimenting with this week. There is a line in and external mic plug that I may use if I’d like to refine the sound quality as I begin to record the tracks in a couple weeks. Finally, I had to replace my guitar pedal, which I had to throw away a few months ago when I pulled it out of storage and found the batteries had leaked. I tried to clean it out, but it was too far gone. So, I just got the latest Zoom pedal, which I can’t wait to try out!
Which brings me to the track I’m unveiling today. Previously, this has only been played for two people: my girlfriend and one of my dearest friends of all time. Both encouraged me that the new music I’ve been writing is among my best, so I’m hoping to make them proud by the time I’ve finished recording this new album.
And it’s about time — this marks four years since Love Out of Fashion!
“I Would Prefer Not To” will be the second track on the album, following “No Lights, No Sound.” Those of you English majors out there will pick up on the allusion to the Herman Melville short story “Bartleby, the Scrivener: A Story of Wall Street.” The verses are as simple as they come, only two chords: D and A. When I record the studio version, I hope to flesh out the riff I have in my mind and make that more catchy. The chorus is more interesting and, as in my favorite songs by artists like Bob Dylan, Mike Fusco, and others, the lyrics change slightly each time around. The song deals with the conflicts that arise from not wanting to disappoint others, but also needing to follow your impulses and passions. It’s a very personal song, critical at times — though it’s meant to be more confident than scathing — and I think there is a universal quality to it, regardless of its personal nature.
Without further ado, I give you my acoustic performance of “I Would Prefer Not To.” I hope you like it, and that you’ll continue to check back for more Original Wednesdays in the near future.
See you next session!